{"id":18502,"title":"Magdalena (a painting needs a wall to object to)","dimensions":"200 x 100 cm","date_begin":"1995-01-01","material":"Oil on canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private collection, Courtesy Zeno X Gallery","cached_tag_list":"Marlene Dumas Magdalena barok","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":16,"permalink":"magdalena-a-painting-needs-a-wall-to-object-to","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/234/medium_500/MarleneDumas_Magdalena.jpg?1522055801","cached_actor_names":"Marlene Dumas","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/234/large/MarleneDumas_Magdalena.jpg?1522055801","poster_credits":"Private collection, Courtesy Zeno X Gallery, photographer: Peter Cox","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eMarlene Dumas makes engaged portraits, infused with an oppressive unrest, and painted with a sometimes wild, hasty touch. It is no coincidence that precisely the work \u003cem\u003eMagdalena\u003c/em\u003e will be shown in the exhibition, a dark and penetrating painting of a female figure turning around. It evokes associations with both disgust and resistance. The gesture conveyed by Marlene Dumas in this work expresses both a remarkable directness, but also an extreme reticence, which functions as a shield of sorts.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eMarlene Dumas maakt betrokken portretten, doortrokken van een broeierige onrust, en geschilderd met een soms wilde, haastige toets. Niet toevallig wordt in de tentoonstelling \u003cem\u003eMagdalena\u003c/em\u003e getoond, een donker en indringend schilderij van een vrouwenfiguur die zich omdraait. Het roept associaties op met zowel afkeer als verzet. De geste die Dumas in dit werk legt, is die van een opmerkelijke directheid, maar ook een extreme terughoudendheid die fungeert als een schild.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eMarlene\u0026nbsp;Dumas r\u0026eacute;alise des portraits sombres, impr\u0026eacute;gn\u0026eacute;s d\u0026rsquo;une agitation sensuelle et orageuse, peints \u0026agrave; coups de touches rapides, voire sauvages. Ce n\u0026rsquo;est pas un hasard si l\u0026rsquo;exposition montre le tableau \u003cem\u003eMagdalena\u003c/em\u003e, une toile obscure et p\u0026eacute;n\u0026eacute;trante d\u0026rsquo;un personnage f\u0026eacute;minin qui se retourne. L\u0026rsquo;\u0026oelig;uvre \u0026eacute;voque des associations avec la r\u0026eacute;pulsion aussi bien qu\u0026rsquo;avec la r\u0026eacute;sistance. Le geste de Marlene Dumas dans ce tableau est remarquablement direct, mais en m\u0026ecirc;me temps d\u0026rsquo;une extr\u0026ecirc;me r\u0026eacute;serve qui fait office de carapace.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":261,"name":"Marlene Dumas","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}