{"id":17051,"title":"Hoeren en Profeten","dimensions":"dimensions variable","date_begin":"1983-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the artist","cached_tag_list":"AMVK","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"hoeren-en-profeten-dbc35236-bde3-4b64-b01b-f0d4602d85cb","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/037/892/large/hoeren_en_profeten_1_kl.jpg?1509025280","poster_credits":"(c)image: AMVK","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;Whores and Prophets I presented in a hind-quarter of the building. The space was filled with enormous piles of dirt from wood carton and paper. The installation was made out of 5 elements, which I placed in a certain circuit through which the spectator was led.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe 1st element was formed by arranged dirt around an imaginative laying figure, which was in its turn completed with plexi-tables on which images of naked women. The head was made of an assemblage of a great leaning backward woman figure.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe 2nd element were 3 graves ; piles of dirt on which portraits of false prophets, prototypes of their kind: Ernst, Orwell/ Huxley, Beckett.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe 3rd element as a 50m long paper loop on which 2 fights are repeated over and over: 2 male wrestlers and a copulating man + woman.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe 4th element was a Super8 film loop : a drawn animation of 4 dogs that undergo a rhythmic over-excitation. Thereby the words EXCITATION - INHIBITION.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe 5th element were drawings in rubber on PVC-plates. Images of contact-points and rejection-points.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe whole of the installation was finished with the smell of sulpher and my whispering voice shrouding in low frequencies : I ENJOY YOU!\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe opening was graced by a music-performance by Club Moral.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe whole goes parallel with the essay \u0026ldquo;La th\u0026eacute;orie \u0026eacute;cologique et la transmission des fant\u0026ocirc;mes \u0026ldquo;, San Sebastian, 28 April 1981. R. Guardans.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThis theory represents the contemporary structure of a society in which, through a puzzled out exploitation of the fear and a clear erotic code, has in it each transport of information, images and phantasms (\u0026ldquo;the transfer of chimeras\u0026rdquo;) in a control able manner each future through a puzzled out development and allowing inventions.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026ldquo;In an ecologic view the transfer of chimeras is now what earlier used to be in their time gutters and asylums; places where shit and dirt flew into each other and where the future was whitewashed.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe trade, the economy has all means to part the clean from the dirty. All collective dirt, which remains in our hands after the gutters, the concentration camps and other desinfectants from above, th\u0026agrave;t is the \u0026lsquo;colonialism\u0026rsquo;, the \u0026lsquo;inquisition\u0026rsquo;.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eThe anti-inventing of these practises, productors of pub1ic and private shit, is the kind of ecological theory that interests me.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e(R. Guardans)\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;The importance of Transmarginal Inhibition in 5 steps:\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e1. Whores. Tables. Cross.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e2. 2fights. Transport.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e3. 3Prophets. Grave\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e4. 4Dogs. FLexor. Relax.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e5. Bodies. Wander.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026minus; AMVK\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;Hoeren en profeten presenteerde ik in een achterbouw. De ruimte was gevuld met enorme bergen afval van hout, karton en papier. De installatie bestond uit S elementen, die ik in een bepaald parcours plaatste waar de toeschouwer doorheen werd geleid.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nHet 1ste element werd gevormd door geschikt afval rondom een imaginair liggende figuur, deze werd op haar beurt aangevuld met plexi-tafels waarop afbeeldingen van naakte vrouwen. Het hoofd bestond uit een assemblage van een groot achteroverstaande vrouwenfiguur.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nHet 2de element bestond uit 3 graven; grote afval hopen met daarop portretten van valse profeten, prototypes voor hun soort: Ernst, Orwell/Huxley, Beckett.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nHet 3de element was een 50m lange papieren lus waarop steeds weer 2 gevechten herhaald worden: 2 mannelijke worstelaars, en een copulerende man + vrouw.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nHet 4de element was een Super 8 filmlus: een getekende animatie van 4 honden die een ritmische over-excitatie ondergaan. Daarbij de woorden EXCITATIE - INHIBITIE.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nHet 5de element bestond uit tekeningen in rubber op PVC-platen. Afbeeldingen van contactpunten en afstotingspunten. Het geheel van de installatie werd afgewerkt\u003cbr /\u003e\r\nmet de geur van solfer en mijn fluisterende stem omfloerst met lage tonen: I ENJOY YOU!\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nDe opening werd opgeluisterd met een muziekperformance van Club Moral.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eDe Balans tussen excitatie en het inhibitieproces determineert het hele menselijk gedrag. Normaal en pathologisch.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;Het belang van Transmarginale Inhibitie in 5 stappen:\u003cbr /\u003e\r\n1. Hoeren\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp; Tafels. Kruis.\u003cbr /\u003e\r\n2. 2Gevechten\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp; Transport.\u003cbr /\u003e\r\n3. 3Profeten\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp; Graf.\u003cbr /\u003e\r\n4. 4Honden\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Flexor. Relax.\u003cbr /\u003e\r\n5. Lichamen\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp; Dwaal!\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026minus; AMVK\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}