{"id":17560,"title":"Studies van de kop van Abraham Grapheus","dimensions":"45.2 x 52 cm","date_begin":"1620-01-01","material":"oil on paper, glued on a wooden panel ","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Museum voor Schone Kunsten, Ghent","cached_tag_list":"barok","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"de-studies-van-de-kop-van-abraham-grapheus","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/413/medium_500/Jordaens.png?1511774036","cached_actor_names":"Jacob Jordaens","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/413/large/Jordaens.png?1511774036","poster_credits":"Museum voor Schone Kunsten, Gent (MSK) © www.lukasweb.be - Art in Flanders vzw, foto Hugo Maertens ","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIn this fascinating study of colour and light, Jordaens presents the expressive face of Grapheus in two slightly different poses. The artist indulges in the juxtaposition of pink, ocher yellow and light yellow touches that remain recognizable as such - a free handling of paint that will later appeal to the imagination of the Impressionists.\u0026nbsp;Grapheus posed many times for the painter, who depicts him head-on and in profile, looking up, looking down and viewed from below. In some cases these sessions end up in strange grimace-making bouts. \u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJordaens uses the red-faced appearance of his friend in numerous paintings,\u0026nbsp;as a writing evangelist in \u003cem\u003eThe Four Evangelists\u003c/em\u003e (Paris, Louvre, c. 1625-30) and as a shepherd in \u003cem\u003eThe Adoration by the Shepherds\u003c/em\u003e (Paris, Louvre, c. 1650). In response to the constrained and predictable visual language of the Romanists and Rubens\u0026#39; heroics, Jordaens and the six-year-younger Van Dyck revitalise the mythological, biblical and historical repertoire by populating it with characters of flesh and blood. Working with studies after living models is instrumental in this artistic revolution.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Nico Van Hout, 2018\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIn deze boeiende studie van kleur en licht geeft Jacob Jordaens het expressieve hoofd van Grapheus in twee licht verschillende poses weer. De kunstenaar verlustigt zich in het naast elkaar plaatsen van roze, okergele en lichtgele toetsen die als dusdanig herkenbaar blijven \u0026ndash; die vrije omgang met verf zal later overigens erg tot de verbeelding van de impressionisten spreken. Grapheus poseert veel voor de schilder, die hem frontaal en in profiel weergeeft, op- en, neerkijkend en van onderuit bekeken. Jordaens gebruikt het rood aangelopen gelaat van zijn vriend in tal van schilderijen. Zo vinden we de rechterkop op deze studie terug als sater op \u003cem\u003eHulde aan Pomona\u003c/em\u003e (Brussel, KMSKB, ca. 1623), als schrijvende evangelist in \u003cem\u003eDe Vier Evangelisten\u003c/em\u003e (Parijs, Louvre, ca. 1625\u0026ndash;30) en als herder in \u003cem\u003eDe Aanbidding door de Herders\u003c/em\u003e (Parijs, Louvre, ca. 1650). Als reactie tegen de dwingende en voorspelbare vormentaal van de romanisten en de hero\u0026iuml;ek van Rubens, blazen Jordaens en de zes jaar jongere Anthony van Dyck het mythologische, bijbelse en historische repertoire leven in door het te bevolken met karakters van vlees en bloed. Het werken met studies naar levend model is voor deze artistieke revolutie instrumenteel.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Nico Van Hout, 2018\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDans cette passionnante \u0026eacute;tude de couleur et de lumi\u0026egrave;re, Jordaens restitue la t\u0026ecirc;te expressive de Grapheus dans deux poses l\u0026eacute;g\u0026egrave;rement diff\u0026eacute;rentes. L\u0026rsquo;artiste prend visiblement plaisir \u0026agrave; juxtaposer des touches de rose, de jaune ocre et de jaune clair qui restent reconnaissables en tant que telles \u0026ndash; plus tard, cette approche tr\u0026egrave;s libre de la peinture parlera \u0026agrave; l\u0026rsquo;imagination des impressionnistes. Grapheus pose beaucoup pour le peintre, qui le repr\u0026eacute;sente de face et de profil, regardant vers le haut et vers le bas, l\u0026rsquo;observe de dessous. Jordaens utilise le visage couperos\u0026eacute; de son ami dans un grand nombre de tableaux. Ainsi, on reconna\u0026icirc;t la t\u0026ecirc;te \u0026agrave; droite de cette \u0026eacute;tude dans le satyre du tableau \u003cem\u003eHommage \u0026agrave; Pomona\u003c/em\u003e (Bruxelles, MRBAB, vers 1623), dans l\u0026rsquo;\u0026eacute;vang\u0026eacute;liste \u0026eacute;crivant des\u003cem\u003e Quatre \u0026Eacute;vang\u0026eacute;listes \u003c/em\u003e(Paris, Louvre, vers 1625-1630) et dans le berger de \u003cem\u003eL\u0026rsquo;Adoration des Bergers\u003c/em\u003e (Paris, Louvre, vers 1650). En r\u0026eacute;action contre le langage formel contraignant et pr\u0026eacute;visible des romanistes et contre l\u0026rsquo;h\u0026eacute;ro\u0026iuml;sme de Rubens, Jordaens et son cadet de six ans, Van Dyck, insufflent une nouvelle vie au r\u0026eacute;pertoire mythologique, biblique et historique en le peuplant de personnages de chair et de sang. Les \u0026eacute;tudes d\u0026rsquo;apr\u0026egrave;s mod\u0026egrave;le vivant sont instrumentales pour cette r\u0026eacute;volution artistique.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Nico Van Hout, 2018\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":3105,"name":"Jacob Jordaens","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}