{"id":17609,"title":"Monsters Triumphing Library","dimensions":"230 x 210 x 40 cm","date_begin":"2000-01-01","material":"MDF, lacquer, 4 televisions, 1 video (VHS), 1 player","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Galerie Bärbel Grässlin, Frankfurt Am Main","cached_tag_list":"barok sculpture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"monsters-triumphing-library","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/443/medium_500/Sanguine_exhibition_view_photo_M_HKAcc_4_2.jpg?1527778475","cached_actor_names":"Tobias Rehberger","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/443/large/Sanguine_exhibition_view_photo_M_HKAcc_4_2.jpg?1527778475","poster_credits":"(c)image: M HKA, Courtesy Galeria Bärbel Grässlin, Frankfurt a.M.","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eTobias\u0026nbsp;Rehberger regards all culture as public property, and uses it to undermine its own so-called specificity. Its use becomes pointless, but the shape of the object acquires an artistic autonomy that refers to existing objects. The play of shadow and light around the object is created by means of film images that are projected on the wall. The reflection of the moving images brings together the formal and the artificial in a consistent formal language.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eTobias\u0026nbsp;Rehberger beschouwt alle cultuur als publiek bezit, en maakt daar dankbaar gebruik van om de zogenaamde eigenheid ervan te ondermijnen. Het gebruik wordt zinloos, maar de vorm van het object krijgt een artistieke autonomie die refereert aan bestaande objecten. Het schaduw- en lichtspel rondom het object wordt gecre\u0026euml;erd door filmbeelden die tegen de muur geprojecteerd worden. Door de weerkaatsing van bewegend beeld komt het formele en het gekunstelde samen in een consistente vormentaal.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eTobias\u0026nbsp;Rehberger con\u0026ccedil;oit toute culture comme un bien commun et n\u0026rsquo;h\u0026eacute;site pas \u0026agrave; en saper ladite originalit\u0026eacute; ou singularit\u0026eacute;. L\u0026rsquo;usage devient absurde, mais la forme de l\u0026rsquo;objet obtient une autonomie artistique qui fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; des objets existants. Le jeu d\u0026rsquo;ombre et de lumi\u0026egrave;re autour de l\u0026rsquo;objet est cr\u0026eacute;\u0026eacute; par des images de film projet\u0026eacute;es contre un mur. \u0026Agrave; travers le reflet de l\u0026rsquo;image en mouvement, le formel et l\u0026rsquo;artificiel convergent dans un langage de formes coh\u0026eacute;rent.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":3121,"name":"Tobias Rehberger","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}