{"id":13562,"title":"Keizershallenproject / Keizershallen Project","dimensions":"","date_begin":"1986-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":21,"permalink":"vuurtoren","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Hugo Roelandt","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/577/large/1986_Vuurtoren__Keizershallenproject_%282%29.jpg?1453816834","poster_credits":"(c)Estate Hugo Roelandt","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e“\u003ci\u003eHugo Roelandt was – even when he no longer did performances – still\u0026nbsp;and always the performer: the temporary, the instantaneous, the volatile\u0026nbsp;and the immaterial\u0026nbsp;were ever present in his work. He made art that\u0026nbsp;did not want to be a commodity and could not even become one.\u0026nbsp;I remember how we arrived at the\u0026nbsp;Keizershallen (a large multi-purpose\u0026nbsp;hall) in Aalst for a group exhibition of regional artists with only rolls of\u0026nbsp;duct tape. With the tables available in the hall we build a\u0026nbsp;monumental\u0026nbsp;pyramid. Which was simply torn down after the exhibition – as if it had\u0026nbsp;never existed.\u0026nbsp;For the traditional art world of today such an ‘gratuitous’ act\u0026nbsp;is almost incomprehensible. Everything\u0026nbsp;has to be sold, everything has\u0026nbsp;bring in money. That mercantile attitude was one of the reasons why\u0026nbsp;Hugo no longer realised new works after the 1990s\u003c/i\u003e.”\u003cbr\u003e– Marc Holthof in (H)art 150, 23 December 2015\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003e“\u003ci\u003eHugo Roelandt was – ook deed hij al sinds lang geen performances meer\u0026nbsp;– nog altijd een performer: het tijdelijke, momentane, het vluchtige, ja het\u0026nbsp;immateriële\u0026nbsp;primeerde in zijn werk. Hij maakte kunst die geen koopwaar\u0026nbsp;was, meer: die het niet eens kon worden. Ik herinner mij hoe wij in de\u0026nbsp;Keizershallen in\u0026nbsp;Aalst arriveerden voor een lokale groepstentoonstelling\u0026nbsp;gewapend met enkel plakband. Met de daar voorradige cafétafels bouwden\u0026nbsp;wij in een dag een monumentale\u0026nbsp;piramide. Die na de tentoonstelling\u0026nbsp;gewoonweg terug afgebroken werd.\u0026nbsp;Dat is iets dat voor de gevestigde kunstwereld van vandaag haast\u0026nbsp;onbegrijpelijk is. Alles moet verkoopbaar\u0026nbsp;zijn, alles moet geld opbrengen.\u0026nbsp;Die mercantiele ingesteldheid was één van de redenen waarom Hugo\u0026nbsp;in de late jaren negentig stopte met werk te maken\u003c/i\u003e.”\u003cbr\u003e– Marc Holthof in (H)art magazine nr.150, 23 december 2015.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1660,"name":"Hugo Roelandt"}]}