{"id":12661,"title":"A Consilience ","dimensions":"00:36:00","date_begin":"2000-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":128,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA","cached_tag_list":"Martin Brendell, Martin Hall, Rory Post, Dick Van-Wright, Ian Gauld, 78, actie, Jan Fabre, action","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":34,"permalink":"a-consilience","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Performance","nl":"Performance","fr":"Performance"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/027/642/large/still.JPG?1426503899","poster_credits":"(c)Angelos bvba, Collection M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"line-height:1.6\"\u003eLondon, The Natural History Museum\u003c/span\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eJan Fabre was artist in residence in The Natural History Museum of London for three years. The final result is a film in which he dresses the various museum specialists as the animals of their research. The artist discuss the cross fertilisation, the consilience, between art and science with them.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem style=\"line-height:1.6\"\u003e\u0026#39;Today\u0026#39;s actions with the butterfly specialist\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDick Vane-Wright had a liberating and poetic\u003c/em\u003e\u003cbr /\u003e\u003cem\u003epower.\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eThe power of childlike transparency.\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eThese actions were a drastic weapon\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eagainst the conventions of what is\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ecurrently considered to be Performance art.\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, London, 9 October 1999)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;The Quest for consilience continues.\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eAnd the Natural History Museum is the perfect\u003c/em\u003e\u003cbr /\u003e\u003cem\u003espritual terrain on which to pursue this research\u003c/em\u003e\u003cbr /\u003e\u003cem\u003einto the possible cross-fertilisation\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ebetween science and art.\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, London, 11 october 1999)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem style=\"line-height:1.6\"\u003e\u0026#39;What do an exciting and interesting scientist\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eand an exciting and interesting artist have in\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ecommon?\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eThey both have an unremitting urge to hazard\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ea leap into the uknown time and time again\u003c/em\u003e\u003cbr /\u003e\u003cem\u003e(ART IS PERFORMANCE).\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, London, 12 October 1999)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eLondon, The Natural History Museum\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDrie jaar lang was Jan Fabre artist in residence van The Natural History Museum. Als eindproduct maakte hij een film waar hij specialisten van het museum aankleedde als een dier uit hun onderzoeksdomein. De gesprekken die ze hadden was over de kruisbestuiving, de consilience, tussen kunst en wetenschap.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;Today\u0026#39;s actions with the butterfly specialist\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDick Vane-Wright had a liberating and poetic\u003c/em\u003e\u003cbr /\u003e\u003cem\u003epower.\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eThe power of childlike transparency.\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eThese actions were a drastic weapon\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eagainst the conventions of what is\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ecurrently considered to be Performance art.\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, London, 9 October 1999)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;The Quest for consilience continues.\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eAnd the Natural History Museum is the perfect\u003c/em\u003e\u003cbr /\u003e\u003cem\u003espritual terrain on which to pursue this research\u003c/em\u003e\u003cbr /\u003e\u003cem\u003einto the possible cross-fertilisation\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ebetween science and art.\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, London, 11 october 1999)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;What do an exciting and interesting scientist\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eand an exciting and interesting artist have in\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ecommon?\u003c/em\u003e\u003cbr /\u003e\u003cem\u003eThey both have an unremitting urge to hazard\u003c/em\u003e\u003cbr /\u003e\u003cem\u003ea leap into the uknown time and time again\u003c/em\u003e\u003cbr /\u003e\u003cem\u003e(ART IS PERFORMANCE).\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, London, 12 October 1999)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":110,"name":"Jan Fabre","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}