M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition: INBOX: George Smits. Episode 2: MAFprint experimentele zeefdrukken & affiches / Underground comics 'De verhalen van Jan' / Super 8 films 'The Colour Company Presents' / Schilderijen

M HKA, Antwerpen

26 November 2015 - 03 January 2016

Courtesy of the Estate George Smits, Antwerp

Episode 2

27.11.2015 – 03.01.2016

George Smits (Antwerp, 1944-1997) was a versatile musician and artist and an established name since the mid-1960s in the Antwerp underground art scene. He preferred to described himself as a beatnik.

During his studies at the Brussels Sint-Lucas Institute he joins Ferre Grignard. At that time the Antwerp music bar The Muse is the base of Ferres skiffle band. George Smits - also known as 'den Toet '- plays harmonica and guitar.

In this second episode works are displayed which Smits made under MAFprint. MAFprint stands for Mad Artist Foundation: a "one man association for the promotion of cheap art forms, art forms for a wider audience: posters, comics, actions with an experimental mobile screen printing workshop." In 1969 MAFprint moves in with ERCOLA - Experimental Research Center of Liberal Arts - which had developed into a meeting place for the Antwerp art scene in the early 1970s. The wacky alter ego of George Smits also makes an appearance in this episode in De Verhalen van Jan.

In the early 1970 George Smits gains recognition with his light installations The Colour Company and delves into the painting techniques of the Old Flemish Masters. Smits continues to paint until his death. His style and the formats of his works always keep evolving.

From 1980 onwards Smits makes dazzling fluorescent screen prints and light installations, these and all his other pictorial works have a common aim: creating a 'heavenly' experience here and now with the viewer.

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Media

>George Smits in his workshop, ca. 1986

>View of the exhibition

>View of the exhibition

>View of the exhibition

>View of the exhibition

> George Smits, Koppeke, 1969-1970. Multiple, stempel, amulet.

> George Smits, Stop Thinking, 1969. Print, zeefdruk.

> George Smits, The Colour Company, 1970-1973. Film, super 8 films, lichtinstallaties.

> George Smits, De Verhalen van Jan, 1970-1978. Drawing, oost-indische inkt, calqueerpapier.

> George Smits, Thalamus, 1970. Print, zeefdruk affiche.

> George Smits, Zonder titel, 1972. Print, zeefdruk, day-glo verf.

> George Smits, Ave Dollar, 1972. Print, zeefdruk op acetaat, ingekleurd en gepresenteerd voor aluminiumfolie, 100 x 100 cm.

> George Smits, Ave Dollar, 1972. Print, silkscreen; ink on paper.

> George Smits, Ercola, Vrije Inkom, 1973. Print, zeefdruk.

> George Smits, 1 Droom van Jan, 1974. Painting, oost-indische inkt, witte verf, bristol papier.

> George Smits, Zonder titel, 1976-1997. Painting, olieverf op paneel.

> George Smits, Taboe Woewoe, Taboe Loeloe, Taboe Doedoe, 1977. Print, zeefdruk.

> George Smits, Zelfportret, 1993. Painting, olieverf op paneel.

> George Smits, Zelfportret, 18/12/’93, 1993. Article, olieverf op paneel.

> George Smits, Zelfportret, 17/12/’93, 1993. Painting, olieverf op paneel.

> George Smits, Inspiration, 1995. Painting, olieverf en tempera op doek.