{"id":14392,"title":"De 4 Uitersten","dimensions":"00:05:57","date_begin":"1984-01-01","material":"16 mm film","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the artist and Zeno X Gallery, Antwerp","cached_tag_list":"film","publishing_process_id":1,"annotation":"\u003cp\u003e16mm film\u003cbr /\u003e\r\nDuration: 05:57\u003c/p\u003e\r\n\r\n\u003cp\u003eCamera: AMVK, Danny Hiele\u003c/p\u003e\r\n\r\n\u003cp\u003eEditing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eAnimation: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eSoundtrack: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eActors: Guy Cassiers, DDV, Marc Vanrunxt\u003c/p\u003e\r\n\r\n\u003cp\u003eProduced by: AMVK / Club Moral / Akademie Merksem\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cu\u003eSpeeldata/Playlist\u003c/u\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e04/05-05/06/1984\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; The 4 Extremities, Zeno-X Gallery, Antwerpen, B\u003c/p\u003e\r\n\r\n\u003cp\u003e20/06/1984\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Geminox-Festival, Frankfurt, D\u003c/p\u003e\r\n\r\n\u003cp\u003e10/1984\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Donuts festival, Brussel, B (First prize)\u003c/p\u003e\r\n\r\n\u003cp\u003e17/02/1985\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Berlin Atonal, Berlijn, D\u003c/p\u003e\r\n\r\n\u003cp\u003e16/03/1987\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; College of Advanced Education, Newcastle, Aus\u003c/p\u003e\r\n\r\n\u003cp\u003e19/12/1993-13/02/1994\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Vierkant, MHKG Gent, B\u003c/p\u003e\r\n\r\n\u003cp\u003e2004\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bern, Zwitserland\u003c/p\u003e\r\n\r\n\u003cp\u003e2007\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Muhkamedia, Antwerpen, B\u003c/p\u003e\r\n\r\n\u003cp\u003e16/08-23/11/2008\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Nothing More Natural, Luzern, CH\u003c/p\u003e\r\n","date_end":null,"reference":"008","stream_count_app":24,"permalink":"de-4-uitersten","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Anne-Mie Van Kerckhoven","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/820/large/08_4uitersten_screenshot.jpg?1470731607","poster_credits":"(c)video still: AMVK","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e(The Four Extremes)\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;Death, Judgment, Heaven and Hell are the Jesuits\u0026rsquo; Four Extremes. These are the stages that must be followed to reach that state of grace in which sin, Evil, is constrained. I made my own extremes in which, through banality and repetition, sacrifice and devotion, I come to the conclusion that Evil only exists by the grace of Good, and vice versa.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nCollage, montage, manipulation, indoctrination, information \u0026ndash; these five words are for me the twentieth century in a nutshell. They are concepts that formed me as a person born in 1951. Brainwashing, information, education... I have always experienced them as the same thing. As a human being, I feel obliged to undergo all of this with my eyes wide open, to use it, to transcend it, to live with it.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eCamera: AMVK, Danny Hiele\u003c/p\u003e\r\n\r\n\u003cp\u003eEditing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eAnimation: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eSoundtrack: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eActors: Guy Cassiers, DDV, Marc Vanrunxt\u003c/p\u003e\r\n\r\n\u003cp\u003eProduced by: AMVK / Club Moral / Akademie Merksem\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;De Dood, het Oordeel, de Hel en de Hemelse Glorie zijn de vier uitersten van de Jezu\u0026iuml;eten. Het zijn de stadia die men doorlopen moet om die staat van genade te bereiken waarin de zonde, het Kwaad, bedwongen wordt. Ik maakte mijn eigen uitersten waarbij ik via de banaliteit en de herhaling, de opoffering en de devotie, tot de conclusie kom dat het Kwade slechts bestaat bij de gratie van het Goede, en omgekeerd.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nCollage, montage, manipulatie, indoctrinatie, informatie \u0026ndash; deze vijf woorden zijn voor mij de 20e eeuw in een notendop. Het zijn concepten die me als persoon geboren in 1951 vormden. Hersenspoeling, informatie, opvoeding\u0026hellip; Ik heb dat altijd als hetzelfde ervaren. Als mens voel ik me verplicht om dit allemaal met de ogen wijd open te ondergaan, om het te gebruiken, te overstijgen, ermee te leven.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eCamera: AMVK, Danny Hiele\u003c/p\u003e\r\n\r\n\u003cp\u003eEditing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eAnimation: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eSoundtrack: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eActors: Guy Cassiers, DDV, Marc Vanrunxt\u003c/p\u003e\r\n\r\n\u003cp\u003eProduced by: AMVK / Club Moral / Akademie Merksem\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e(Les quatre fins)\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;La Mort, le Jugement, l\u0026rsquo;Enfer et la Gloire c\u0026eacute;leste sont les Quatre Fins des J\u0026eacute;suites, ou les \u0026eacute;tapes qu\u0026rsquo;un \u0026ecirc;tre humain doit traverser pour atteindre cet \u0026eacute;tat de gr\u0026acirc;ce dans lequel le p\u0026eacute;ch\u0026eacute;, le Mal est domin\u0026eacute;. J\u0026rsquo;ai cr\u0026eacute;\u0026eacute; mes propres fins qui me m\u0026egrave;nent, par le biais de la banalit\u0026eacute; et de la r\u0026eacute;p\u0026eacute;tition, du sacrifice et de la d\u0026eacute;votion, \u0026agrave; la conclusion que le Mal n\u0026rsquo;existe que par la gr\u0026acirc;ce du Bien, et inversement.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eCollage, montage, manipulation, endoctrinement, information \u0026ndash; ces cinq mots r\u0026eacute;sument selon moi le XXe\u0026nbsp;si\u0026egrave;cle. Pour quelqu\u0026rsquo;un comme moi, n\u0026eacute;e en 1951, ce sont des concepts qui m\u0026rsquo;ont fa\u0026ccedil;onn\u0026eacute;e. Lavage de cerveau, information, \u0026eacute;ducation\u0026hellip; Je les ai toujours ressentis comme \u0026eacute;tant du m\u0026ecirc;me acabit. En tant qu\u0026rsquo;\u0026ecirc;tre humain, je me sens oblig\u0026eacute;e de subir tout cela les yeux grands ouverts, pour l\u0026rsquo;utiliser, pour m\u0026rsquo;y faire et pour le transcender.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK"}]}