{"id":14843,"title":"Decor voor Ballet in Wit van Marc Vanrunxt: Zwarte zon/Wit vierkant \u0026 Witte zon/Zwart vierkant","dimensions":"400 x 400 cm, 800 x 400 cm","date_begin":"1988-01-01","material":"paint on pvc with iron hinged joints","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of the artist and Zeno X Gallery","cached_tag_list":"AMVK","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":30,"permalink":"black-sun-white-sun","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Anne-Mie Van Kerckhoven","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/675/large/1988-1995_ballet_in_wit-400_x_4__.jpg?1478264646","poster_credits":"(c)image: AMVK","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e(Decor for Ballet in White: Black Sun/White Square \u0026amp; White Sun/Black Square)\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;These are elements from the sliding decor for Ballet in wit (Ballet in White), choreographer Marc Vanrunxt\u0026rsquo;s 1988 production in which five dancers perform cosmic rituals. The hand-painted mandalas on PVC express notions such as melancholy, God and time. The alternation between day and night, the subdivision of a day in 24 hours, the duality of dark and light: those were the themes.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nI designed the images in the laboratory for Artificial Intelligence at the Free University of Brussels (VUB), with a symbolics-programme on a Lisp machine, the first commercial workstation. I have greatly increased the computer output, which makes the pixelation almost friendly, and then hand-painted it on PVC with screen printing ink.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nMy work at VUB inspired me to follow an evening course in animated film at the Academy of Merksem, in 1983, which then led to the film De 4 uitersten (The 4 Extremes), based on Marc Vanrunxt\u0026rsquo;s four short dances.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026minus; AMVK\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;Dit zijn elementen van het verschuifbaar decor voor Ballet in Wit, de productie van choreograaf Marc Vanrunxt uit 1988, waarin vijf dansers onder andere kosmische rituelen uitvoeren. De handgeschilderde mandala\u0026rsquo;s op pvc drukken begrippen als melancholie, God en tijd uit. De afwisseling tussen dag en nacht, de onderverdeling van de 24 uren in een dag, de dualiteit van donker en licht waren de thema\u0026rsquo;s.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nDe beelden heb ik in het Laboratorium voor artifici\u0026euml;le intelligentie aan de VUB ontworpen, in een symbolics-programma op een Lisp-machine, het eerste commerci\u0026euml;le \u003ca href=\"https://en.wikipedia.org/wiki/Computer_workstation\" title=\"Computer workstation\"\u003ewerkstation\u003c/a\u003e. Ik heb de computer-output dan heel erg vergroot, waardoor de pixelatie bijna vriendelijk wordt, en met de hand met zeefdrukverf dus op pvc geschilderd.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nMijn werk bij de VUB inspireerde me om een avondcursus animatiefilm te volgen in de Academie van Merkstem, in 1983, wat geleid heeft tot de film De 4 uitersten, gebaseerd op de vier korte dansen van Marc Vanrunxt.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e(Decor de Ballet en blanc: Soleil blanc/Carr\u0026eacute; noir \u0026amp; Soleil noir/Carr\u0026eacute; blanc)\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;Des \u0026eacute;l\u0026eacute;ments du d\u0026eacute;cor coulissant de Ballet in Wit (1988) [Ballet en blanc], une production du chor\u0026eacute;graphe Marc Vanrunxt dans laquelle cinq danseurs ex\u0026eacute;cutent, entre autres, des rituels cosmiques.\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Les mandalas peints \u0026agrave; la main sur PVC expriment des concepts comme la m\u0026eacute;lancolie, Dieu et le temps. Les th\u0026egrave;mes \u0026eacute;taient l\u0026rsquo;alternance entre jour et nuit, la subdivision d\u0026rsquo;un jour en 24\u0026nbsp;heures, la dualit\u0026eacute; entre le clair et l\u0026rsquo;obscur.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; J\u0026rsquo;ai con\u0026ccedil;u les images au laboratoire d\u0026rsquo;intelligence artificielle de la VUB, sur une machine Lisp de l\u0026rsquo;entreprise Symbolics, la premi\u0026egrave;re station de travail commerciale.\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; J\u0026rsquo;ai tr\u0026egrave;s fort agrandi les donn\u0026eacute;es de sortie, ce qui a rendu la pixellisation presque aimable, et j\u0026rsquo;ai peint \u0026agrave; la main sur PVC avec de la peinture pour s\u0026eacute;rigraphie.\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Mon travail \u0026agrave; la VUB m\u0026rsquo;a incit\u0026eacute; \u0026agrave; suivre un cours du soir d\u0026rsquo;animation de film \u0026agrave; l\u0026rsquo;Acad\u0026eacute;mie de Merksem, en 1983. Cette formation a men\u0026eacute; \u0026agrave; son tour au film Les 4\u0026nbsp;Fins, inspir\u0026eacute; de quatre danses br\u0026egrave;ves de Marc Vanrunxt.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}