Exhibition (Group): we refuse_d
13 March 2026 - 07 June 2026
M HKA, Antwerp
Read more about this exhibition, the artists, and our public programme via the online platform created specifically for the exhibition we refuse_d werefused.ensembles.org
we refuse_d brings together fifteen artists to explore the tensions between refusal, endurance and creation. The exhibition responds to the wave of cancelations, censorship, silencing, and public vilification directed at artists, writers, musicians and scholars who have taken clear and often courageous stances on war, conflict and injustice.
Within the context of the war on Palestine, many have chosen to withdraw from exhibitions and cultural events — often at significant personal and professional cost. In such a climate, the act of making art becomes both a gesture of presence and an act of refusal: we refuse to stop making art, to stop caring, to stop thinking, to give up, or disappear into enforced silence.
we refuse_d evokes the spirit of the Salon des Refusés, an historical exhibition (1863, Paris) that gave visibility to marginal voices. The title also resonates with Hannah Arendt's 1943 seminal essay We Refugees, asserting the shared, situated absurdity, and fragile optimism born from displacement, trauma, and exile.
Above all we refuse_d is an exhibition about life, presence, solidarity and the necessity of making art.
Curated by Nadia Radwan and Vasıf Kortun.
we refuse_d is produced by Mathaf: Arab Museum of Modern Art, Doha, on the occasion of their 15th anniversary, and presented in partnership with M HKA.
-
Position Slide, 1980
Samia Halaby
Painting, acrylic on canvas
-
Transitions, 1988-1989
Samia Halaby
Painting, acrylic on canvas, 132 x 891.5 cm
-
Worldwide Intifadah, 1989
Samia Halaby
Painting, acrylic on canvas, 167 x 457 cm
-
Jerusalem, 1995
Samia Halaby
Drawing, watercolour on paper, 56,5 x 38 cm
-
Occupied Jerusalem, I also went to Yafa, 1995
Samia Halaby
Drawing, watercolour on paper, 56.5 x 38 cm
-
Occupied Jerusalem – Palestine, 1995
Samia Halaby
Drawing, watercolour on paper, 56.5 x 38 cm
-
Occupied Jerusalem, Thing Grow…, 1995
Samia Halaby
Drawing, watercolour on paper, 56.5 x 38 cm
-
Occupied Jerusalem, My home is full of the enemy, 1995
Samia Halaby
Drawing, watercolour on paper, 56.5 x 38 cm
-
Occupied Jerusalem, From Amman to Jerusalem, 1995
Samia Halaby
Drawing, watercolour on paper, 56.5 x 38 cm
-
Occupied Jerusalem, I Am Here Sitting, 1995
Samia Halaby
Drawing, watercolour on paper, 56.5 x 38 cm
-
Occupied Jerusalem, It is as Though…, 1995
Samia Halaby
Drawing, watercolour on paper, 56.5 x 38 cm
-
Untitled, 1997
Taysir Batniji
Textile, keys imprints on rolled canvas, 20 elements 30 cm each
-
The Red One, 1999
Samia Halaby
Painting, oil on canvas, 91.3 × 122 × 3 cm
-
A Jerusalem Window, 2000
Samia Halaby
Drawing, watercolour on paper, 183 x 122 cm
-
Jerusalem Calling , 2008
Abdul Hay Mosallam Zarara
Painting, painted relief: sawdust and glue on wood, 83x120 cm
-
Al Shaheed , 2008
Abdul Hay Mosallam Zarara
Painting, painted relief: sawdust and glue on wood, 73x106 cm
-
Mohmoud Darwish Series, 2008
Abdul Hay Mosallam Zarara
Painting, painted relief: sawdust and glue on wood, 64x 56 cm
-
Bayyaratina, 2009
Suha Shoman
Video, video, duration: 8'09''
-
Turath Series, Admiring Young Women’s Hair, 2009
Abdul Hay Mosallam Zarara
Painting, painted relief: sawdust and glue on wood, 69 x 45 cm
-
The Red Rose, 2011
Abdul Hay Mosallam Zarara
Painting, painted relief: sawdust and glue on wood, 52 x 41 cm
-
Turath Series, Bearer of the Blue Earring, 2011
Abdul Hay Mosallam Zarara
Painting, painted relief: sawdust and glue on wood, 52 x 38 cm
-
Untitled, 2014
Taysir Batniji
Other, glass, variable dimensions
-
Notes for a Cannon, 2016
Emily Jacir
Installation, mixed media installation , different sizes
-
Our Beautiful Land Stolen in the Night of History, 2016
Samia Halaby
Painting, acylic on canvas, 96.5 x 177.5 cm
-
My grandmother's Embroidered Map. How Fabric Protects our Home (from the Searching for the New Dress series), 2020-2022
Nour Shantout
Photography, polaroid pictures
-
Money Hat (from the Searching for the New Dress series), 2021-2022
Nour Shantout
Mixed Media, mixed media, 32,5 x 20 x 19 cm
-
We Call It Unwaged Work (from the Searching for the New Dress series), 2021-2022
Nour Shantout
Textile, hand embroidered cotton on cotton, 39 x 28cm
-
The Crisis Dress (from the Searching for the New Dress series), 2021-2022
Nour Shantout
Textile, dress, 136 x 44 x 55cm
-
Map of Military Influence in Syria, July 2019 (from the Searching for the New Dress series), 2021
Nour Shantout
Textile, hand embroidered cotton on cotton, 32 x 36 cm
-
Map of Military Influence in Syria, September 2015 (from the Searching for the New Dress series), 2021-2022
Nour Shantout
Textile, hand embroidered cotton on cotton, 31 x 36 cm
-
They Call it the Civil War Map (from the Searching for the New Dress series), 2021-2022
Nour Shantout
Textile, hand embroidered cotton on cotton, 31 x 28 cm
-
The Yarmouk Camp Dress (from the Searching for the New Dress series), 2021-2022
Nour Shantout
Textile, dress, 145,3 (length) x 46,7 (shoulders) x 63,2 (arms) cm
-
Map of the 64 Official and Unofficial Palestinian Camps in Lebanon, 2021–2022 Syria, Jordan and Palestine (from the Searching for the New Dress series), 2021-2022
Nour Shantout
Textile, hand embroidered cotton panel, 155 x 77 cm
-
Six Golden Heroes, 2021
Samia Halaby
Painting, acrylic on canvas, 179 x 179 cm
-
Foragers, 2022
Jumana Manna
Film, 2k video, 5.1 sound, duration: 64' 00''
-
Killed My Joy, 2024-2025
Jumana Manna
Textile, embroidered velvet, silk, natural dyes and digital print on cotton, rope, 160 x 140 cm
-
Nabi Rubin According to Ali Hassan al Bawwab, 2024-2025
Jumana Manna
Textile, embroidery, cotton, linen silk, gauze, velvet, rope, wood, 140 x 205 cm
-
Just In Case, 2024
Taysir Batniji
Print, photographs; print on paper , 29 x ( 7 x 21 cm )
-
Massacre of the Innocents, Gaza, 2024
Samia Halaby
Painting, acrylic on canvas, 24.5 x 462 cm
-
Homeless Colors, 2024
Taysir Batniji
Drawing, colour pencil and pen on paper, 31 drawings, dimensions variable
-
Jaffa: Fragments from a Continuous Modernity, 2025
Dima Srouji
Installation, 6 marble slabs
-
Evidence, 2025
Khalil Rabah
Installation, carved marble, 140 x 280 cm
-
On solidarity and (the difficulities of) being in the world today, 2025
yasmine eid-sabbagh
Video, video, duration: 47'
-
Evidence, 2025
Nour Shantout
Textile, 2 hand embroidered cotton panels, printed circuit board, 127 cm × 70 cm (canvas) 30 × 20 cm (circuit board)
-
Testimonies, 2025
Khalil Rabah
Drawing, oil pastel on paper, 80 pieces (each 50 x 70 cm)
-
Resonance, 2025
Majd Abdel Hamid
Installation, mixed media installation, variable sizes, 30 small pieces (approx: 10 x 10 cm)
-
Untitled, 2025
Oraib Toukan
Photography, 13 photographic prints , different sizes. 25 x 25 cm to 70 x 70 cm
-
Refugee Heritage project, 2025
DAAR / Decolonizing Architecture Art Residency
Installation, mixed media installation; books, video, sound
-
INTERSTICES, A dizzying array of combinations, 2025
Barış Doğrusöz
Sculpture, brass, balsa, samba wood, cardboard, natural burned wood paint, 45 sculptures with various sizes
-
I thought I’d escape my fate (again), 2026
Walid Raad
Installation, masking tape, vinyl
-
Things Bigger Than What Can Be Seen, 2026
Oraib Toukan
Book, 21 x 29.7 cm
-
Archival documents
Dima Srouji
Installation
-
Searching for the New Dress
Nour Shantout
Textile