{"id":13956,"title":"Ravelution","dimensions":"00:60:00","date_begin":"1992-01-01","material":"Video","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the artist ","cached_tag_list":"Ravelution Sergey Shutov","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"ravelution","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/397/large/Sergey_Shutov__Ravelution__1992__Courtesy_of_the_artist.jpg?1466065922","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eShutov\u0026rsquo;s practice as an artist extended into VJing at raves and clubs, particularly at the club Ptuch in Moscow. The artist recorded these hours-long VJ sets, titling them after the names he gave to each set, such as for example \u003cem\u003eRavelution\u003c/em\u003e. The videos use the image mixing technologies that became common in the early 1990s, collaging together different clips and colourful graphic effects to rather psychedelic effect. The vivid aesthetics of rave in the early 1990s echoed the sense of optimism for young people in Russia in the ensuing decade after the arrival of democracy.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eShutovs praktijk als kunstenaar breidde zich uit naar vj-en op raves en in clubs, met name in de Ptuch-club (RU: Птюч) in Moskou. De kunstenaar nam zijn urenlange vj-sets op en gaf ze dezelfde titels als de sets zelf \u0026ndash; \u003cem\u003eRavelution \u003c/em\u003ebijvoorbeeld. De video\u0026#39;s gebruiken beeldmix-technologie\u0026euml;n die courant waren in de vroege jaren 1990 en voegen verschillende clips en kleurrijke grafische effecten samen in een collage die een nogal\u0026nbsp; psychedelisch effect heeft. De levendige rave-esthetiek in de vroege jaren 1990 was een weerspiegeling van het optimisme dat jongeren in Rusland voelden in de tien jaar die volgden op de komst van de democratie.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eLa pratique artistique de Shutov s\u0026rsquo;\u0026eacute;tend \u0026agrave; la fonction de VJ (vid\u0026eacute;o jockey) dans des raves et des clubs, en particulier au club Ptuch \u0026agrave; Moscou. L\u0026rsquo;artiste a enregistr\u0026eacute; ces longues sessions de \u003cem\u003eVJ-ing\u003c/em\u003e, les intitulant du titre qu\u0026rsquo;il avait donn\u0026eacute; \u0026agrave; chaque s\u0026eacute;ance, par exemple \u003cem\u003eRavelution\u003c/em\u003e. Les vid\u0026eacute;os font usage de technologies de mixage d\u0026rsquo;images, devenues courantes dans les ann\u0026eacute;es\u0026nbsp;90, assemblant diff\u0026eacute;rents clips et cr\u0026eacute;ations graphiques color\u0026eacute;es \u0026agrave; des effets plut\u0026ocirc;t hallucinog\u0026egrave;nes. L\u0026rsquo;esth\u0026eacute;tique chatoyante des raves au d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;90 faisait \u0026eacute;cho \u0026agrave; l\u0026rsquo;optimisme et \u0026agrave; l\u0026rsquo;espoir en la d\u0026eacute;mocratie qu\u0026rsquo;\u0026eacute;prouvait la jeunesse russe au lendemain de la chute du r\u0026eacute;gime totalitaire.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":2958,"name":"Sergey Shutov ","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}