{"id":14001,"title":"Annemirl - De Macht der Theaterlijke Dwaasheden","dimensions":"70 x 68 cm","date_begin":null,"material":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Verzameling Anne en Dorian van der Brempt","cached_tag_list":"Robert Mapplethorpe Annemirl Jan Fabre Theater Foto De Macht der Theaterlijke Dwaasheden","publishing_process_id":1,"annotation":"\u003cp\u003ehttp://cobra.canvas.be/cm/cobra/videozone/dagopdag2015/mei%2B2015/1.2230064\u003c/p\u003e\r\n\r\n\u003cp\u003ehttps://www.youtube.com/watch?v=ElAoKoV6cnw\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":9,"permalink":"annemirl-de-macht-der-theaterlijke-dwaasheden","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/290/large/Robert_Mapplethorpe_photo_M_HKAcc_1_1.jpg?1465558610","poster_credits":"(c)image: Robert Mapplethorpe, Verzameling Anne en Dorian van der Brempt","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eIf you take a closer look at the photos Robert Mapplethorpe took of \u003cem\u003eThe Power of Theatrical Madness\u003c/em\u003e, you will notice an entirely different theatrical language, a different generation, a different time. The photographs are extremely sharp with high contrasts. The photographer shoots the actors (individuals, not groups) in a candid and straight-forward manner. There is no degree of tepid mystification: the portraits offer themselves to the reader, they look you straight in the eyes, the photograph examines the body without mercy: the reaction of a hand hitting a jaw, the sweat dripping from a body, a scepter in a hand, a hand, the difference between firm, round or sagging buttocks. The photograph remains at the surface. But it is precisely this surface which is so rich and full of expressive and subtle details. Despite the harshness of the white meat on a black background, there is also a lot of tenderness and irony hiding behind the mouths, gestures and movements.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://theater.uantwerpen.be/etc/page.py?f=1987-01_jg4_nr16_53-64.xml\" target=\"_blank\"\u003eSource\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eWie de foto\u0026#39;s bekijkt die Robert Mapplethorpe van Fabres \u003cem\u003eDe macht der theaterlijke dwaasheden\u003c/em\u003e gemaakt heeft, merkt een totaal andere theatertaal, een andere generatie, een ander tijdsbeeld. De foto\u0026#39;s zijn haarscherp, harde contrasten. Onverbloemd, onverhuld slaat de fotograaf de acteurs (individuen, geen groep) in beeld neer. Geen lauwe mystificering: de portretten bieden zich aan de lezer aan, kijken je recht in de ogen, de foto tast het lichaam ongenadig af: de reactie van een hand die op een kaak neerkomt, het zweet dat van een lijf drupt, een scepter in een hand, een hand, het verschil tussen stevige, ronde of doorzakkende billen. De foto houdt zich aan de oppervlakte. Maar juist de oppervlakte is zo rijk aan sprekende, subtiele details. Ondanks de agressiviteit van het witte vlees op zwarte fond, schuilt er ook veel tederheid en ironie achter monden, gebaren, bewegingen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://theater.uantwerpen.be/etc/page.py?f=1987-01_jg4_nr16_53-64.xml\" target=\"_blank\"\u003eBron\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cdiv\u003e\r\n\u003cp\u003eQui regarde les photographies que Robert Mapplethorpe a prises du spectacle observe un langage th\u0026eacute;\u0026acirc;tral totalement diff\u0026eacute;rent, une nouvelle g\u0026eacute;n\u0026eacute;ration, une autre repr\u0026eacute;sentation d\u0026rsquo;une \u0026eacute;poque. Les photographies extr\u0026ecirc;mement nettes aux contrastes assez durs immortalisent les acteurs (individuellement, pas en groupe) de mani\u0026egrave;re directe, crue et sans fard. Pas de ti\u0026egrave;de mystification\u0026nbsp;: les portraits s\u0026rsquo;offrent aux lecteurs et les regardent droit dans les yeux, les photos explorent le corps sans merci\u0026nbsp;: la r\u0026eacute;action d\u0026rsquo;une main qui atterrit sur une joue, la sueur qui perle sur un corps, un sceptre dans une main, une main, la diff\u0026eacute;rence entre des fesses solides, rondes, ou affaiss\u0026eacute;es. La photo s\u0026rsquo;en tient \u0026agrave; la surface, mais c\u0026rsquo;est pr\u0026eacute;cis\u0026eacute;ment la surface qui est si riche en d\u0026eacute;tails parlants et subtils. Malgr\u0026eacute; l\u0026rsquo;agressivit\u0026eacute; de la chair blanche sur fond noir, les bouches, les mouvements et les gestes rec\u0026egrave;lent beaucoup de tendresse et d\u0026rsquo;ironie.\u003c/p\u003e\r\n\u003c/div\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://theater.uantwerpen.be/etc/page.py?f=1987-01_jg4_nr16_53-64.xml\" target=\"_blank\"\u003eSource\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":2944,"name":"Robert Mapplethorpe","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}