{"id":14405,"title":"Morele Herbewapening ","dimensions":"00:12:00","date_begin":"1996-01-01","material":"computer animation","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of the artist and Zeno X Gallery, Antwerp","cached_tag_list":"film video","publishing_process_id":1,"annotation":"\u003cp\u003ehttp://www.amvk.be/films/morele-herbewapening/\u003c/p\u003e\r\n\r\n\u003cp\u003eComputer animation\u003cbr /\u003e\r\nDuration: 12:00\u003c/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eCamera: AMVK\u003c/li\u003e\r\n\t\u003cli\u003eEditing: AMVK\u003c/li\u003e\r\n\t\u003cli\u003eAnimation: AMVK\u003c/li\u003e\r\n\t\u003cli\u003eProduced by: Club Moral\u003c/li\u003e\r\n\u003c/ul\u003e\r\n\r\n\u003cp\u003e\u003cu\u003eSpeeldata/Playlist\u003c/u\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e15/12/1996- 15/03/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Kunsthalle Lophem, Center for Contemporary Art,\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Brugge, B\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDoor Argos getoond:\u003c/p\u003e\r\n\r\n\u003cp\u003e10/04/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Surprise International Short Film Festival, Taichung-City, J\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e17/06/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Constant, Brussel, B\u003c/p\u003e\r\n\r\n\u003cp\u003e18/06-17/08/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Selected Memories, Paleis voor Schone Kunsten, Brussel, B\u003c/p\u003e\r\n\r\n\u003cp\u003e06/10/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; International Festival of New Film Split, Split, Slo\u003c/p\u003e\r\n\r\n\u003cp\u003e30/10/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Argos information Days, Argos, Brussel, B\u003c/p\u003e\r\n\r\n\u003cp\u003e01/06/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; International Animation Festival Cardiff, Londen, UK\u003c/p\u003e\r\n\r\n\u003cp\u003e15/06/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Chambre de s\u0026eacute;jour avec vue, Saignon en Luberon, FR\u003c/p\u003e\r\n\r\n\u003cp\u003e17/06/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; New York Video Festival, New York, USA\u003c/p\u003e\r\n","date_end":null,"reference":"036","stream_count_app":28,"permalink":"morele-herbewapening","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Anne-Mie Van Kerckhoven","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/834/large/36_moreleherbewapening_screenshot.jpg?1470737659","poster_credits":"(c)video still: AMVK","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003ci\u003e\u0026quot;The animation that animation that formed the start of the project \u0026#39;Morele Herbewapening\u0026#39; that lasted 10 years.\u0026quot;\u003c/i\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026quot;\u003cem\u003eThe movie is a computer animation in 5 steps. By means of a systematic use/re-use of images of women from the nude-press until the Sexual Revolution, an alchemistic process is activated. 5 probers around one subject depict an important dichotomy in the mass media:\u0026nbsp; the contemporary aesthetics of fascination for evil and negative information versus the commercialization, thus abstraction, of desire. The movie was the starting point of my extensive 10-year long Sex and Technology project called Moral Rearmament. Therefore I re-named myself HeadNurse, answering to Big Brother, being the assistant of doctor Nietzsche. \u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003cem\u003eOn the use of woman images: keeping records on images of women and on wordlists from particular fields made me at a certain point combine them. The same way as car-dealers present their newest products with scarcely dressed females.\u0026nbsp;As an example I sampled words related to particular problems of elasticity, knowledge representation and symmetry in space to connect with files of 1. naked women dressed only with a belt, 2. women showing their breasts while fixating the spectator, 3. women busy taking of their blouses over their heads.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nOne particular word connects to one image. The word and the image come together in a streched black and white figure. In the next step the concept disappears and the image gets its new meaning thanks to colour. The image re-given to the nature of perception. From there on we can a build a new world. Thanks to serendipity, synchronicity. This happens with trial and error, as evolution works. \u0026nbsp;I try things out, I see how they work, if they work. I use my computer to store images and knowledge. This collection creates systems for revealing things while working. The information becomes the tool, the canvas to work on. The data are the paint, a mixed storage of past, present and future intelligence.\u0026quot;\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eCamera: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eEditing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eAnimation: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eProduced by: Club Moral\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;De animatie die het begin vormde voor mijn 10-jaar-durende project Morele Herbewapening.\u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003cem\u003e\u0026quot;De film bestaat uit een computeranimatie in 5 stappen. Door middel van een systematisch gebruik en hergebruik van afbeeldingen van vrouwen, vanaf de eerste naakt-pers tot aan de Seksuele revolutie, werd een alchemistisch proces geactiveerd. 5 onderzoeken rond \u0026eacute;\u0026eacute;n onderwerp beelden een belangrijke dichotomie in de massamedia af: de hedendaagse esthetiek van de fascinatie voor onheil en negatieve informatie versus de commercialisatie, oftewel abstractie, van verlangen. De film was een startpunt van mijn uitgebreide 10-jaar durende Seks en Technologie-project dat \u0026lsquo;Moral Rearmament\u0026rsquo; heette. Daarvoor gaf ik mezelf de (nieuwe) naam \u0026lsquo;HeadNurse\u0026rsquo;, om te beantwoorden aan Big Brother, die de assistent van Dokter Nietzsche was.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nWat betreft het gebruik van de vrouwelijke afbeeldingen: het bijhouden van afbeeldingen van vrouwen en woordlijsten over bepaalde pistes heeft ervoor gezorgd dat ik ze op een gegeven moment ging combineren. Op dezelfde manier als autoverkopers, die hun nieuwste producten presenteren met schaars geklede vrouwen. Bij wijze van voorbeeld deed ik een steekproef bij woorden die gerelateerd zijn aan bepaalde problemen als elasticiteit, het presenteren van kennis en symmetrie in een ruimte, om ze te verbinden met bestanden van 1. Naakte vrouwen die enkel een riem dragen, 2. Vrouwen die hun borsten tonen terwijl ze zich fixeren op de toeschouwer, 3. Vrouwen die bezig zijn met hun blouse over hun hoofd te trekken.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nEen bepaald woord houdt verband met een bepaalde afbeelding. Het woord en de afbeelding komen samen in een uitgerekte zwart-witte figuur. In de volgende stap verdwijnt het concept en de afbeelding krijgt een nieuwe betekenis dankzij kleurgebruik. De afbeelding teruggegeven aan de natuur van de perceptie. Van hieruit kunnen we een nieuwe wereld bouwen. Met dank aan het toeval en het synchrone. Dit gebeurt doormiddel van vallen en opstaan, zo werkt de evolutie. Ik probeer dingen, bekijk hoe ze werken, of ze werken. Ik gebruik mijn computer om afbeeldingen en kennis op te slaan. Deze collectie cre\u0026euml;ert systemen om zaken naar buiten te laten komen terwijl ik werk. De informatie wordt het middel, het doek om op de werken. De data zijn de verf, een gemengde opslagplaats voor verleden, hedendaagse en toekomstige intelligentie. \u0026quot;\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eCamera: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eEditing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eAnimation: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eProduced by: Club Moral\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}