{"id":21176,"title":"Papageno","dimensions":"80 x 75 cm","date_begin":"1976-01-01","material":"acrylic on canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Adriaan Raemdonck","cached_tag_list":"Jan Cox Papageno Painting","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":25,"permalink":"papageno-bcd59488-10cc-420e-afc3-e9fdde5f0fbf","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/457/medium_500/Cox_foto_M_HKAcc_11.jpg?1558442454","cached_actor_names":"Jan Cox","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/457/large/Cox_foto_M_HKAcc_11.jpg?1558442454","poster_credits":"Courtesy Adriaan Raemdonck","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u0026ldquo;Following the \u003cem\u003eIlias (Iliad)\u003c/em\u003e Jan Cox had planned on painting a counterpart for the series, inspired by Mozart\u0026rsquo;s \u003cem\u003eMagic Flute\u003c/em\u003e. After the painful and highly dramatic beauty of the \u003cem\u003eIlias\u003c/em\u003e, he wanted to create something with compassion and tenderness. The masonic opera by Mozart, in which an optimistic view of humanity is portrayed, was a perfect fit. However, the gruelling effort needed to complete the \u003cem\u003eIlias\u003c/em\u003e meant Cox was unable to fulfil\u0026nbsp;his plan. He would only complete a few works. These works are illustrations for the opera (Papageno), in his paintings the subject would become more personal.\u0026rdquo;\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e[1]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[1]\u003c/a\u003e Philippe Pirotte in \u003cem\u003eJan Cox\u003c/em\u003e, Snoeck-Ducaju \u0026amp; zoon, Gemeentekrediet, 1996, p.24\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u0026ldquo;Na de \u003cem\u003eIlias\u003c/em\u003e had Jan Cox plannen een pendant voor de cyclus te schilderen, ge\u0026iuml;nspireerd op de \u003cem\u003eToverfluit\u003c/em\u003e van Mozart. Na de pijnlijke en hoogdramatische schoonheid van de \u003cem\u003eIlias\u003c/em\u003e wilde hij iets maken rond medelijden en tederheid. De ma\u0026ccedil;onnieke opera van Mozart waar een optimistisch beeld van de mens naar voren wordt gebracht, leende zich hiervoor perfect. Maar na de uitputtingsslag van de \u003cem\u003eIlias\u003c/em\u003e kon hij dit opzet niet voltooien. Hij zou slechts enkele werken realiseren. Het zijn eerder illustraties bij de opera (Papageno) en al schilderend zou zijn onderwerp verglijden naar een meer persoonlijke thematiek.\u0026rdquo;\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e[1]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[1]\u003c/a\u003e Philippe Pirotte in \u003cem\u003eJan Cox\u003c/em\u003e, Snoeck-Ducaju \u0026amp; zoon, Gemeentekrediet, 1996, p.24\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u0026laquo;\u0026nbsp;Apr\u0026egrave;s avoir achev\u0026eacute; le cycle de l\u0026rsquo;\u003cem\u003eIliade\u003c/em\u003e, Jan Cox projetait de peindre un pendant \u0026agrave; la s\u0026eacute;rie, inspir\u0026eacute; de \u003cem\u003eLa Fl\u0026ucirc;te enchant\u0026eacute;e\u003c/em\u003e de Mozart. Apr\u0026egrave;s la beaut\u0026eacute; douloureuse et hautement dramatique de l\u0026rsquo;\u003cem\u003eIliade\u003c/em\u003e, il souhaitait cr\u0026eacute;er quelque chose autour de la compassion et de la tendresse, ce \u0026agrave; quoi se pr\u0026ecirc;tait parfaitement l\u0026rsquo;op\u0026eacute;ra ma\u0026ccedil;onnique de Mozart, qui offre une image optimiste de l\u0026rsquo;\u0026ecirc;tre humain. Mais apr\u0026egrave;s la guerre d\u0026rsquo;usure qu\u0026rsquo;a constitu\u0026eacute;e le cycle de l\u0026rsquo;\u003cem\u003eIliade\u003c/em\u003e, il n\u0026rsquo;a pas pu achever ce projet. Il n\u0026rsquo;en a r\u0026eacute;alis\u0026eacute; que quelques pi\u0026egrave;ces qui sont plut\u0026ocirc;t des illustrations de l\u0026rsquo;op\u0026eacute;ra (\u003cem\u003ePapageno\u003c/em\u003e) et c\u0026rsquo;est en peignant que son sujet a \u0026eacute;volu\u0026eacute; vers une th\u0026eacute;matique plus personnelle\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e[1]\u003c/a\u003e.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\u0026nbsp;\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[1]\u003c/a\u003e Philippe Pirotte, \u003cem\u003eJan Cox\u003c/em\u003e, Snoeck-Ducaju \u0026amp; zoon, Gemeentekrediet, 1996, p.\u0026nbsp;24\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1795,"name":"Jan Cox","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}