{"id":15525,"title":"Ike","dimensions":"50 x 50 cm","date_begin":"2016-01-01","material":"wood, graphite","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"aik","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Object","nl":"Object","fr":"Objet"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/186/large/catastrophe_add_003_cr.jpg?1491321476","poster_credits":"(c)image: Alexander Plusnin","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cem\u003eIke\u003c/em\u003e is named after the hurricane that hit the American continent in 2008 and constitutes part of the Plusnin\u0026rsquo;s \u003cem\u003eHurricane\u003c/em\u003e series. The artist encompasses the dramatic and traumatic episode from a considerable distance thus turning its image almost into a miniature. The artwork of such a format remind of a small screen of a smartphone or of some other screen, the carrier of any information that circulates in the human society. In such a way the format signifies the greater density of information, a kind of compression without loss of quality. As most of Plusnin\u0026rsquo;s artworks, this one, as art historian Sergey Popov claims, possesses super-density and the super-conductivity of meaning, associations, and ideas.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":""},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":"\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cstrong\u003eАйк. 2016, дерево, графит\u003c/strong\u003e\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eПроизведение \u0026laquo;Айк\u0026raquo; названо по имени урагана, прошедшего на американском континенте в 2008 году, и составляет часть серии Плюснина \u0026laquo;Ураганы\u0026raquo;. Художник охватывает это драматичное и травматичное событие, отдаляясь на значительное расстояние, превращая изображение почти в миниатюру. Графическая работа камерного формата ассоциируется с небольшим экраном смартфона или иным экраном \u0026ndash; носителем почти любой информации, циркулируемой в человеческом сообществе. Таким образом этот формат означает информационное уплотнение, своеобразное сжатие без потери качества. Как и все художественные объекты Плюснина этот, по словам искусствоведа Сергея Попова, обладает сверхплотностью и сверхпроводимостью \u0026ndash; смыслов, ассоциаций, значений.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":3053,"name":"Alexander Plusnin","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}