{"id":21179,"title":"La porte des arbres, Pincio, Rome","dimensions":"130 x 52 cm","date_begin":"1955-01-01","material":"oil, canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Province of Antwerp / Donated by Maertens-Verkein","cached_tag_list":"Jan Cox Painting","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"la-porte-des-arbres-pincio-rome","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/460/medium_500/Cox_foto_M_HKAcc_6.jpg?1558442354","cached_actor_names":"Jan Cox","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/460/large/Cox_foto_M_HKAcc_6.jpg?1558442354","poster_credits":"Collection Province of Antwerp","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u0026ldquo;Perhaps we\u0026rsquo;ll open the day\u0026rsquo;s doors. And then we shall enter the unknown.\u0026rdquo;\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e[1]\u003c/a\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eArt can open doors to the unknown for the artist, but also for the viewer. Some things we suspect or feel, but often we are grasping at straws. Fiction will let you approach the field, which is only marginally present, and shed light on the dormant and vaguely determined. Jan Cox points to fiction\u0026rsquo;s strength in removing the factual reality, while also gaining an increased understanding of that reality. Some phenomena or diffuse feelings are best communicated through images.\u003ca href=\"#_ftn2\" name=\"_ftnref2\" title=\"\"\u003e[2]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[1]\u003c/a\u003e Octavio Paz, \u003cem\u003eA Draft of Shadows, and Other Poems\u003c/em\u003e, A New Direction Books, New York, 1972, p. 161\u003c/p\u003e\r\n\u003c/div\u003e\r\n\r\n\u003cdiv id=\"ftn2\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref2\" name=\"_ftn2\" title=\"\"\u003e[2]\u003c/a\u003e Clair Van Damme in \u003cem\u003eJan Cox\u003c/em\u003e, Snoeck-Ducaju \u0026amp; zoon, Gemeentekrediet, 1996, p.80\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u0026ldquo;Misschien zullen wij de poorten van de dag openen en dan binnentreden in het onbekende.\u0026rdquo; (O. Paz)\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e[1]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eKunst kan voor de kunstenaar maar ook voor de toeschouwer deuren openen naar het ongekende. Sommige dingen vermoeden we of voelen we aan maar vaak tasten we in het duister. Fictie laat toe het veld, dat zijn aanwezigheid suggereert maar niet volledig prijsgeeft, te benaderen, licht te werpen op het sluimerende en het vaag gedetermineerde. Terecht wijst Jan Cox op de verschillende mogelijkheden van fictie als verwijdering van de factuele werkelijkheid enerzijds maar ook als toenadering tot die werkelijkheid anderzijds. Sommige fenomenen of diffuse gevoelens kunnen het best via beelden worden gecommuniceerd.\u003ca href=\"#_ftn2\" name=\"_ftnref2\" title=\"\"\u003e[2]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[1]\u003c/a\u003e Octavio Paz, \u003cem\u003eA Draft of Shadows, and Other Poems\u003c/em\u003e, A New Direction Books, New York, 1972, p. 161\u003c/p\u003e\r\n\u003c/div\u003e\r\n\r\n\u003cdiv id=\"ftn2\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref2\" name=\"_ftn2\" title=\"\"\u003e[2]\u003c/a\u003e Clair Van Damme in \u003cem\u003eJan Cox\u003c/em\u003e, Snoeck-Ducaju \u0026amp; zoon, Gemeentekrediet, 1996, p.80\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u0026laquo;\u0026nbsp;Peut-\u0026ecirc;tre ouvrirons-nous les portes du jour et p\u0026eacute;n\u0026eacute;trerons-nous dans l\u0026rsquo;inconnu\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e[1]\u003c/a\u003e.\u0026nbsp;\u0026raquo; (O. Paz)\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;art peut ouvrir \u0026agrave; l\u0026rsquo;artiste des portes vers l\u0026rsquo;inconnu, mais au spectateur aussi. On imagine ou ressent certaines choses, mais on se perd en conjectures. La fiction permet d\u0026rsquo;approcher le champ dont la pr\u0026eacute;sence n\u0026rsquo;est que sugg\u0026eacute;r\u0026eacute;e sans \u0026ecirc;tre enti\u0026egrave;rement r\u0026eacute;v\u0026eacute;l\u0026eacute;e et d\u0026rsquo;\u0026eacute;clairer ce qui sommeille et n\u0026rsquo;est que vaguement d\u0026eacute;termin\u0026eacute;. Jan Cox attire \u0026agrave; juste titre l\u0026rsquo;attention sur les diff\u0026eacute;rentes possibilit\u0026eacute;s de la fiction \u0026agrave; dissiper la r\u0026eacute;alit\u0026eacute; factuelle, tout en offrant une plus grande proximit\u0026eacute; de cette r\u0026eacute;alit\u0026eacute;. Certains ph\u0026eacute;nom\u0026egrave;nes ou sentiments diffus se communiquent mieux par le biais d\u0026rsquo;images\u003ca href=\"#_ftn2\" name=\"_ftnref2\" title=\"\"\u003e[2]\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\u0026nbsp;\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[1]\u003c/a\u003e Traduction libre, Octavio Paz, \u003cem\u003eA Draft of Shadows, and Other Poems\u003c/em\u003e, A New Direction Books, New York, 1972, p.\u0026nbsp;161\u003c/p\u003e\r\n\u003c/div\u003e\r\n\r\n\u003cdiv id=\"ftn2\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref2\" name=\"_ftn2\" title=\"\"\u003e[2]\u003c/a\u003e Clair Van Damme, \u003cem\u003eJan Cox\u003c/em\u003e, Snoeck-Ducaju \u0026amp; zoon, Gemeentekrediet, 1996, p.\u0026nbsp;80\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1795,"name":"Jan Cox","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}