{"id":14881,"title":"Die Loreley","dimensions":"00:14:30","date_begin":"1996-01-01","material":"computer animation","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"AMVK","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cu\u003eSpeeldata/Playlist\u003c/u\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e26/01-03/03/1996\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Fertile Ground, Elzenveld, Antwerpen, B\u003c/p\u003e\r\n\r\n\u003cp\u003e03/01/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; SK Stiftung Kultur, K\u0026ouml;ln, D\u003c/p\u003e\r\n\r\n\u003cp\u003e12/06-16/06/1996\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Neue Liste, Zeno-X galerie, Basel, CH\u003c/p\u003e\r\n\r\n\u003cp\u003e10/04/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Surprise Int. Short Film Festival, Taichung, China\u003c/p\u003e\r\n\r\n\u003cp\u003eJuni 1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Museum voor Schone Kunsten, Gent, B\u003c/p\u003e\r\n\r\n\u003cp\u003e12/09/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; World Wide Video Festival, Amsterdam, NL\u003c/p\u003e\r\n\r\n\u003cp\u003e23/09/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Champ Libre, Montreal, Canada\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e30/10/1997\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Argos Information Days, Brussel, B\u003c/p\u003e\r\n\r\n\u003cp\u003e08/01/1998 \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Stuttgarter Filmwinter, Stuttgart, D\u003c/p\u003e\r\n\r\n\u003cp\u003e20/05/1998\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Centre d\u0026rsquo;Art Contemporain de Basse-Normandie,\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left:108.0pt;\"\u003eHerouville Saint-clair, FR\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003ch1\u003eData\u003c/h1\u003e\r\n\r\n\u003cp\u003e1996\u003c/p\u003e\r\n\r\n\u003cp\u003eFormat: DVD or VHS\u003c/p\u003e\r\n\r\n\u003cp\u003eDuration: 14min30sec\u003c/p\u003e\r\n\r\n\u003cp\u003eColor\u003c/p\u003e\r\n\r\n\u003cp\u003eSound, images and editing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eProducer: Club Moral\u003c/p\u003e\r\n","date_end":null,"reference":"034","stream_count_app":15,"permalink":"die-loreley","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/831/large/AMVK_VIDEOSHEET_34.jpg?1478688645","poster_credits":"(c)image: AMVK","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;In this computer-animation Van Kerckhoven links together portrait paintings she made between 1987 and 1990 of 54 people that visited her unexpectedly. These people are acquaintances, friends and relatives.\u0026nbsp; She linked each person chronologically to some words of the poem \u0026ldquo;Die Loreley\u0026rdquo; of Heinrich Heine (1797-1856). Melancholy, fate and inevitability of seduction and doom. Sailors, attracted by the enchanting singing of the wind through the Loreley, a riff in the Rhine, reck their ships in trance against it. The Loreley-movie is a morphing of 54 faces, divided in 6 strophes.\u0026nbsp; The soundtrack evokes a barge bobbing up and down, in the water.\u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026quot;\u003ci\u003eAt the centre of a social universe, the abstract, which manifests itself as a symbol, tends to manifest itself in the shape of a figure. This happens in a complex way, fragmented. Look at the ancient gods.\u0026quot;\u0026nbsp;\u003c/i\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eSound, images and editing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eProducer: Club Moral\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;De Loreley is een film gemaakt met 54 verschillende portretten van kennissen, vrienden en familie die mij gedurende de periode tussen 1987 en 1990 thuis bezochten. Ik nodigde ze niet uit, ik heb het toeval laten beslissen. Het enige wat ik ze vroeg was me twee uren van hun tijd te geven, de tijd die ik gemiddeld nodig had om hen te schilderen.\u0026nbsp; De ondergrond is plexiglas; ik zocht de kleur uit welke de persoon bij me opriep en begon met het wit van de ogen. Daarna vormde zich de rest van het gelaat. Gedurende het schilderen moesten de mensen mij recht in de ogen kijken.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026ldquo;Die Loreley\u0026rdquo; van Heinrich Heine (1797-1856) is een gedicht van melancholie en onontkoombaarheid, het noodlot in zijn meest fatale vorm.\u0026nbsp; Aan elk van de geportretteerden gaf ik een deel van het gedicht, in de volgorde waarop ze mij bezochten. Per strofe zijn er 9 mensen. Het gedicht telt 6 strofen.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eDeze structuur bood me de kans een hedendaagse conclusie aan het gedicht te verbinden: noodlot en dood zijn slechts verschijningsvormen van liefde, wat maakt dat het de verbondenheid telkens weer is, die wint. Liefde en Dood kan men niet in dezelfde waardenschaal, op hetzelfde niveau ervaren. Dood of wat wij ervaren als \u0026ldquo; dood \u0026rdquo;, is een onderdeel, een fragment van de liefde, die haar bestaan in stand houdt doch die men niet tegenover haar kan plaatsen. Omdat Liefde het geheel is en dood \u0026eacute;\u0026eacute;n van haar bestaansvormen, waardoor zij zichtbaar wordt aan ons.\u0026quot;\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026quot;In het centrum van een sociaal universum, het abstracte, dat zich manifesteert als een symbool, heeft de neiging zich te manifesteren in de vorm van een figuur. Dit gebeurt op een complexe manier, gefragmenteerd. Kijk naar de oude Goden.\u0026quot;\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; AMVK\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eSound, images and editing: AMVK\u003c/p\u003e\r\n\r\n\u003cp\u003eProducer: Club Moral\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}