M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition: What Would I Do in Orbit?

Kunstverein Hannover, Hannover

18 March 2017 - 14 May 2017

©image: Peter Cox

The point of departure of the oeuvre of Anne-Mie Van Kerckhoven (°1951, lives in Antwerp) is the human brain with its analytical and irrational potential in terms of perception and cognizance. Van Kerckhoven’s logic is consistently counteracted by absurdity or mental disruptions, and the analytical is joined with the mystical without viewing this as a contradiction. The exhibition What Would I Do in Orbit? at the Kunstverein Hannover includes works by the artist, who initially trained as a graphic artist, from a total of forty years.

Van Kerckhoven began dealing with research on artificial intelligence early on, whereby visual languages dominated that are influenced by scientific imaging processes: diagrams, graphic animations, and text-image schemes. She used digital on par with analog forms of expression as early as the 1980s and transferred the digitally constructed worlds into space.
The artist uses primarily female bodies like “selfies” as protagonists in drawings, paintings, prints, and films. What is characteristic about her oeuvre is her biographical beginning in the counterculture of punk, feminism, and in the anti-academism typical of her generation, which engendered a pop aesthetic on the one hand, and highly complex contents on the other.

Displays developed specifically for the exhibition separate the total of twelve chapters in the retrospective. Like collages, the individual chapters connect works from different periods that are combined in terms of content and are annotated by associative texts by the artist. Despite the linear sequence of spaces and the supposedly systematic separation, the overall exhibition itself ultimately operates like a kind of brain in which lateral thinking is easy.

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> AMVK, 2018. Book, ink, paper, 20 x 23.5 cm, 207 p., language : English, German, Dutch, publishers : Museum Abteiberg Mönchengladbach, Kunstverein Hannover, M HKA Antwerpen & Koenig Books London, ISBN : 978-3-96098-322-4.