{"id":13927,"title":" James Brown is Dead (ARTERS* No. 148)","dimensions":"Dimensions variable ","date_begin":"2016-01-01","material":"Vinyl records, blue unemployment slips, paint ","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the artist and Galerie Catherine Bastide ","cached_tag_list":"James Brown is Dead, Jacques André","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"james-brown-is-dead-arters-no-148","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/392/large/DSC_8645.jpg?1466150870","poster_credits":"(c)Photo: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cem\u003eJames Brown is Dead (ARTERS* N\u0026deg; 148)\u003c/em\u003e, 2016, is from a series of works using the acronym \u003cem\u003eARTERS\u003c/em\u003e, which stands for: \u003cem\u003eachats \u0026agrave; r\u0026eacute;p\u0026eacute;tition, tentatives d\u0026#39;\u0026eacute;puisement\u003c/em\u003e, reconstitutions de stocks (meaning: repetitive purchases, attempts to exhaust stocks, replenish stocks). The installation brings together two different collections, firstly of many copies of the 12\u0026rdquo; House record \u003cem\u003eJames Brown is Dead\u003c/em\u003e by the Dutch group LA Style from 1991, alongside which he displays a large collection of unemployment slips that would typically be given to unemployed Belgians. The works look to describe the psychological paradox of wanting to refuse to participate in the capitalist system, yet simultaneously desiring collectable objects.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cem\u003eJames Brown is Dead (\u003c/em\u003e\u003cem\u003eARTERS\u003c/em\u003e\u003cem\u003e* N\u0026deg; 148)\u003c/em\u003e uit 2016 stamt uit een reeks werken die de afkorting \u003cem\u003eARTERS\u003c/em\u003e gebruikt, wat staat voor \u003cem\u003eachats \u003c/em\u003e\u003cem\u003e\u0026agrave; r\u0026eacute;p\u0026eacute;tition\u003c/em\u003e\u003cem\u003e, tentatives d\u0026#39;\u0026eacute;puisement,\u0026nbsp; \u003c/em\u003e\u003cem\u003ereconstitutions de stocks\u003c/em\u003e (\u0026#39;herhaalde aankopen, pogingen voorraden uit te putten, voorraden aanvullen\u0026#39;). De installatie brengt twee verschillende verzamelingen samen. De eerste bevat zoveel mogelijk exemplaren van \u003cem\u003eJames Brown is Dead\u003c/em\u003e van de Nederlandse groep LA Style, een house-12\u0026rdquo; uit 1991. Daarnaast toont Andr\u0026eacute; een grote verzameling \u0026#39;werkloosheidsonderbroeken\u0026#39;, die men aan werkloze Belgen placht te geven. De werken willen de psychologische paradox beschrijven van weigeren deel te nemen aan het kapitalistische systeem maar tegelijkertijd te verlangen naar verzamelbare objecten.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003cem\u003eJames Brown is Dead (ARTERS* N\u0026deg;\u0026nbsp;148)\u003c/em\u003e, 2016, fait partie d\u0026rsquo;une s\u0026eacute;rie d\u0026rsquo;\u0026oelig;uvres r\u0026eacute;unies sous l\u0026rsquo;acronyme \u003cem\u003eARTERS\u003c/em\u003e\u0026nbsp;: achats \u0026agrave; r\u0026eacute;p\u0026eacute;tition, tentatives d\u0026rsquo;\u0026eacute;puisement, reconstitutions de stocks. L\u0026rsquo;installation conjugue deux collections diff\u0026eacute;rentes\u0026nbsp;: des copies du maxi \u003cem\u003eJames Brown is Dead \u003c/em\u003e(1991), du groupe n\u0026eacute;erlandais de musique \u003cem\u003ehouse\u003c/em\u003e LA Style \u0026agrave; c\u0026ocirc;t\u0026eacute; desquelles il a dispos\u0026eacute; une vaste collection de cartes de pointage que chaque ch\u0026ocirc;meur belge devait faire remplir quotidiennement jusqu\u0026rsquo;au d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;90. L\u0026rsquo;\u0026oelig;uvre para\u0026icirc;t d\u0026eacute;crire les paradoxes psychologiques qu\u0026rsquo;entra\u0026icirc;nent l\u0026rsquo;envie de refuser de participer au syst\u0026egrave;me capitaliste et le d\u0026eacute;sir simultan\u0026eacute; de collectionner des objets.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1329,"name":"Jacques André","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}