• 0102 • Le Vide (ed. 20)

Jef VerheyenSammlung Lenz

1963-1965

Multiple, 50 x 36 x 7 cm, base 1,5 cm (h).
Materials: Chromed metal

Collection: Jef Verheyen Archive.

Le Vide is the ultimate window on infinity. It directs

the gaze, to everything and to nothing. Looking

becomes staring into emptiness. Art thus loses

its material form. In 1967, Verheyen and German

artist Günther Uecker hold a joint happening.

They install Le Vide – French for ‘emptiness’ or

‘the void’ – in a field, in Mullem, East Flanders.

That open-air exhibition, Vlaamse Landschappen 

Flemish Landscapes – is a nod to Verheyen’s

identity as a Flemish painter. His paintings are

also voids, windows through which he explores

the suggestion of infinite space.

Events View all

Ensembles View all

Actors View all

Linked Items View all