{"id":14947,"title":"Golden Snail Opera Collective","date_begin":"2024-06-08T00:00:00.000+02:00","date_end":"2024-09-22T00:00:00.000+02:00","location":{"readable":"","latitude":null,"longitude":null},"assets":{"poster":null,"poster_credits":null},"translations":[{"locale":"en","name":"Golden Snail Opera Collective","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003ci\u003e\u003cstrong\u003eThe Golden Snail Opera\u003c/strong\u003e\u003c/i\u003e\u003c/span\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003e\u0026nbsp;\u003c/i\u003e\u003c/span\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eis a collabora­tive project involving anthropologists \u003cstrong\u003eYen-Ling Tsai\u003c/strong\u003e and\u003cstrong\u003e Anna Lowenhaupt Tsing\u003c/strong\u003e, the filmmaker \u003cstrong\u003eIsabelle Carbonell\u003c/strong\u003e, and farmer and translator \u003cstrong\u003eJoelle Chevrier\u003c/strong\u003e.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eThe work combines percussion from\u003ci\u003e o-pei-la\u003c/i\u003e, Taiwanese opera influenced by a queer sensibility, with the surrounding sounds: the rice fields and their inhab­itants, snails, birds, etc. The sounds are far from being just the background noise. They interact with the script, which is based on direct experience and obser­vations, and are essentially a perform­ative part of the work. The golden snail (\u003ci\u003ePomacea canaliculata\u003c/i\u003e) was introduced to Taiwan from Argentina in 1979 for the escargot industry but became a major pest in rice agriculture across Asia. Unlike ordinary farmers, who have been trying to exterminate the invading snails, the creators of \u003ci\u003eThe Golden Snail Opera\u003c/i\u003e show the complex ecosystem of the paddies, demonstrating the possibil­ity of harmonious coexistence between various species.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/9-Golden-Snail-Opera.png\" width=\"1818\" height=\"1024\"\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eExhibited work:\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eGolden Snail Opera\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCourtesy Golden Snail Opera Collective (Isabelle Carbonell, Joelle Chevrier, Yen-Ling Tsai, Anna Tsing)\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","name":"Golden Snail Opera Collective","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003ci\u003e\u003cstrong\u003eThe Golden Snail Opera\u003c/strong\u003e\u0026nbsp;\u003c/i\u003eis een gezamen­lijk project van antropologen \u003cstrong\u003eYen-Ling Tsai \u003c/strong\u003een \u003cstrong\u003eAnna Lowenhaupt Tsing\u003c/strong\u003e, film­maker \u003cstrong\u003eIsabelle Carbonell\u003c/strong\u003e en landbouwer en vertaler \u003cstrong\u003eJoelle Chevrier\u003c/strong\u003e.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eHet werk gebruikt percussie uit de ‘o-pei-la’, Taiwanese opera met een gevoeligheid voor queerness, en com­bineert dat met omgevingsgeluiden. Je hoort de rijstvelden en hun bewoners, zoals slakken en vogels. De geluiden zijn niet louter achtergrondlawaai. Ze treden in interactie met het script, dat is geba­seerd op directe ervaring en observaties. De gouden appelslak (\u003ci\u003ePomacea canali­culata\u003c/i\u003e), die in 1979 vanuit Argentinië is ingevoerd in Taiwan voor de slakkenin­dustrie, groeide in heel Azië uit tot een plaag voor de rijstteelt. Anders dan de doorsnee landbouwer, die de oprukkende slakken probeert uit te roeien, laten de makers van\u0026nbsp;\u003ci\u003eThe Golden Snail Opera\u0026nbsp;\u003c/i\u003ehet complexe ecosysteem van de rijst­velden zien en illustreren ze hoe ver­schillende soorten in harmonie kunnen samenleven.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/9-Golden-Snail-Opera.png\" width=\"1818\" height=\"1024\"\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eWerk in de tentoonstelling:\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eGolden Snail Opera\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCourtesy Golden Snail Opera Collective (Isabelle Carbonell, Joelle Chevrier, Yen-Ling Tsai, Anna Tsing)\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","name":"Golden Snail Opera Collective","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003ci\u003e\u003cstrong\u003eThe Golden Snail Opera\u003c/strong\u003e \u003c/i\u003eest un projet collaboratif qui réunit les anthro­pologues \u003cstrong\u003eYen-Ling Tsai \u003c/strong\u003eet \u003cstrong\u003eAnna Lowenhaupt Tsing\u003c/strong\u003e, la cinéaste \u003cstrong\u003eIsabelle Carbonell\u003c/strong\u003e, et l’agricultrice et traductrice \u003cstrong\u003eJoelle Chevrier\u003c/strong\u003e.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eL’œuvre marie des percussions « d’o-pei-la », de l’opéra taïwanais influencé par une sensibilité queer, et des sons environnants : des rizières et leurs ha­bitants, des escargots, des oiseaux, etc. Plus que de simples bruits de fond, ces sonorités ambiantes interagissent avec le scénario, qui s’inspire d’expériences et d’observations directes, et constituent en essence une partie performative de l’œuvre.\u0026nbsp;\u003ci\u003eL’escargot-pomme (pomacea canaliculata)\u0026nbsp;\u003c/i\u003ea été introduit à Taïwan en provenance d’Argentine en 1979 pour la culture d’escargots comestibles, mais il est devenu un ravageur majeur de la riziculture à travers toute l’Asie. Contrairement à l’attitude de la majorité des agriculteurs qui tentent d’exterminer les espèces invasives, les créateurs de l’opéra\u0026nbsp;\u003ci\u003eThe Golden Snail\u0026nbsp;\u003c/i\u003enous donnent à voir un écosystème complexe de rizières, démontrant de la sorte la possibilité d’une cohabitation harmonieuse entre diverses espèces.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/9-Golden-Snail-Opera.png\" width=\"1818\" height=\"1024\"\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eŒuvre exposée :\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eGolden Snail Opera\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCourtesy Golden Snail Opera Collective (Isabelle Carbonell, Joelle Chevrier, Yen-Ling Tsai, Anna Tsing)\u003c/span\u003e\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[],"items":[]}