{"id":11059,"title":"Cut-Outs","dimensions":"","date_begin":"2007-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2014-01-01","reference":"","stream_count_app":6,"permalink":"cut-outs","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/791/large/51.jpg?1402253294","poster_credits":"(c)image: Andy Keate","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eReferencing the spaces used for creating the special effects of film and media imagery, two sculptural works are presented within the chroma key blue \u003cem\u003eCut-Outs\u003c/em\u003e room. Often focusing on female legs, which are based on the artist\u0026rsquo;s own, these fragmented bodies are themselves cut-out, occupying these spaces in various states of activity, perhaps dancing, parading or occasionally sitting, all with correct postures. Reflective of everyday experience under the conditions of patriarchy, the installation is also typical of Hamilton\u0026rsquo;s way of creating experiential settings, where viewers occupy space with the anthropomorphic presence of the works. (NH)\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eTwee sculpturale werken, verwijzend naar de ruimtes die gebruikt worden voor het maken van speciale effecten in de film en in mediabeelden, worden in de blauwe chromakey \u003cem\u003eCut-Outs-\u003c/em\u003eruimte gepresenteerd. Deze gefragmenteerde lichamen, vaak vrouwelijke benen die zijn gebaseerd op die van de kunstenaar, zijn zelf \u003cem\u003ecut-outs\u003c/em\u003e, en bezetten deze ruimte in verschillende staten van activiteit; ze dansen, flaneren of zitten soms, allemaal in de juiste houdingen. De installatie, als een afspiegeling van de alledaagse ervaring onder de condities van het patriarchaat, is typerend voor de manier waarop Hamilton ervaringsgerichte omgevingen cre\u0026euml;ert, waarin toeschouwers de ruimte delen met de antropomorfe aanwezigheid van de werken. (NH)\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003eEn r\u0026eacute;f\u0026eacute;rence aux espaces utilis\u0026eacute;s pour cr\u0026eacute;er des images ou des effets sp\u0026eacute;ciaux cin\u0026eacute;matographiques, deux \u0026oelig;uvres sculpturales sont pr\u0026eacute;sent\u0026eacute;es dans la salle \u003cem\u003eCut Outs\u003c/em\u003e, bleue comme pour des incrustations par \u003cem\u003eblue key\u003c/em\u003e. Souvent centr\u0026eacute;s sur les jambes f\u0026eacute;minines, dont celles de l\u0026rsquo;artiste sont les mod\u0026egrave;les, ces corps fragment\u0026eacute;s sont eux-m\u0026ecirc;mes des \u003cem\u003ecut outs\u003c/em\u003e et occupent ces espaces dans divers \u0026eacute;tats d\u0026rsquo;activit\u0026eacute;\u0026nbsp;: corps qui dansent, paradent ou sont occasionnellement assis, tous dans des poses correctes. Reflet du v\u0026eacute;cu quotidien dans un contexte patriarcal, l\u0026rsquo;installation illustre aussi typiquement le mode dont Hamilton cr\u0026eacute;e des environnements o\u0026ugrave; le spectateur occupe l\u0026rsquo;espace aux c\u0026ocirc;t\u0026eacute;s d\u0026rsquo;\u0026oelig;uvres dont la pr\u0026eacute;sence est anthropomorphe. (NH)\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}