{"id":2307,"title":"Bernd Lohaus – Fremdkörper: works from the studio of Bernd Lohaus. Third presentation: Von der Wiederholung der Träume zur Realität","date_begin":"2015-06-30T00:00:00.000+02:00","date_end":"2015-07-26T00:00:00.000+02:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/723/large/Bernd_Lohaus__photo_M_HKAcc95.jpg?1436185051","poster_credits":"Estate Bernd Lohaus - (c) M HKA"},"translations":[{"locale":"en","name":"Bernd Lohaus – Fremdkörper: works from the studio of Bernd Lohaus. Third presentation: Von der Wiederholung der Träume zur Realität","short_description":"","description":"\u003cp\u003eTHIRD PRESENTATION\u003c/p\u003e\r\n\r\n\u003cp\u003e30.06\u0026rarr;26.07.2015\u003c/p\u003e\r\n\r\n\u003cp\u003eVon der Wiederholung der Tr\u0026auml;ume zur Realit\u0026auml;t\u003c/p\u003e\r\n\r\n\u003cp\u003eAs the title suggests, this third (and final) presentation is centred around the notion of repetition. The artist insists on that which touches him most, and feels the need to share this repeatedly with the outside world.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn Room 1 we have the \u0026#39;coudrages\u0026#39; (the word that Bernd Lohaus came up with himself, it corresponds to \u0026lsquo;collage\u0026rsquo; and \u0026lsquo;assemblage\u0026rsquo;), these comprise the third component of what began with concrete poetry and was followed by rows of points made with a sewing machine. Now Lohaus again makes use of the sewing machine, but this time \u003cem\u003ewith\u003c/em\u003e thread, and so creates - amongst other things - whimsical nodes of intersection.\u003c/p\u003e\r\n\r\n\u003cp\u003eSeveral of the works contain the German word \u0026#39;f\u0026uuml;r\u0026#39; (for).\u0026nbsp; It is a preposition that most explicitly expresses the sense of connection and contact.\u0026nbsp; Not only the content, but the calligraphic aspect as well, is important for Lohaus. \u0026nbsp;The \u0026#39;f\u0026#39; evokes verticality and the \u0026#39;r\u0026#39; ends in a gesture of free movement.\u003c/p\u003e\r\n\r\n\u003cp\u003eLohaus sees words as not only containing meaning, but also as signs.\u0026nbsp; And so in Room 3, two drawings are shown bearing the word \u0026#39;Ja\u0026#39; (yes).\u0026nbsp; This directness is in marked contrast to the inner meditation we find present in the text of the sculpture \u003cem\u003eM\u0026uuml;nster\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eRia Pacqu\u0026eacute;e was asked to propose an idea for the \u0026#39;examination wall\u0026#39; in Room 2 that would connect with Lohaus\u0026#39;s work originally exhibited \u003cem\u003ein situ\u003c/em\u003e.\u0026nbsp; While in the previous presentation a reconstruction was attempted by a member of the M HKA\u0026#39;s staff, here an artist is invited to contribute her own personal approach. And Ria Pacqu\u0026eacute;e\u0026#39;s proposal really nailed it: the original work remains untouched, but the viewer nonetheless becomes involved in the project. At a distance of 240 cm (the length of Lohaus\u0026#39;s black line, surveyed by Pacqu\u0026eacute;e), visitors may trace a black vertical line, with or without feeling, on a sheet of paper. This way the visitor can participate in the intervention and approaches the dynamic of the painting.\u003c/p\u003e\r\n"},{"locale":"nl","name":"Bernd Lohaus – Fremdkörper: Werken uit het atelier van Bernd Lohaus. Derde ostelling: Von den Wiederholung der Träume zur Realität","short_description":"","description":"\u003cp\u003eDERDE OPSTELLING\u003c/p\u003e\r\n\r\n\u003cp\u003e30.06\u0026rarr;26.07.2015\u003c/p\u003e\r\n\r\n\u003cp\u003eVon der Wiederholung der Tr\u0026auml;ume zur Realit\u0026auml;t\u003c/p\u003e\r\n\r\n\u003cp\u003eZoals de titel doet vermoeden, staat in deze derde (en laatste) opstelling de herhaling centraal. De kunstenaar insisteert op wat hem het meeste raakt en voelt de noodzaak dit herhaaldelijk te delen met de buitenwereld.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn de eerste zaal staan de \u0026ldquo;coudrages\u0026rdquo; (een woord dat Bernd Lohaus zelf had uitgevonden naar analogie met \u0026lsquo;collage\u0026rsquo; en \u0026lsquo;assemblage\u0026rsquo;), die het derde luik vormen van wat startte met concrete po\u0026euml;zie en gevolgd werd door rijen van punten die ontstonden met de naaimachine. Nu gebruikt Lohaus weer de naaimachine maar m\u0026eacute;t draad: dit brengt onder andere grillige knooppunten te voorschijn.\u003c/p\u003e\r\n\r\n\u003cp\u003eMeerdere werken dragen het woord \u0026ldquo;f\u0026uuml;r\u0026rdquo;. Het is een voorzetsel dat de verbinding of het reiken naar de ander het meest expliciet uitdrukt. Niet enkel de inhoud, ook het kalligrafische is voor Lohaus belangrijk. De \u0026lsquo;f\u0026rsquo; drukt een verticaliteit uit en de \u0026lsquo;r\u0026rsquo; eindigt in een vrije geste.\u003c/p\u003e\r\n\r\n\u003cp\u003eLohaus ziet woorden niet enkel als inhoud, maar ook als tekens. In zaal 3 worden daarom twee tekeningen met het woord \u0026ldquo;Ja\u0026rdquo; getoond. Deze directheid staat in sterk contrast met de inwendige meditatie die in de tekst van de sculptuur\u0026nbsp;\u003cem\u003eM\u0026uuml;nster\u003c/em\u003e\u0026nbsp;aanwezig is.\u003c/p\u003e\r\n\r\n\u003cp\u003eRia Pacqu\u0026eacute;e werd gevraagd een voorstel te doen voor de onderzoeksmuur in zaal 2 in verband met het oorspronkelijk in situ ge\u0026euml;xposeerde werk van Lohaus.\u003c/p\u003e\r\n\r\n\u003cp\u003eWaar in de vorige opstelling de reconstructie uitgeprobeerd werd door een museummedewerker, werd nu een kunstenaar uitgenodigd. Het voorstel van Ria Pacqu\u0026eacute;e slaat de nagel op de kop: aan het oorspronkelijke werk wordt niet geraakt, maar de toeschouwer wordt bij het project betrokken. Van op een afstand van 240 cm (de lengte van de zwarte lijn van Lohaus, door Pacqu\u0026eacute;e afgemeten en afgestapt) kan de bezoeker al dan niet met gevoel een zwarte verticale lijn op een blad papier trekken.\u003c/p\u003e\r\n\r\n\u003cp\u003eOp die manier doet de bezoeker de performance en benadert de dynamiek van het schilderij.\u003c/p\u003e\r\n"},{"locale":"fr","name":"Bernd Lohaus – Fremdkörper: œuvres de l’atelier de Bernd Lohaus. Troisième installation: Von der Wiederholung der Träume zur Realität","short_description":"","description":"\u003cp\u003eTROISI\u0026Egrave;ME PR\u0026Eacute;SENTATION\u003c/p\u003e\r\n\r\n\u003cp\u003e30.06\u0026rarr;26.07.2015\u003c/p\u003e\r\n\r\n\u003cp\u003eVon der Wiederholung der Tr\u0026auml;ume zur Realit\u0026auml;t\u003c/p\u003e\r\n\r\n\u003cp\u003eComme le titre permet de le supposer, cette troisi\u0026egrave;me (et derni\u0026egrave;re) pr\u0026eacute;sentation s\u0026rsquo;articule autour de la r\u0026eacute;p\u0026eacute;tition. L\u0026rsquo;artiste insiste sur ce qui le touche le plus et \u0026eacute;prouve le besoin de le partager \u0026agrave; plusieurs reprises avec le monde ext\u0026eacute;rieur.\u003c/p\u003e\r\n\r\n\u003cp\u003eDans la premi\u0026egrave;re salle se trouvent les \u0026laquo;\u0026nbsp;coudrages\u0026nbsp;\u0026raquo; \u0026ndash; un mot que Bernd Lohaus a invent\u0026eacute; par analogie \u0026agrave; \u0026laquo;\u0026nbsp;collage\u0026nbsp;\u0026raquo; et \u0026agrave; \u0026laquo;\u0026nbsp;assemblage\u0026nbsp;\u0026raquo; \u0026ndash;, qui constituent le troisi\u0026egrave;me volet de ce qui a commenc\u0026eacute; par de la po\u0026eacute;sie concr\u0026egrave;te et a \u0026eacute;t\u0026eacute; suivi par des rang\u0026eacute;es de points r\u0026eacute;alis\u0026eacute;s \u0026agrave; la machine \u0026agrave; coudre. Cette fois, Lohaus utilise \u0026agrave; nouveau la machine \u0026agrave; coudre, mais avec du fil\u0026nbsp;: cela fait appara\u0026icirc;tre, entre autres, des n\u0026oelig;uds versatiles.\u003c/p\u003e\r\n\r\n\u003cp\u003ePlusieurs \u0026oelig;uvres portent le nom de \u003cem\u003ef\u0026uuml;r\u003c/em\u003e (pour), la pr\u0026eacute;position allemande qui exprime le plus explicitement le lien entre ou le fait de tendre vers l\u0026rsquo;autre. Non seulement la teneur est importante pour Lohaus, mais l\u0026rsquo;aspect calligraphique aussi. Le \u0026laquo;\u0026nbsp;f\u0026nbsp;\u0026raquo; manifeste la verticalit\u0026eacute; et le \u0026laquo;\u0026nbsp;r\u0026nbsp;\u0026raquo; s\u0026rsquo;ach\u0026egrave;ve par un geste libre.\u003c/p\u003e\r\n\r\n\u003cp\u003eLohaus con\u0026ccedil;oit les mots non seulement comme du contenu, mais comme des signes aussi. Voil\u0026agrave; pourquoi les deux dessins avec le mot \u003cem\u003eJa\u003c/em\u003e (oui) sont pr\u0026eacute;sent\u0026eacute;s dans la troisi\u0026egrave;me salle. Cette approche tr\u0026egrave;s directe est en contraste net avec la m\u0026eacute;ditation int\u0026eacute;rieure que comporte le texte de la sculpture \u003cem\u003eM\u0026uuml;nster\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eRia Pacqu\u0026eacute;e a \u0026eacute;t\u0026eacute; invit\u0026eacute;e \u0026agrave; soumettre une proposition pour le mur de recherche de la deuxi\u0026egrave;me salle, en lien avec l\u0026rsquo;\u0026oelig;uvre in situ originale de Bernd Lohaus.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026agrave; o\u0026ugrave; dans la pr\u0026eacute;c\u0026eacute;dente pr\u0026eacute;sentation, un collaborateur du mus\u0026eacute;e a tent\u0026eacute; de reconstruire la pi\u0026egrave;ce, cette fois, c\u0026rsquo;est une artiste qui est convi\u0026eacute;e \u0026agrave; le faire. La proposition de Ria Pacqu\u0026eacute;e est d\u0026rsquo;une pertinence absolue\u0026nbsp;: elle ne touche pas l\u0026rsquo;\u0026oelig;uvre originale, mais elle associe le spectateur au projet. D\u0026rsquo;une distance de 240\u0026nbsp;cm (soit la longueur de la ligne noire de Lohaus que Pacqu\u0026eacute;e a mesur\u0026eacute;e et qu\u0026rsquo;elle a effectu\u0026eacute;e), le spectateur peut tirer, avec ou sans \u0026eacute;motion, une ligne verticale noire sur le papier.\u003c/p\u003e\r\n\r\n\u003cp\u003eAinsi, le spectateur r\u0026eacute;alise la performance et aborde la dynamique de la toile.\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":42,"name":"Jef Geys","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/333/large/Geys%20Jef%20cover%282%29.jpg?1305289942","poster_credits":"© M HKA"}},{"id":116,"name":"Bernd Lohaus","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/116/large/LNGPROJECTNAME-Bernd-Lohaus.jpg?1394729500","poster_credits":null}},{"id":171,"name":"Ria Pacquée","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/258/large/PerformanceRiaPacquee2011ArtsBirthdayphotoM_HKAclinckx2.jpg?1465901988","poster_credits":"©image: M HKA, 2011"}},{"id":633,"name":"Jef Lambrecht","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/055/391/large/JapN001.jpg?1587908880","poster_credits":"M HKA"}},{"id":655,"name":"Michel François","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/684/large/michel_portrait.jpg?1370420523","poster_credits":"(c)image: Hans Theys"}},{"id":754,"name":"Patrick Van Caeckenbergh","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/752/large/cat_boek_NLTS_txt_Patrick_Van_Caeckenbergh.jpg?1340631608","poster_credits":"(c)image: Jean-Pierre Stoop"}}],"items":[{"id":12764,"title":"Münster","date_begin":"1991-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/028/246/large/Bernd_Lohaus__photo_M_HKAcc16.jpg?1429629944","poster_credits":"Estate Bernd Lohaus","actors":"Bernd Lohaus"},{"id":13087,"title":"Large works on paper, third series ","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/752/large/Bernd_Lohaus__photo_M_HKAcc64.jpg?1436188054","poster_credits":"Estate Bernd Lohaus - (c) M HKA","actors":"Bernd Lohaus"},{"id":13088,"title":"Coudrages","date_begin":"1965-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/734/large/Bernd_Lohaus__photo_M_HKAcc86.jpg?1436186007","poster_credits":"(c)photo: M HKA, Courtesy Estate Bernd Lohaus","actors":"Bernd Lohaus"},{"id":13089,"title":"Vitrine: texts","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/741/large/Bernd_Lohaus__photo_M_HKAcc66.jpg?1436186695","poster_credits":"Estate Bernd Lohaus - (c) M HKA","actors":"Bernd Lohaus"},{"id":13090,"title":"Ohne Titel","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/726/large/Bernd_Lohaus__photo_M_HKAcc95.jpg?1436185424","poster_credits":"Estate Bernd Lohaus - (c) M HKA","actors":"Bernd Lohaus"},{"id":13091,"title":"Ohne Titel","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/724/large/Bernd_Lohaus__photo_M_HKAcc74.jpg?1436185234","poster_credits":"Estate Bernd Lohaus - (c) M HKA","actors":"Bernd Lohaus"},{"id":13092,"title":"Crayon on paper","date_begin":"1992-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/743/large/Bernd_Lohaus__photo_M_HKAcc78.jpg?1436186961","poster_credits":"Estate Bernd Lohaus - (c) M HKA","actors":"Bernd Lohaus"},{"id":13096,"title":"Anny Ja","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/763/large/Bernd_Lohaus__photo_M_HKAcc77.jpg?1436272574","poster_credits":"Estate Bernd Lohaus - (c) M HKA","actors":"Bernd Lohaus"},{"id":13097,"title":"Ohne Titel ","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/764/large/Bernd_Lohaus__photo_M_HKAcc75.jpg?1436272975","poster_credits":null,"actors":"Bernd Lohaus"},{"id":13098,"title":"Ohne Titel ","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/766/large/Bernd_Lohaus__photo_M_HKAcc76.jpg?1436273413","poster_credits":"Estate Bernd Lohaus - (c) M HKA","actors":"Bernd Lohaus"},{"id":28939,"title":"Von der Wiederholung der Träume zur Realität (cat.)","date_begin":"1991-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/065/834/large/JL18s029.jpg?1606036798","poster_credits":"M HKA","actors":"Jef Geys, Michel François, Ria Pacquée, Patrick Van Caeckenbergh, Bernd Lohaus, Jef Lambrecht"}]}