{"id":17583,"title":"Circa Tabac","dimensions":"1400 x 150 cm (150 x 50 x 34.8 cm)","date_begin":"2007-01-01","material":"mirrors, steel construction","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Carla Arocha \u0026 Stéphane Schraenen","cached_tag_list":"barok sculpture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":16,"permalink":"circa-a-tabac","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/435/medium_500/Sanguine_exhibition_view_photo_M_HKAcc_5_%282%29.jpg?1527862799","cached_actor_names":"Carla Arocha \u0026 Stéphane Schraenen  ","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/435/large/Sanguine_exhibition_view_photo_M_HKAcc_5_%282%29.jpg?1527862799","poster_credits":"(c)image: M HKA, Courtesy Carla Arocha - Stéphane Schraenen","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eThe\u0026nbsp;constructions of Carla Arocha \u0026amp; St\u0026eacute;phane Schraenen constitute an artistic research within and into the rich tradition of abstract art. Their work exists at a moment of confluence of material and idealistic reality, and of static and mobile environment. From there, a synthesis arises in which both the architecture of the space and the movement of the viewer are involved. This also applies to the installation \u003cem\u003eCirca Tabac\u003c/em\u003e from 2007, a triangular floor construction with mirrors, which repeats itself in an endless reflection of its spatial (museum) environment. Everything within the field of view of the installation is shredded, fragmented and reflected. In \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e the installation is set up in the middle of the round room of the M HKA, so that the surrounding portraits of Jordaens and Zurbar\u0026agrave;n and the work of Pinsel and Ghekiere endlessly mirror themselves in an ever changing, fragmented constellation.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDe\u0026nbsp;constructies van Carla Arocha \u0026amp; St\u0026eacute;phane Schraenen zijn een artistiek onderzoek binnen en naar de rijke traditie van de abstracte kunst. Hun werk bestaat op een moment van samenvloeiing van materi\u0026euml;le en ide\u0026euml;le realiteit, en van statische en mobiele omgeving. Van daaruit ontstaat een synthese waarbij zowel de architectuur van de ruimte, als de beweging van de toeschouwer betrokken worden. Dit geldt ook voor de installatie \u003cem\u003eCirca Tabac\u003c/em\u003e uit 2007, een driehoekige spiegelconstructie op de vloer, die zich herhaalt in de eindeloze reflectie van haar ruimtelijke (museale) omgeving. Alles wat zich binnen het blikveld van de installatie bevindt, wordt versnipperd, versplinterd en weerkaatst. In \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e staat de installatie in het midden van de ronde zaal van het M HKA, waardoor de omgevende portretten van Jacob Jordaens en Francisco de Zurbar\u0026aacute;n, en het werk van Johann Georg Pinsel en Joris Ghekiere zich eindeloos spiegelen in een steeds wisselende, gefragmenteerde constellatie.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eLeurs constructions constituent une analyse artistique de la riche tradition de l\u0026rsquo;art abstrait. Leur \u0026oelig;uvre s\u0026rsquo;appuie sur un moment de confluence entre r\u0026eacute;alit\u0026eacute; mat\u0026eacute;rielle et id\u0026eacute;elle d\u0026rsquo;une part et environnement statique et mobile d\u0026rsquo;autre part. De l\u0026agrave; na\u0026icirc;t une synth\u0026egrave;se qui associe aussi bien l\u0026rsquo;architecture de l\u0026rsquo;espace que le mouvement du spectateur. Cela vaut aussi pour l\u0026rsquo;installation \u003cem\u003eCirca Tabac\u003c/em\u003e de 2007, une construction triangulaire de miroirs pos\u0026eacute;s \u0026agrave; m\u0026ecirc;me le sol qui se r\u0026eacute;p\u0026egrave;te dans la r\u0026eacute;flexion \u0026agrave; l\u0026rsquo;infini de son environnement (mus\u0026eacute;al). Tout ce qui se situe dans le champ visuel de l\u0026rsquo;installation est fragment\u0026eacute;, fractionn\u0026eacute; et refl\u0026eacute;t\u0026eacute;. Dans l\u0026rsquo;exposition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e, l\u0026rsquo;installation se trouve au milieu de la salle ronde du M\u0026nbsp;HKA, de sorte que les portraits de Jordaens, de Zurbar\u0026agrave;n et les \u0026oelig;uvres de Pinsel et de Ghekiere se refl\u0026egrave;tent \u0026agrave; l\u0026rsquo;infini dans une constellation fragment\u0026eacute;e et constamment changeante.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":2846,"name":"Carla Arocha \u0026 Stéphane Schraenen  ","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}