Tapta

1995

Installation, variable dimensions .
Materials: steel and rubber on wheels

Collection: Collection Province de Hainaut / Dépôt BPS22, Charleroi.

Her work Impatiente, in neoprene, a non-putrescible synthetic rubber, one of the artist's favourite materials, both solid and flexible, is characteristic of the work of Tapta in the early 90's. A basic form, in this case a square, is cut into several articulated parts, allowing it to spread on the ground using castors. Contrary to the so-called ‘male sculpture’, which claims vertical ascension, this work spreads horizontally, taking space into account.

A physical relation is created through contact with the structure; its conception is linked to the human body and the character of its movement is mentioned in the title. In order to express the dynamism of forms in space, black is indispensable to the artist. She considers it "energetic, powerful, opaque, profound, simple, radical, affirmative and contrasting”. By means of minimalist and powerful structures, Tapta wants to testify to the brutality of the contemporary world. However, this radical attitude is however counterbalanced by the litheness, the flexibility and the openness of her forms, which give her pieces an incredible freedom.

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The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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