{"id":17595,"title":"Prophet Isaiah","dimensions":"34 x 34 cm","date_begin":"1947-01-01","material":"ink on paper","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Marcel Gautherot / Instituto Moreira Salles Collection","cached_tag_list":"barok","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"profeta-isaias","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/457/medium_500/ProphetIsaiah.jpg?1527519693","cached_actor_names":"Marcel Gautherot","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/457/large/ProphetIsaiah.jpg?1527519693","poster_credits":"Courtesy Marcel Gautherot / Instituto Moreira Salles Collection","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDuring the 1950s, Marcel Gautherot captures the spectacular construction of the rising metropolis \u0026ndash; designed by architect Oscar Niemeyer. Eventually he will spend most of his life in Brazil, where he mainly focuses on photographing architecture and ethnography. During the first year of his stay in Brazil, Gautherot made a remarkable series of documentary detail photographs \u0026ndash; always from a special angle and with emphatic contrasts \u0026ndash; of the baroque sculptures produced by Ant\u0026ocirc;nio Francisco Lisboa \u0026quot;Aleijadinho\u0026quot;, a Brazilian mulatto sculptor from the 18th century. Luc Tuymans points to the colonial aspect of this sculptural art, which makes clear how much the Baroque expanded in space and time, as recorded by Gautherot.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eTijdens de jaren vijftig brengt Marcel Gautherot de spectaculaire constructie van de oprijzende metropool \u0026ndash; ontworpen door architect Oscar Niemeyer \u0026ndash; haarscherp in beeld. Uiteindelijk zal hij het grootste deel van zijn leven in Brazili\u0026euml; verblijven, waar hij zich voornamelijk toelegt op het fotograferen van architectuur en etnografie. Tijdens het eerste jaar van zijn verblijf in Brazili\u0026euml; maakte Gautherot een opmerkelijke reeks documentaire detailfoto\u0026rsquo;s \u0026ndash; steeds vanuit een bijzondere invalshoek en met nadrukkelijke contrasten \u0026ndash; van de barokke sculpturen die vervaardigd werden door Ant\u0026ocirc;nio Francisco Lisboa \u0026ldquo;Aleijadinho\u0026rdquo;, een Braziliaanse \u003cem\u003emulatto\u003c/em\u003e beeldhouwer uit de 18e eeuw. Luc Tuymans duidt op het koloniale aspect van deze beeldhouwkunst dat aantoont hoezeer de barok zich uitbreidde in ruimte en tijd, wat door Gautherot werd vastgelegd.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eAu cours des ann\u0026eacute;es\u0026nbsp;50, il met en image avec haute pr\u0026eacute;cision l\u0026rsquo;\u0026eacute;dification spectaculaire de la capitale \u0026eacute;mergente \u0026ndash; con\u0026ccedil;ue par Oscar Niemeyer. Finalement, il passera la plus grande partie de son existence au Br\u0026eacute;sil o\u0026ugrave; il se consacre surtout \u0026agrave; photographier l\u0026rsquo;architecture et l\u0026rsquo;ethnographie. Lors de la premi\u0026egrave;re ann\u0026eacute;e de son s\u0026eacute;jour, Gautherot r\u0026eacute;alise une s\u0026eacute;rie remarquable de photographies documentaires d\u0026eacute;taill\u0026eacute;es \u0026ndash; toujours \u0026agrave; partir d\u0026rsquo;un angle particulier et avec des contrastes appuy\u0026eacute;s \u0026ndash; de sculptures baroques d\u0026rsquo;Ant\u0026ocirc;nio Francisco Lisboa, dit Aleijadinho, un sculpteur br\u0026eacute;silien m\u0026eacute;tis du XVIII\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;si\u0026egrave;cle. Luc Tuymans souligne ici l\u0026rsquo;aspect colonial de cette sculpture qui d\u0026eacute;montre \u0026agrave; quel point le baroque s\u0026rsquo;est \u0026eacute;tendu dans le temps et dans l\u0026rsquo;espace, ce que Gautherot a immortalis\u0026eacute;.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraduction: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}