M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Wir können zufrieden sein, 1981

Painting, 252.5 x 202.5 cm.

©image: Peter Cox, Courtesy Van Abbemuseum, Eindhoven

Collection: Collectie Van Abbemuseum, Eindhoven.

In Wir können zufrieden sein Jörg Immendorff goes even further in his use of the DDR coat of arms, which exists of a hammer and a drafting compass surrounded by rye. The hammer represents the workers in the factories and is also part of the communist symbol (the hammer and the sickle). The drafting compass represents the intelligentsia and the wreath of rye stands for the farmers.

The hammer and drafting compass merge into a turret with a canon. The legs of the compass transform into a vise. The mutated symbols form a tower, which is a frequently used element in Immendorff’s work. In this piece the “Brrrd”-eagle fuses to the “Ddrrr”-tower. The eagle signifies West Germany, while the turret signifies East Germany. With a healthy dose of irony and self-criticism Immendorff writes ‘Wir können zufrienden sein’ [We can be content].

On the left-hand side of the painting there are a several paintings which refer to the Café Deutschland series. This series, inspired by Renato Guttuso’s Caffè greco, consists of sixteen large canvases that depict well-known figures from both the arts and politics. The conflicts between East and West Germany are also a recurring theme.

For Immendorff art isn’t an end in itself, it’s mainly a means by which he hopes to achieve social  change.

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Artist

> Jörg Immendorff.

Exhibitions & Ensembles

> Exhibition: The Eightees – A Decade of Extremes. M HKA, Antwerpen, 17 June 2016 - 18 September 2016.