{"id":18509,"title":"Basic Research","dimensions":"90 x 75 cm","date_begin":"1989-01-01","material":"oil on canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Galerie Buchholz, Cologne/Berlin/New York","cached_tag_list":"Isa Genzken barok Basic Reseach","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"basic-research","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/242/medium_500/IG_M_1989_48.001.L.jpg?1527784856","cached_actor_names":"Isa Genzken","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/242/large/IG_M_1989_48.001.L.jpg?1527784856","poster_credits":"Courtesy Galerie Buchholz, Berlin/Cologne/New York © VG Bild-Kunst, Bonn 2018 / © SABAM, Brussels 2018","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eIn the late 1980s, Isa Genzken makes a remarkable series of abstract paintings under the title \u003cem\u003eBasic Research\u003c/em\u003e. These are similar canvases that are completely dominated by the remarkable use of the paint, which allows Genzken to create topographies that present themselves as close-ups of urban areas or aerial photographs of extra-terrestrial landscapes. The canvases are not only ambiguous in the way they bring together extremes of perception (from micro to macro), but also in the way the paint traces transform the painting into a contemporary sculpture. In \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e, the harrowing simplicity of \u003cem\u003eBasic Research \u003c/em\u003econtrasts with her conceptual work, but also with the baroque opulence of Nadia Naveau and Pieter Paul Rubens.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eEind jaren tachtig maakt Isa Genzken een opmerkelijke reeks abstracte schilderijen onder de noemer \u003cem\u003eBasic Research\u003c/em\u003e. Het gaat om gelijkaardige doeken die volledig gedomineerd worden door het opmerkelijke gebruik van de verf, waarmee Genzken topografie\u0026euml;n laat ontstaan die zich voordoen als \u003cem\u003eclose-ups\u003c/em\u003e van stedelijk gebied of luchtfoto\u0026rsquo;s van buitenaardse landschappen. De doeken zijn niet alleen meerduidig in de manier waarop ze uitersten van de waarneming samenbrengen (van micro naar macro), maar ook in de manier waarop de verfsporen het schilderij transformeren tot een hedendaagse sculptuur. In de tentoonstelling \u003cem\u003eSanguine/Bloedrood \u003c/em\u003estaat de tergende eenvoud van \u003cem\u003eBasic Research\u003c/em\u003e in contrast met haar conceptueel werk, maar ook met de barokke weelderigheid van Nadia Naveau en Peter Paul Rubens.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u0026Agrave; la fin des ann\u0026eacute;es\u0026nbsp;80, Isa Genzken a r\u0026eacute;alis\u0026eacute; une remarquable s\u0026eacute;rie de tableaux abstraits r\u0026eacute;unis sous le titre de \u003cem\u003eBasic Research\u003c/em\u003e. Il s\u0026rsquo;agit de toiles similaires, enti\u0026egrave;rement domin\u0026eacute;es par l\u0026rsquo;utilisation tr\u0026egrave;s particuli\u0026egrave;re de la peinture, dans lesquelles Genzken fait appara\u0026icirc;tre des topographies qui ressemblent \u0026agrave; des gros plans de territoires urbains ou \u0026agrave; des photos a\u0026eacute;riennes de paysages extraterrestres. Les toiles ne sont pas uniquement \u0026eacute;quivoques dans leur mani\u0026egrave;re de r\u0026eacute;unir les extr\u0026ecirc;mes de la perception (du micro au macro), mais aussi dans la fa\u0026ccedil;on dont les traces de peinture les transforment en sculptures contemporaines. Dans l\u0026rsquo;exposition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e, la simplicit\u0026eacute; provocante de \u003cem\u003eBasic Research\u003c/em\u003e contraste avec son propre travail conceptuel, mais aussi avec la luxuriance baroque de Nadia Naveau et de Pierre Paul Rubens.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":3262,"name":"Isa Genzken","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}