{"id":36967,"title":"1885, 1920, 1950, 1980,  2011, 2025","dimensions":"6 x (75,5 x 56.5 cm)","date_begin":"2025-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy the artist","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"1885-1920-1950-1980-2011-2025","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/908/medium_500/04-2011.jpeg?1758889263","cached_actor_names":"Mashid Mohadjerin","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Collage","nl":"Collage","fr":"Collage"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/908/large/04-2011.jpeg?1758889263","poster_credits":"© Mashid Mohadjerin","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eIn 1885, 1920, 1950, 1980, 2011, 2025 from Mohadjerin’s more recent series, Riding in Silence \u0026amp; The Crying Dervish, the focus shifts towards the role of masculinity in the formation of oppressive and authoritarian political ideology. It comprises a collage of images resembling a timeline that sets a story of displacement against the historical arc of Iranian politics. Mohadjerin’s practice informs us that taking control of images and visuality can be a form of empowerment.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eIn 1885, 1920, 1950, 1980, 2011,\u0026nbsp;2025 uit Mohadjerin’s recente serie, Riding in Silence \u0026amp; The Crying Dervish, verschuift de focus naar de impact van mannelijkheid op de ontwikkeling van onderdrukkende autoritaire politieke ideologieën. Deze collage van beelden—het lijkt een tijdlijn—vertelt een verhaal van ontheemding binnen het historisch kader van de Iraanse politiek. De creaties van Mashid Mohadjerin tonen aan dat het terugnemen van de controle over beeldvorming en zichtbaarheid een bevrijdende en emanciperende impact kan\u0026nbsp;hebben.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003e1885, 1920, 1950, 1980, 2011, 2025, issus des séries plus récentes de Mohadjerin, Riding in Silence \u0026amp; The Crying Dervish, se concentre sur le rôle de la masculinité dans l’élaboration d’une idéologie politique autoritaire et oppressive. Elle comprend un collage d’images et ressemble à une frise chronologique mettant en scène une histoire de déplacement sur fond de cycle historique de la politique iranienne. La pratique de Mohadjerin nous montre que le contrôle des images et de l’aspect visuel peut être source d’émancipation.\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":4115,"name":"Mashid Mohadjerin","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}