{"id":18498,"title":"APR. 8, 1978","dimensions":"44 x 33cm","date_begin":"1978-01-01","material":"liquitex on canvas, newspaper clippings","art_status_id":13,"legal_status_id":47,"category_id":169,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"barok On Kawara Data Paintings","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"apr-8-1978","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/230/medium_500/Sanguine_exhibition_view_photo_M_HKAcc_4_%282%29.jpg?1527777893","cached_actor_names":"On Kawara","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Series","nl":"","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/230/large/Sanguine_exhibition_view_photo_M_HKAcc_4_%282%29.jpg?1527777893","poster_credits":"(c)image: M HKA, courtesy Vanmoerkerke Collection, Oostende","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIn the exhibition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e, On Kawara is introduced with his date paintings, which denote a minimalist time unit yet at the same time contain a memorial element that ends in a concentric point. In the light of his early series of death portraits, the paintings that were to serve as proof of his existence seem like a daily countdown to the end as well. With the \u003cem\u003eDeath Masks\u003c/em\u003e, On Kawara already looked death in the eye at a young age. \u0026nbsp;Later \u0026ndash; with the United States as his home base \u0026ndash; the horrible images from his childhood seem to have prompted him to spread the message \u0026lsquo;I am still alive\u0026rsquo; every day, as a sign of life force.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIn de tentoonstelling \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e wordt On Kawara ge\u0026iuml;ntroduceerd met zijn\u0026nbsp;\u003cem\u003edate paitings\u003c/em\u003e, die een minimalistische tijdseenheid aanduiden, maar tegelijk een herinneringselement bevatten dat datumgewijs eindigt in een concentrisch punt. De schilderijen die moesten dienen als bewijs van zijn bestaan, lijken in het licht van zijn vroege reeks doodsportretten ook een dagelijks aftellen naar het einde. Met de \u003cem\u003eDeath Masks\u003c/em\u003e heeft On Kawara al op jonge leeftijd de dood in de ogen gekeken. De gruwelbeelden uit zijn jeugd lijken hem ertoe aangezet te hebben om later \u0026ndash; en met de Verenigde Staten als thuisbasis \u0026ndash; dagelijks een \u003cem\u003e\u0026lsquo;\u003c/em\u003e\u003cem\u003eI am still alive\u0026rsquo;\u003c/em\u003e uit te zenden als blijk van levenskracht.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eL\u0026rsquo;exposition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e introduit l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;On Kawara par ces \u003cem\u003eDate Paintings\u003c/em\u003e, qui indiquent une unit\u0026eacute; temporelle minimaliste, mais comportent \u0026agrave; la fois un \u0026eacute;l\u0026eacute;ment m\u0026eacute;moriel qui s\u0026rsquo;ach\u0026egrave;ve par un point concentrique au niveau de la date. \u0026Agrave; la lumi\u0026egrave;re de la s\u0026eacute;rie de portraits de morts de ses d\u0026eacute;buts, les tableaux cens\u0026eacute;s servir de preuve de son existence paraissent aussi un d\u0026eacute;compte quotidien de la fin \u0026agrave; venir. Avec \u003cem\u003eDeath Masks\u003c/em\u003e, le jeune On Kawara a d\u0026eacute;j\u0026agrave; fait face \u0026agrave; la mort. Les images d\u0026rsquo;horreur de son adolescence paraissent l\u0026rsquo;avoir incit\u0026eacute; \u0026agrave; envoyer par la suite \u0026ndash; depuis les \u0026Eacute;tats-Unis devenus son port d\u0026rsquo;attache \u0026ndash; le message quotidien \u003cem\u003eI am still alive\u003c/em\u003e comme manifestation de force de vie.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":340,"name":"On Kawara","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}