{"id":14938,"title":"Sue Coe","date_begin":"2024-06-08T00:00:00.000+02:00","date_end":"2024-09-22T00:00:00.000+02:00","location":{"readable":"","latitude":null,"longitude":null},"assets":{"poster":null,"poster_credits":null},"translations":[{"locale":"en","name":"Sue Coe","short_description":"","description":"\u003cp style=\"text-align:justify;\"\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eSue Coe\u003c/strong\u003e is a British-American activist and artist who works in free graphics, drawing and painting. She makes books, posters or numbered prints to dissem­inate her messages of social criticism. Coe’s fight for animal liberation is strongly influenced by her youth. She grew up in Tamworth, in England, beside a pig slaughterhouse: the smell and cries of animals that were about to die left a lasting impression.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eIn her publications\u0026nbsp;\u003ci\u003e\u003cstrong\u003eThe Animals’ Vegan Manifesto\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(2017)\u003c/strong\u003e\u003c/span\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/span\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eand\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eZooicide\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(2018)\u003c/strong\u003e, Coe brings together etchings and texts as a manifesto for leaving animals alone, eating plant-based food and closing zoos. Her drawings show ani­mals in pain or subject to exhaustion, defilement, torture or the murder of their peers for human enjoyment. Power games between humans also feature in her work. Besides animal suffering, Coe also decries misogyny, homophobia, rac­ism, fascism and capitalism in her work. She sees clear links between the way we behave towards animals and towards each other.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/10.PNG\" width=\"426\" height=\"542\"\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0, 0%, 60%);\"\u003e\u003ci\u003eEmpathy\u003c/i\u003e, 2017\u003c/span\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eExhibited works:\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eA Mother’s Sorrow\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eAbortion Vigilantes (For Daring to Provide Healthcare to Women and Girls)\u003c/i\u003e, 2022\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eBoucherie Humaine\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eEmpathy\u003c/i\u003e, 2017\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eHappy Meat\u003c/i\u003e, 2015\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eHumans Only Party\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eLions in the Zoo\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003ePigs Wear Cat Masks\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eThe Lobster’s Escape\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eWaiting for the Other Shoe to Drop\u003c/i\u003e, 2020\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCourtesy Galerie St. Etienne, New York\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","name":"Sue Coe","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eSue Coe\u003c/strong\u003e is een Brits-Amerikaans ac­tivist en kunstenaar thuis in vrije gra­fiek, teken- en schilderkunst. Ze maakt boeken, posters of genummerde prints om haar sociaalkritische boodschappen te verspreiden. Coe voert een strijd voor dierenbevrijding, sterk beïnvloed door haar jeugd. Ze groeide op in het Engelse Tamworth naast een varkensslachthuis: de geur en het geroep van dieren vlak voor hun dood hebben een blijvende indruk nagelaten.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eIn de publicaties\u0026nbsp;\u003ci\u003e\u003cstrong\u003eThe Animals’ Vegan Manifesto\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(2017)\u003c/strong\u003e en\u0026nbsp;\u003ci\u003e\u003cstrong\u003eZooicide\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(2018)\u003c/strong\u003e bun­delt Coe etsen en teksten als manifest om dieren met rust te laten, om plant­aardig te eten en dierentuinen te sluiten. Haar werken tonen dieren in pijn of als getuigen van de uitputting, ontering, fol­tering of moord van soortgenoten. Ook machtsspelen tussen mensen komen aan bod in haar werk. Coe spreekt zich vrouwenhaat, homohaat, racisme, fas­cisme en kapitalisme. Voor haar liggen er duidelijk verbanden tussen de manier waarop we ons gedragen tegenover die­ren en tegenover elkaar.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/10.PNG\" width=\"426\" height=\"542\"\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,60%);\"\u003e\u003ci\u003eEmpathy\u003c/i\u003e, 2017\u003c/span\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eWerken in de tentoonstelling:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eA Mother’s Sorrow\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eAbortion Vigilantes (For Daring to Provide Healthcare to Women and Girls)\u003c/i\u003e, 2022\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eBoucherie Humaine\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eEmpathy\u003c/i\u003e, 2017\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eHappy Meat\u003c/i\u003e, 2015\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eHumans Only Party\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eLions in the Zoo\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003ePigs Wear Cat Masks\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eThe Lobster’s Escape\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eWaiting for the Other Shoe to Drop\u003c/i\u003e, 2020\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCourtesy Galerie St. Etienne, New York\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","name":"Sue Coe","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eSue Coe\u003c/strong\u003e, une « artiviste » britanni­co-états-unienne maîtrise les arts graphiques, le dessin et la peinture. Elle produit des livres, des affiches ou des tirages numérotés pour diffuser ses messages critiques de la société. Coe lutte pour la libération des animaux ; un engagement fortement influencé par son enfance. Elle a en effet grandi à côté d’un abattoir de porcs, à Tamworth, en Angleterre. L’odeur et les cris des animaux avant leur mise à mort l’ont durablement marquée.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eSes recueils\u0026nbsp;\u003ci\u003e\u003cstrong\u003eThe Animals’ Vegan Manifesto\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(2017) \u003c/strong\u003eet\u0026nbsp;\u003ci\u003e\u003cstrong\u003eZooicide \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(2018)\u003c/strong\u003e qui mêlent gravures et textes appellent, tel un manifeste, à laisser les animaux tran­quilles, à se nourrir d’aliments végétaux et à fermer les jardins zoologiques. Ses dessins montrent des animaux en souf­france ou qui sont témoins de l’épuise­ment, de l’avilissement, de la torture ou du meurtre de congénères pour le plaisir de l’être humain. Son œuvre évoque aussi les jeux de pouvoir entre humains. Outre la souffrance animale, Coe s’insurge contre la misogynie, l’homophobie, le racisme, le fascisme et le capitalisme. Selon elle, il existe des liens évidents entre la manière dont nous nous com­portons à l’égard des animaux et des autres êtres humains.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cimg src=\"https://thelivesofanimals.s3.amazonaws.com/10.PNG\" width=\"426\" height=\"542\"\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,60%);\"\u003e\u003ci\u003eEmpathy\u003c/i\u003e, 2017\u003c/span\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003e\u003cstrong\u003eŒuvres exposées :\u0026nbsp;\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eA Mother’s Sorrow\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eAbortion Vigilantes (For Daring to Provide Healthcare to Women and Girls)\u003c/i\u003e, 2022\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eBoucherie Humaine\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eEmpathy\u003c/i\u003e, 2017\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eHappy Meat\u003c/i\u003e, 2015\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eHumans Only Party\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eLions in the Zoo\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003ePigs Wear Cat Masks\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eThe Lobster’s Escape\u003c/i\u003e, 2016\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:#0009DA;\"\u003e\u003ci\u003eWaiting for the Other Shoe to Drop\u003c/i\u003e, 2020\u003c/span\u003e\u003cbr\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eCourtesy Galerie St. Etienne, New York\u003c/span\u003e\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[],"items":[]}