{"id":1098,"title":"Onzichtbare kogel. Kogel in kristal. Kogel in bergkristal [Invisible Bullet. Bullet in Crystal. Bullet in Mountain Crystal]","dimensions":"","date_begin":"1980-01-01","material":"","art_status_id":13,"legal_status_id":12,"category_id":24,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK007683_001","stream_count_app":43,"permalink":"onzichtbare-kogel-kogel-in-kristal-kogel-in-bergkristal-invisible-bullet-bullet-in-crystal-bullet-in-mountain-crystal","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Leo Copers","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","category":{"en":"Sculpture","nl":"Sculptuur","fr":"Sculpture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/510/large/de%20drie%20kogels-9477.jpg?1313675810","poster_credits":"(c)image: Bob Van Mol","translations":[{"locale":"en","short_description":"\u003cp\u003eThe theatrical presentation of three bullets under a glass bell on a pedestal (1980) undermines the functionality of the use-objects and produces a sense of pointlessness, which is enhanced by the choice of dysfunctional materials.\u003c/p\u003e\r\n","description":"\u003cp\u003eAt first sight, Copers\u0026rsquo; work often appears highly accessible and it attracts with its beauty. But this is always followed by a moment of amazement. Things are never what they at first seem, or at least not entirely. His work is visually attractive, but has a hint of danger. The theatrical presentation of three bullets under a glass bell on a pedestal undermines the functionality of the use-objects and produces a sense of pointlessness, which is enhanced by the choice of dysfunctional materials.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eHet werk van Leo Copers heeft op het eerste zicht vaak een grote toegankelijkheid en trekt aan door de schoonheid. Maar daarna volgt altijd een moment van verbazing. De dingen zijn nooit wat ze eerst lijken, of toch niet helemaal. Zijn werk is visueel aantrekkelijk, maar heeft een gevaarlijk kantje. De theatrale presentatie van de kogels, onder een stolp en op een sokkel, ondermijnt hun functionaliteit en sorteert een vervreemdend effect. Dit gevoel wordt versterkt door de spanning die de materiaalkeuze met zich meebrengt.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u0026Agrave; premi\u0026egrave;re vue, l\u0026rsquo;\u0026oelig;uvre de Leo Copers est souvent limpide et attire par sa beaut\u0026eacute;. Mais cette premi\u0026egrave;re impression est quasi toujours suivie d\u0026rsquo;un moment de perplexit\u0026eacute;. Les objets ne sont jamais ce qu\u0026rsquo;ils paraissent \u0026ecirc;tre au d\u0026eacute;part, ou du moins pas tout \u0026agrave; fait. Sur le plan visuel, son \u0026oelig;uvre est attrayante, mais elle inclut un c\u0026ocirc;t\u0026eacute; quelque peu troublant. La pr\u0026eacute;sentation th\u0026eacute;\u0026acirc;trale des balles, sous une cloche et sur un socle, sape leur fonctionnalit\u0026eacute; et g\u0026eacute;n\u0026egrave;re un effet d\u0026rsquo;ali\u0026eacute;nation. Ce sentiment est renforc\u0026eacute; par la tension qu\u0026rsquo;entra\u0026icirc;ne le choix du mat\u0026eacute;riau.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":101,"name":"Leo Copers","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}