{"id":17286,"title":"Untitled (Part II)","dimensions":"125.5 x 83.5 cm","date_begin":"2002-01-01","material":"photograph on aluminium","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA / Foundation for Visual Arts Middelburg/De Vleeshal","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"VH0286b","stream_count_app":7,"permalink":"untitled-part-ii","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/319/large/Roma_Pas__Untitled__2002__photo_M_HKAcc50.jpg?1511365656","poster_credits":"(c)image: M HKA, Antwerp","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eTracing what seems to be a timeline of our varied modes of communication, artist Roma Pas works in a variety of media, ranging from clay to computer software, mixing traditional materials with contemporary electronic and digital culture and breaking down new forms of media to show their underlying components. Her work illustrates how electronic representations of reality at times tend to replace the real ones, forcing metaphorical connections between them and yet also yearning for the actual.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe works react to features like inscription, ornament, ruin, archeology, wisdom and greatness and attempt to connect to the contemporary media landscape.\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026ldquo;As I can see it at this point,\u0026rdquo; observes Pas, \u0026ldquo;only two things are inevitable: death and digitization. Digitization is often seen as a means of conservation and preservation\u0026mdash;saving dusty photo archives and obscure historical materials from oblivion\u0026mdash;whereas at the same time it\u0026rsquo;s considered to detract from truth and beauty; authenticity and purity are at stake\u0026hellip;.One wonders if every new\u0026nbsp;technology or form of progress can also be seen as a form of decay\u0026hellip;\u0026rdquo;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":""},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eRetra\u0026ccedil;ant ce qui semble \u0026ecirc;tre une chronologie de nos divers modes de communication, l\u0026#39;artiste Roma Pas travaille sur des supports vari\u0026eacute;s allant de l\u0026#39;argile \u0026agrave; des logiciels informatiques, m\u0026eacute;langeant mat\u0026eacute;riaux traditionnels et mat\u0026eacute;riel \u0026eacute;lectronique contemporain et culture num\u0026eacute;rique, d\u0026eacute;composant de nouvelles formes de supports afin de montrer leurs composants sous-jacents. Son oeuvre illustre la mani\u0026egrave;re dont les repr\u0026eacute;sentations \u0026eacute;lectroniques de la r\u0026eacute;alit\u0026eacute; ont tendance, parfois, \u0026agrave; remplacer les repr\u0026eacute;sentations r\u0026eacute;elles, contraignant \u0026agrave; des connexions m\u0026eacute;taphoriques entre elles tout en aspirant \u0026agrave; la r\u0026eacute;alit\u0026eacute;.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eLes oeuvres r\u0026eacute;agissent \u0026agrave; des caract\u0026eacute;ristiques comme l\u0026#39;inscription, l\u0026#39;ornement, la ruine, l\u0026#39;arch\u0026eacute;ologie, la sagesse et la grandeur et elles tentent de se connecter au paysage m\u0026eacute;diatique contemporain.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;\u0026nbsp;Telles que je vois les choses jusqu\u0026#39;ici,\u0026nbsp;\u0026raquo; fait remarquer Pas, \u0026laquo;\u0026nbsp;seules deux choses sont in\u0026eacute;vitables : la mort et la num\u0026eacute;risation. La num\u0026eacute;risation est souvent consid\u0026eacute;r\u0026eacute;e comme un moyen de conservation et de pr\u0026eacute;servation (sauvant des photos d\u0026#39;archive poussi\u0026eacute;reuses et d\u0026#39;obscurs documents historiques de l\u0026#39;oubli) et en m\u0026ecirc;me temps, elle est jug\u0026eacute;e comme un facteur r\u0026eacute;ducteur de la v\u0026eacute;rit\u0026eacute; et de la beaut\u0026eacute; : authenticit\u0026eacute; et puret\u0026eacute; sont en jeu ici... Nous nous demandons si chaque nouvelle technologie ou forme de progr\u0026egrave;s peut \u0026eacute;galement \u0026ecirc;tre consid\u0026eacute;r\u0026eacute;e comme une forme de d\u0026eacute;cadence...\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eBei der Verfolgung des Verlaufs von unseren verschiedenen Arten der Kommunikation arbeitet die K\u0026uuml;nstlerin Roma Pas mit einer Vielzahl von Medien, die von Ton bis hin zu Computersoftware reichen, wobei traditionelle Materialien mit zeitgen\u0026ouml;ssischer elektronischer und digitalen Kultur vermischt werden und neue Formen von Medien zerlegt werden, um ihre zugrundeliegenden Komponenten aufzuzeigen. Ihre Arbeit illustriert, wie elektronische Darstellungen von Realit\u0026auml;t die realen ersetzen, indem bildhafte Verbindungen zwischen ihnen erzwungen werden und nach dem Aktuellen verlangen.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDie Arbeiten reagieren auf Merkmale wie Inschriften, Ornamente, Ruinen, Arch\u0026auml;ologie, Weisheit und Gr\u0026ouml;\u0026szlig;e und versuchen eine Verbindung mit der zeitgen\u0026ouml;ssischen Medienlandschaft herzustellen.\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026bdquo;Aus dieser Perspektive,\u0026rdquo; beobachtet Pas, \u0026bdquo;sind nur zwei Dinge unausweichlich: der Tod und die Digitalisierung. Digitalisierung wird h\u0026auml;ufig als Mittel zur Erhaltung und Bewahrung angesehen \u0026mdash; staubige Fotoarchive und obskure historische Materialien vor der Vergessenheit gesch\u0026uuml;tzt werden \u0026ndash; wobei ihnen gleichzeitig Wahrheit und Sch\u0026ouml;nheit entzogen wird; Authentizit\u0026auml;t und Reinheit stehen auf dem Spiel\u0026hellip;.Man fragt sich, ob jede neue Technologie oder Form des Fortschritts als eine Form des Verfalls angesehen werden kann\u0026hellip;\u0026rdquo;\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}