{"id":21138,"title":"I Watched the White Dogs of the Dawn","dimensions":"00:52:25","date_begin":"2018-01-01","material":"digital file (colour, sound)","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"Els Dietvorst film","publishing_process_id":1,"annotation":"\u003cp\u003eTRAILER;\u0026nbsp;In Kilmore Quay, the perspective of the fish is the only one that matters. Times were good. There was plenty of money and plenty of work \u0026ndash; until the European fisheries quotas arrived on their shores. Against the backdrop of an Irish fishing village, Els Dietvorst has filmed the second part of her triptych about the relationship between humans and nature.\u0026nbsp;\u003ca href=\"https://www.youtube.com/watch?v=a2oZuZiuPk4\"\u003ehttps://www.youtube.com/watch?v=a2oZuZiuPk4\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eLINK 2;\u0026nbsp;\u003ca href=\"https://www.youtube.com/watch?v=L4OTIE4CZBo\"\u003ehttps://www.youtube.com/watch?v=L4OTIE4CZBo\u003c/a\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":33,"permalink":"i-watched-the-white-dogs-of-the-dawn-8dbae019-f6c7-43fd-94fc-81c2f6ae6958","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/338/medium_500/els_dietvorst_-_i_watched_the_white_dogs_of_the_dawn_13_%28internetbron%29.jpg?1554898280","cached_actor_names":"Els Dietvorst","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/338/large/els_dietvorst_-_i_watched_the_white_dogs_of_the_dawn_13_%28internetbron%29.jpg?1554898280","poster_credits":"(c) Els Dietvorst / Daria Lihovitskaya","translations":[{"locale":"en","short_description":"\u003cp\u003eIn Kilmore Quay, the perspective of the fish is the only one that matters. Times were good. There was plenty of money and plenty of work \u0026ndash; until the European fisheries quotas arrived on their shores. Against the backdrop of an Irish fishing village, Els Dietvorst has filmed the second part of her triptych about the relationship between humans and nature.\u003c/p\u003e\r\n","description":"\u003cp\u003eIn \u003cem\u003eI Watched the White Dogs of the Dawn\u003c/em\u003e (triptych, part 2), Els Dietvorst addresses the troubles of Irish fishermen in coping with European fishing quotas. She talks to the inhabitants of Kilmore Quay village and provides a rough sketch of the tension underlying the personal and deeply human stories as well as the political-economic context.\u003c/p\u003e\r\n\r\n\u003cp\u003eClick \u003ca href=\"https://www.youtube.com/watch?v=L4OTIE4CZBo\"\u003ehere\u003c/a\u003e to watch an excerpt from\u0026nbsp;\u003cem\u003eI Watched the White Dogs of the Dawn\u003c/em\u003e (triptych, part 2).\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eMet haar documentairefilm \u003cem\u003eI Watched the White Dogs of the Dawn\u003c/em\u003e\u0026nbsp;heeft Els Dietvorst de Anthropology and Sustainable Development Award (de Prijs voor Antropologie en Duurzame Ontwikkeling) gewonnen op het prestigieuze International Jean Rouch festival in Parijs.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cstrong\u003eAndere regels, andere wetten\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eKlank. Een polyfonie van wind, brekende golven, gekrijs van meeuwen en ratelende schepen. De zee: een plek van herinneringen voor zij die haar overleven, een moeder die ons confronteert met de krachten van de natuur. Breed grijpend en circulerend. Onder haar horizon enkel duisternis, mysterie. De scheiding van lucht en water cre\u0026euml;ert een andere wereld. Waar andere regels en wetten gelden.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn Kilmore Quay telt enkel het perspectief van de vis. Generaties van vissers vingen er kreeften, oesters, makreel en kabeljauw. Ze geloofden dat hun werk een soort bidden was en vingen slechts genoeg om te overleven, om de zee te sparen. De tijden waren goed. Er was genoeg geld en genoeg werk \u0026ndash; totdat de Europese visserijquota hun kust bereikten.\u003c/p\u003e\r\n\r\n\u003cp\u003eTegen de achtergrond van een klein Iers vissersdorp filmt Els Dietvorst het tweede deel van haar triptiek over de mens-natuur-relatie en onze voedselketen.\u0026nbsp;Tijdens Burning Ice #10 toonde ze een\u003cem\u003e\u0026nbsp;work-in-process\u0026nbsp;\u003c/em\u003evan de film als video-installatie.\u003c/p\u003e\r\n\r\n\u003cp\u003e(bron:\u0026nbsp;https://www.kaaitheater.be/nl/agenda/i-watched-the-white-dogs-of-the-dawn-0)\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eKlik hier om een \u003ca href=\"http://I Watched the White Dogs of the Dawn (triptych, part 2)\"\u003eexcerpt\u003c/a\u003e uit \u003cem\u003eI Watched the White Dogs of the Dawn\u0026nbsp;\u003c/em\u003ete bekijken.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1504,"name":"Els Dietvorst","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}