{"id":13942,"title":"Terminator","dimensions":"variable dimensions","date_begin":"1997-01-01","material":"acrylic paint","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the artist ","cached_tag_list":"Terminator Henrik Plenge Jakobsen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"terminator","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/295/large/2016_Energy_Flash_photo_M_HKA.jpg?1467190754","poster_credits":"(c)Photo: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003ePlenge Jakobsen\u0026rsquo;s work \u003cem\u003eTerminator\u003c/em\u003e, 1997, is another text-based mural painting that was inspired by his experience of Chicago. Using the title of James Cameron\u0026rsquo;s film, \u003cem\u003eTerminator\u003c/em\u003e was also the name of a now-classic jungle track by producer Goldie in the early 1990s. Both the Terminator and rave music have been used as examples in so-called \u0026lsquo;Accelerationism\u0026rsquo; theory that was first developed in the 1990s as a critique of capitalism\u0026rsquo;s reliance on speed and efficiency. Just like the feeling of much darker Jungle music, Plenge Jakobsen\u0026rsquo;s reference to the killer machine of \u003cem\u003eTerminator\u003c/em\u003e evokes a certain dystopia in the visions of where society may be heading. In a double reference to Chicago, the Bitmap font was generated by oversizing the Chicago font, which was the default system font for earlier Mac computers from 1996 until the early ipod\u0026#39;s.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eJakobsens \u003cem\u003eTerminator\u003c/em\u003e uit 1997 is een andere muurschildering die gebaseerd is op een tekst en die zijn inspiratie haalde uit de Chicago-ervaring van Jakobsen. \u003cem\u003eTerminator\u003c/em\u003e is niet alleen de naam van\u0026nbsp; James Camerons film, maar was in de vroege jaren 1990 ook de titel van een vandaag klassiek junglenummer van producer Goldie. Zowel \u003cem\u003eTerminator\u003c/em\u003e als ravemuziek zijn gebruikt geweest als voorbeelden van de zogenaamde \u0026#39;accelerationisme\u0026#39;-theorie, die voor het eerst ontwikkeld werd in de jaren 1990 als kritiek op het kapitalistische vertrouwen in snelheid en effici\u0026euml;ntie. Plenge Jakobsens verwijzing naar de moordmachine uit \u003cem\u003eTerminator\u003c/em\u003e evoqueert, net zoals dat het geval is bij donkere jungle, een bepaald soort dystopische visie op\u0026nbsp; de richting waarin de maatschappij evolueert.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003cem\u003eTerminator\u003c/em\u003e, 1997, de Plenge Jakobsen est une autre \u0026oelig;uvre autour d\u0026rsquo;un texte mural, inspir\u0026eacute;e par son exp\u0026eacute;rience \u0026agrave; Chicago. Si le titre de l\u0026rsquo;\u0026oelig;uvre renvoie d\u0026rsquo;embl\u0026eacute;e au film de James Cameron, il fait aussi allusion au morceau de \u003cem\u003ejungle\u003c/em\u003e, aujourd\u0026rsquo;hui un classique, du producteur Goldie au d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;90. Aussi bien \u003cem\u003eTerminator\u003c/em\u003e que la musique rave sont des exemples cit\u0026eacute;s en lien avec ce qu\u0026rsquo;on appelle la th\u0026eacute;orie de l\u0026rsquo;acc\u0026eacute;l\u0026eacute;rationnisme, elle aussi d\u0026eacute;velopp\u0026eacute;e au d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;90, comme critique de la contrainte de vitesse et d\u0026rsquo;efficacit\u0026eacute; qu\u0026rsquo;impose le capitalisme. Tout comme les accents bien plus sombres du morceau de musique \u003cem\u003ejungle\u003c/em\u003e, la r\u0026eacute;f\u0026eacute;rence \u0026agrave; la machine \u0026agrave; tuer \u003cem\u003eTerminator\u003c/em\u003e \u0026eacute;voque une certaine dystopie \u0026agrave; l\u0026rsquo;\u0026eacute;gard de la tournure que para\u0026icirc;t prendre la soci\u0026eacute;t\u0026eacute;. Dans une double r\u0026eacute;f\u0026eacute;rence \u0026agrave; Chicago, la police Bitmap a \u0026eacute;t\u0026eacute; cr\u0026eacute;\u0026eacute;e en surdimensionnant la police Chicago, laquelle \u0026eacute;tait alors la police par d\u0026eacute;faut du syst\u0026egrave;me pour les premiers ordinateurs Mac entre 1996 et les premiers iPods.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":2956,"name":"Henrik Plenge Jakobsen ","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}