{"id":14098,"title":"Museum in Motion - Marcel Broodthaers","date_begin":"2022-09-16T00:00:00.000+02:00","date_end":"2023-01-08T00:00:00.000+01:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/925/large/1967_reportage_2a.jpg?1663235993","poster_credits":null},"translations":[{"locale":"en","name":"Museum in Motion - Marcel Broodthaers","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarcel Broodthaers\u003c/strong\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nMarcel Broodthaers (1924\u0026minus;1976) is one of the most intriguing artists of the twentieth century. Since his death, many people have attempted to understand the complex, erudite and humorous artist that Broodthaers was. Broodthaers used poetry to question conventions, in an attempt to resist every political system that sees the creation of symbols as its central goal. He understood better than anyone that the art world would not escape this fate either. His work explains that whatever is considered the \u0026lsquo;natural order\u0026rsquo; of things at a given time is always the result of political practices and therefore excludes other possibilities. Broodthaers reminds us that the world could always have been different.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nIn 1966, Broodthaers had his first exhibition at the seminal Wide White Space Gallery in Antwerp. The title of the exhibition betrayed what was on display: \u003cem\u003eMoules OEufs Frites Pots Charbon\u003c/em\u003e. Pop art was the language of young artists, and Broodthaers was well aware of it. In 1967, however, he did something that artists from the United States could not do with such conviction: he made pop clash with the history of European literature, the sentimental commodities that he was so familiar with as a book dealer in Brussels. The resulting publication, \u003cem\u003eLe Corbeau et le Renard\u003c/em\u003e, was shown at Wide White Space in 1968 as an intricate installation. Wide White Space organised five more solo exhibitions with Broodthaers.\u003c/p\u003e\r\n"},{"locale":"nl","name":"Museum in beweging - Marcel Broodthaers","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarcel Broodthaers\u003c/strong\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nMarcel Broodthaers (1924\u0026minus;1976) is een van de meest intrigerende kunstenaars van de twintigste eeuw. Sinds zijn dood hebben velen geprobeerd de complexe, belezen en humoristische kunstenaar die Broodthaers was te begrijpen. Broodthaers gebruikte po\u0026euml;zie om conventies in vraag te stellen. Op die manier probeerde hij weerstand te bieden aan elk politiek systeem dat de creatie van symbolen als hoofddoel stelt. Als geen ander begreep hij dat ook de kunstwereld hieraan niet ontsnapt. Zijn werk toont dat wat op een gegeven moment als de \u0026lsquo;natuurlijke orde\u0026rsquo; wordt beschouwd, altijd het resultaat is van politieke praktijken en dus van het uitsluiten van andere mogelijkheden. Broodthaers herinnert ons eraan dat de wereld altijd anders had kunnen zijn.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nIn 1966 had Broodthaers zijn eerste tentoonstelling in de baanbrekende Wide White Space Gallery in Antwerpen. De titel van de tentoonstelling verraadde wat er te zien was: \u003cem\u003eMoules OEufs Frites Pots Charbon\u003c/em\u003e. Popart was de taal van jonge kunstenaars, en Broodthaers was zich daar bewust van. In 1967 deed hij echter iets wat kunstenaars uit de Verenigde Staten nooit met zoveel overtuiging konden doen, hij liet namelijk Popart botsen met de geschiedenis van de Europese literatuur \u0026ndash; sentimentele handelswaar waarmee hij als boekhandelaar in Brussel zo vertrouwd was. De daaruit voortvloeiende uitgave \u003cem\u003eLe Corbeau et le Renard\u003c/em\u003e was in 1968 te zien in Wide White Space als een ingenieuze installatie. Wide White Space organiseerde nog vijf solotentoonstellingen met Broodthaers.\u003c/p\u003e\r\n"},{"locale":"fr","name":"Musée en mouvement - Marcel Broodthaers","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarcel Broodthaers\u003c/strong\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nMarcel Broodthaers (1924\u0026minus;1976) est l\u0026rsquo;un des artistes les plus intrigants du vingti\u0026egrave;me si\u0026egrave;cle. Depuis sa mort, nombreux sont celles et ceux qui ont tent\u0026eacute; de comprendre l\u0026rsquo;artiste complexe, \u0026eacute;rudit et humoristique qu\u0026rsquo;\u0026eacute;tait Broodthaers. La po\u0026eacute;sie \u0026eacute;tait son moyen de remettre en question les conventions et il a tent\u0026eacute; de r\u0026eacute;sister \u0026agrave; travers elle \u0026agrave; tout syst\u0026egrave;me politique qui consid\u0026egrave;re la cr\u0026eacute;ation de symboles comme son objectif central. Il a compris comme nul autre que le monde de l\u0026rsquo;art n\u0026rsquo;\u0026eacute;chapperait lui non plus \u0026agrave; ce destin. Son \u0026oelig;uvre explique que tout ce qui est consid\u0026eacute;r\u0026eacute; \u0026agrave; un moment donn\u0026eacute; comme \u0026laquo; l\u0026rsquo;ordre naturel \u0026raquo; des choses est toujours le r\u0026eacute;sultat de pratiques politiques et exclut par cons\u0026eacute;quent d\u0026rsquo;autres possibilit\u0026eacute;s. Broodthaers nous rappelle que le monde aurait toujours pu \u0026ecirc;tre diff\u0026eacute;rent.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nEn 1966, Broodthaers organise sa premi\u0026egrave;re exposition \u0026agrave; la galerie iconique Wide White Space \u0026agrave; Anvers. Le titre de l\u0026rsquo;exposition trahissait ce qui \u0026eacute;tait expos\u0026eacute; : \u003cem\u003eMoules OEufs Frites Pots Charbon. \u003c/em\u003eLe\u0026nbsp;pop art \u0026eacute;tait le langage des jeunes artistes, et Broodthaers en \u0026eacute;tait bien conscient. En 1967, il a cependant fait quelque chose que les artistes am\u0026eacute;ricains ne pouvaient pas faire avec autant de conviction : il a provoqu\u0026eacute; un clash entre le pop art et l\u0026rsquo;histoire de la litt\u0026eacute;rature europ\u0026eacute;enne \u0026ndash; des marchandises sentimentales dont il \u0026eacute;tait si familier en tant que libraire \u0026agrave; Bruxelles. En 1968, Wide White Space a pr\u0026eacute;sent\u0026eacute; l\u0026rsquo;\u0026eacute;dition qui en a r\u0026eacute;sult\u0026eacute;, \u003cem\u003eLe Corbeau et le Renard\u003c/em\u003e sous la forme d\u0026rsquo;une installation complexe. Par la suite, Wide White Space a organis\u0026eacute; cinq autres expositions individuelles de Marcel Broodthaers.\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":57,"name":" Panamarenko","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/377/large/IMG_3160.jpg?1399970416","poster_credits":"©image: M HKA"}},{"id":95,"name":"Marcel Broodthaers","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/371/large/Broodthaers3.jpg?1305536992","poster_credits":"(c)image: M HKA"}},{"id":113,"name":"Dr. Hugo Heyrman","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/972/large/Heyrman_Hugo.jpg?1378970866","poster_credits":null}},{"id":116,"name":"Bernd Lohaus","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/116/large/LNGPROJECTNAME-Bernd-Lohaus.jpg?1394729500","poster_credits":null}}],"items":[{"id":134,"title":"Lettre ouverte","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/176/large/Broodthaers,%200011%20Marcel,%20Lettre%20ouverte,%201972%20photo%20clinckx.jpg?1297936178","poster_credits":"(c)image: M HKA","actors":"Marcel Broodthaers"},{"id":135,"title":"Série de neuf peintures en langue allemande: Die Welt","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/177/large/Broodthaers,%200001%20Marcel,%20S%C3%A9rie%20de%20neuf%20tableau%20en%20langue%20allemande,%201973%20photo%20clinckx.jpg?1297936495","poster_credits":"(c)image: M HKA","actors":"Marcel Broodthaers"},{"id":9652,"title":"Museum in motion? - Museum in beweging?","date_begin":"1979-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/426/large/Untitled036.jpg?1395699352","poster_credits":null,"actors":" Panamarenko"},{"id":13250,"title":"Museum voor Moderne Kunst - Afdeling: De Arenden","date_begin":"1969-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/941/large/1969_Invitation_SectieXIXE_FlorBex_MarcelBroodthaers_C.jpg?1445339372","poster_credits":null,"actors":"Marcel Broodthaers"},{"id":14313,"title":"Le Corbeau et le Renard","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/904/large/1968_Marcel_Broodthaers_Le_Corbeau_et_le_Renard_2_-_kopie.jpg?1663233439","poster_credits":null,"actors":"Marcel Broodthaers"},{"id":21844,"title":"Le Fusil Brisé","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/914/large/1970_IMG_9424-bewerkt_klein.jpg?1663234375","poster_credits":null,"actors":"Marcel Broodthaers"},{"id":21856,"title":"Soleil","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/915/large/1974_missa_insolemnis_-_kopie.jpg?1663234604","poster_credits":null,"actors":"Marcel Broodthaers"},{"id":21867,"title":"Pot Moule Coeur","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/158/large/Broodthaers_2019_1966_pot_moule_coeur.jpg?1666271328","poster_credits":null,"actors":"Marcel Broodthaers"},{"id":27891,"title":"Zonder titel","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/906/large/1966_nieuwjaarscadeau_WWS.jpg?1663233631","poster_credits":null,"actors":"Bernd Lohaus, Dr. Hugo Heyrman,  Panamarenko, Marcel Broodthaers"}]}