{"id":14952,"title":"Rebecca Horn","date_begin":"2024-06-08T00:00:00.000+02:00","date_end":"2024-09-22T00:00:00.000+02:00","location":{"readable":"","latitude":null,"longitude":null},"assets":{"poster":null,"poster_credits":null},"translations":[{"locale":"en","name":"Rebecca Horn","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eRebecca Horn\u003c/strong\u003e has a longstanding interest in the exploration of the boundaries between the human and the animal, the natural and the artificial. Often associated with the second wave of feminism of the 1960s and 1970s, her performances and films involve the ritualistic use of masks, feathers, wings and prostheses, exploring the physical and emotional interactions between the human body and the surrounding environment.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eHorn’s alchemistic practice refers to the world of myth. Transmutation, the process of transformation from one state into another, is one of its recurring themes. Her films, such as\u003c/span\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003ci\u003eEinhorn\u0026nbsp;\u003c/i\u003e(1970), which features a female performer walking in the countryside wearing a bodysuit with a horn-like headpiece, reflect on vulnerability and empowerment, protection and restriction.\u0026nbsp;\u003c/span\u003e\u003cbr\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/2024_The+Lives_Of_Animals_TEN_F062.jpeg\" width=\"7500\" height=\"5550\"\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cstrong\u003eExhibited works:\u003c/strong\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eDocumentation of Performances I\u0026nbsp;\u003c/i\u003e(from: \u003ci\u003eRebecca Horn\u0026nbsp;\u003c/i\u003eFilms, 2003), 1970–1972\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eBody painting: Red Limbs, Blue-Blue-Blue, Red Breast, Black Expansion, Bad Dream, Black Cockfeathers, Head Balance, Shoulder Extensions, Feather Instrument\u003c/i\u003e\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eDocumentation of Performances II\u0026nbsp;\u003c/i\u003e(from: \u003ci\u003eRebecca Horn\u0026nbsp;\u003c/i\u003eFilms, 2003), 1973\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eUnicorn, Head Extension, White Body Fan, Finger Gloves, Feather Finger, Gavin, Cockfeather Mask, Pencil Mask, Cockatoo Mask\u0026nbsp;\u003c/i\u003e(with D. Finke, Gavin, Karin Halding, E. Mitzka)\u003c/span\u003e\u003cbr\u003eCopyright Rebecca Horn\u003cbr\u003eCollection M HKA / Flemish Community\u003c/p\u003e"},{"locale":"nl","name":"Rebecca Horn","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eRebecca Horn\u003c/strong\u003e is een Duits kunstenaar, en is al lang geboeid door de verkenning van de grenzen tussen mens en dier, tus­sen het natuurlijke en het artificiële. Ze wordt vaak geassocieerd met de tweede feministische golf van de jaren 60 en 70. Haar performances en films gaan vaak gepaard met het ritualistische gebruik van maskers, veren, vleugels en protheses. Ze onderzoekt de fysieke en emotionele interactie van het menselijk lichaam met de omgeving.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eHorns alchemistische praktijk ver­wijst naar de wereld van de mythen, waarbij transmutatie, het proces van transformatie van de ene toestand in de andere, een terugkerende thema. In de film\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003ci\u003eEinhorn\u0026nbsp;\u003c/i\u003e[Eenhoorn] (1970) loopt rond op het platteland, gekleed in een bodysuit met een hoornachtig hoofd­steun. Net als meerdere van Horns films, staat het werk stil bij kwetsbaarheid,\u0026nbsp;en empowerment, bij bescherming en restrictie.\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/2024_The+Lives_Of_Animals_TEN_F062.jpeg\" width=\"7500\" height=\"5550\"\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eWerken in de tentoonstelling:\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eDocumentation of Performances I\u0026nbsp;\u003c/i\u003e(uit: \u003ci\u003eRebecca Horn\u0026nbsp;\u003c/i\u003eFilms, 2003), 1970–1972\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eBody painting: Red Limbs, Blue-Blue-Blue, Red Breast, Black Expansion, Bad Dream, Black Cockfeathers, Head Balance, Shoulder Extensions, Feather Instrument\u003c/i\u003e\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eDocumentation of Performances II\u0026nbsp;\u003c/i\u003e(uit: \u003ci\u003eRebecca Horn\u0026nbsp;\u003c/i\u003eFilms, 2003), 1973\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eUnicorn, Head Extension, White Body Fan, Finger Gloves, Feather Finger, Gavin, Cockfeather Mask, Pencil Mask, Cockatoo Mask\u0026nbsp;\u003c/i\u003e(met D. Finke, Gavin, Karin Halding, E. Mitzka)\u003c/span\u003e\u003cbr\u003eCopyright Rebecca Horn\u003cbr\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,0,0);\"\u003eCollectie M HKA / Vlaamse Gemeenschap\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","name":"Rebecca Horn","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eRebecca Horn\u003c/strong\u003e, artiste allemande, s’in­téresse depuis longtemps à l’exploration des frontières entre l’humain et l’animal, le naturel et l’artificiel. Souvent mis en lien avec la deuxième vague du fémi­nisme des années 1960 et 1970, ses per­formances et ses films englobent l’uti­lisation rituelle de masques, de plumes, d’ailes et de prothèses, explorant les interactions physiques et émotionnelles du corps humain avec l’environnement.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eLa pratique alchimique de Horn fait référence au monde des mythes et de la transmutation, le processus de trans­formation d’un état à un autre étant l’un des thèmes récurrents. Ses films, tels que\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eEinhorn \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(1970)\u003c/strong\u003e, qui met en scène une femme marchant dans la campagne, vê­tue d’un maillot de corps et coiffée d’une tiare à l’aspect de corne, constituent des réflexions sur la vulnérabilité et l’autono­misation, la protection et la restriction.\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/2024_The+Lives_Of_Animals_TEN_F062.jpeg\" width=\"7500\" height=\"5550\"\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eŒuvres exposées :\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eDocumentation of Performances I\u0026nbsp;\u003c/i\u003e(de\u0026nbsp;: \u003ci\u003eRebecca Horn\u0026nbsp;\u003c/i\u003eFilms, 2003), 1970–1972\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eBody painting\u0026nbsp;: Red Limbs, Blue-Blue-Blue, Red Breast, Black Expansion, Bad Dream, Black Cockfeathers, Head Balance, Shoulder Extensions, Feather Instrument\u003c/i\u003e\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eDocumentation of Performances II\u0026nbsp;\u003c/i\u003e(de\u0026nbsp;: \u003ci\u003eRebecca Horn\u0026nbsp;\u003c/i\u003eFilms, 2003), 1973\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eUnicorn, Head Extension, White Body Fan, Finger Gloves, Feather Finger, Gavin, Cockfeather Mask, Pencil Mask, Cockatoo Mask\u0026nbsp;\u003c/i\u003e(avec D. Finke, Gavin, Karin Halding, E. Mitzka)\u0026nbsp;\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCopyright Rebecca Horn\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCollection M HKA / La Communauté flamande\u003c/span\u003e\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[],"items":[]}