{"id":14502,"title":"Poï Poï Bottles","dimensions":"28.5 × 27.5 × 10.5 cm","date_begin":"1961-01-01","material":"wooden case, two beer bottles labelled ‘Poï Poï’ in positive and negative, ruler, roll of paper, elastic bands","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Andersch, Neuss","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1970-01-01","reference":"","stream_count_app":21,"permalink":"poi-poi-bottles","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Multiple","nl":"Multipel","fr":"Multiple"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/149/large/Filliou_1_1_PhotoMHKAcc.jpg?1475843778","poster_credits":"(c)image: M HKA, Courtesy Collection Andersch, Neuss","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe force that drives Filliou\u0026rsquo;s work and thought is Permanent Creation. He helps to establish various Centres of Permanent Creation, such as the Po\u0026iuml;po\u0026iuml;drome and the Smiling Cedilla. As an alternative to the notion of the avant-garde, he proposes the Eternal Network, also known as \u0026lsquo;La f\u0026ecirc;te permanente\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcerpt of the conversation between Robert Filliou (RF) and Irmeline Lebeer (IL), Flayosc, France, August 1976.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRF:\u003c/strong\u003e Yes. We already have the text of the first invitation for the K\u0026oslash;pcke exhibition. I\u0026rsquo;ll give you this catalogue, and one day when I visit you I might give you a small \u003cem\u003eMeasurement\u003c/em\u003e\u0026hellip; We only put this text: \u0026lsquo;A Note on Mummification\u0026rsquo;. It\u0026rsquo;s from my first catalogue, June 1961 at Galerie K\u0026oslash;pcke.\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Just to recapitulate: \u003ca href=\"http://ensembles.org/actors/daniel-spoerri?locale=en\"\u003eDaniel [Spoerri]\u003c/a\u003e introduced me to K\u0026oslash;pcke. Addi gave me my first exhibition, as he did for many people \u0026ndash; also for himself, because he\u0026rsquo;s an important artist. He helped me a lot; it was he who came up with this concept for the catalogue. He used it often for catalogues. It\u0026rsquo;s really hand-made. He also made the design for the \u003cstrong\u003ePo\u0026iuml;po\u0026iuml; beer bottle\u003c/strong\u003e. Ha also used it for his own catalogues.\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Many things happened in Addi\u0026rsquo;s gallery. I believe Dieter Roth had his first exhibition there. \u003ca href=\"http://ensembles.org/actors/emmett-williams?locale=en\"\u003eEmmett Williams\u003c/a\u003e. Maybe \u003ca href=\"http://ensembles.org/actors/piero-manzoni?locale=en\"\u003eManzoni\u003c/a\u003e. We have to ask him. Me certainly. Spoerri had one of his very first exhibitions, where he transformed Galerie K\u0026oslash;pcke into a grocery shop with all these things saying \u0026lsquo;Attention, work of art\u0026rsquo;. Nikki de Saint-Phalle and \u003ca href=\"http://ensembles.org/actors/jean-tinguely?locale=en\"\u003eTinguely\u003c/a\u003e fired canons in there. There were a lot of activities and Addi also exhibited himself, of course.\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; It was with Addi K\u0026oslash;pcke that I performed what I gave a French title \u003cem\u003eLe P\u0026egrave;re Lachaise n\u0026deg; 1. \u003c/em\u003eEmptying the Po\u0026iuml;po\u0026iuml; suitcase, with Addi as my partner. \u003cem\u003eThe 53 kg Poem\u003c/em\u003e. In the original title there was \u0026lsquo;Lille Kirkestr\u0026aelig;de 1\u0026rsquo;. That was the address of the gallery. Now Addi\u0026rsquo;s role is recognised in Scandinavia, but is wasn\u0026rsquo;t easy for him\u0026hellip; And then maybe we\u0026rsquo;ll find photos.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe drijvende kracht achter het werk en het denken van Filliou is de Permanente creatie. Filliou helpt bij het oprichten van verschillende centra voor permanente creatie, zoals de Po\u0026iuml;po\u0026iuml;drome en La C\u0026eacute;dille qui Sourit, en stelt voor de historische avant-garde te vervangen door het Eternal Network, ook bekend onder de naam F\u0026ecirc;te permanente.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eLa force motrice derri\u0026egrave;re l\u0026rsquo;\u0026oelig;uvre et la pens\u0026eacute;e de Filliou est la Cr\u0026eacute;ation permanente. Filliou a fond\u0026eacute; diff\u0026eacute;rents centres de cr\u0026eacute;ation permanente, comme Po\u0026iuml;po\u0026iuml;drome et La C\u0026eacute;dille qui Sourit, et a propos\u0026eacute; de remplacer l\u0026rsquo;avant-garde historique par l\u0026rsquo;Eternal Network, \u0026eacute;galement connu sous le nom de F\u0026ecirc;te permanente.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":52,"name":"Robert Filliou","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}