{"id":21340,"title":"A Dash of Dolls","dimensions":"123.5 x 500 cm","date_begin":"2019-01-01","material":"digital print on Forex","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist and Zeno X Gallery, Antwerp","cached_tag_list":"AMVK Anne-Mie Van Kerckhoven","publishing_process_id":1,"annotation":"","date_end":null,"reference":"20190500B","stream_count_app":27,"permalink":"a-dash-of-dolls-77575bc7-c936-4c5a-b22a-e31ae24edfa1","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/045/941/medium_500/Amberes__photoM_HKA_cc_2019_ccAMVK_%282%29.jpg?1559833024","cached_actor_names":"Anne-Mie Van Kerckhoven","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Print","nl":"Prent","fr":"Epreuve"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/045/941/large/Amberes__photoM_HKA_cc_2019_ccAMVK_%282%29.jpg?1559833024","poster_credits":"(c)image: M HKA, 2019 - Courtesy of the Artist and Zeno X Gallery, Antwerp","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eAnne-Mie Van Kerckhoven has created a vast body of critical work in which she focusses on the popular or media image, typically of women. One long-term project has been her series of Women portrait drawings, that have occupied many sketchbooks. The drawings, based on imagery with young women from such sources as pin-up magazines, are often juxtaposed with the quotes of philosophers. This particular set of drawings, named \u003cem\u003eA Dash of Dolls\u003c/em\u003e after the soft-porn magazine that was in this case the source material, includes a quote and lists of keywords from \u003cem\u003eAnatomie d\u0026rsquo;une destructivit\u0026eacute; humaine \u003c/em\u003e(\u003cem\u003eAnatomy of Human Destructiveness\u003c/em\u003e) by Erich Fromm. An array of words, completed with the model\u0026rsquo;s own name, is put alongside each figure, as if she is speaking them. Fromm\u0026rsquo;s words, which describe human aggression as a part of the human condition for expressing unhappiness, provide these images with a radical desire to attack back from a position of subordination.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eAnne-Mie Van Kerckhoven heeft een enorme hoeveelheid kritische werken gecre\u0026euml;erd waarin ze focust op het populaire- of mediabeeld van hoofzakelijk vrouwen. Een van haar langetermijnprojecten is een serie vrouwenportretten die vele schetsboeken omvat. De tekeningen, gebaseerd op beelden van jonge vrouwen uit bronnen als pin-up tijdschriften, worden vaak naast citaten van filosofen geplaatst. Deze specifieke reeks tekeningen, genaamd \u003cem\u003eA Dash of Dolls \u003c/em\u003enaar het soft-pornomagazine dat als bronmateriaal diende, bevat een citaat en lijsten met trefwoorden uit \u003cem\u003eAnatomie d\u0026#39;une destructivit\u0026eacute; humaine \u003c/em\u003evan Erich Fromm. Een reeks woorden, aangevuld met de naam van het model, wordt naast elk figuur geplaatst, alsof ze door haar worden uitgesproken. Fromms beschrijvingen, die menselijke agressie beschouwen als een deel van de menselijke natuur gericht op het uiten van ongeluk, drukken in deze beelden een radicaal verlangen uit om terug te slaan vanuit een positie van ondergeschiktheid.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eAnne-Mie Van Kerckhoven a cr\u0026eacute;\u0026eacute; un vaste corpus d\u0026rsquo;\u0026oelig;uvres critiques dans lesquelles elle se focalise sur les images st\u0026eacute;r\u0026eacute;otyp\u0026eacute;es de femmes que v\u0026eacute;hiculent la culture populaire et les m\u0026eacute;dias de masse. L\u0026rsquo;un de ses projets \u0026agrave; long terme est une s\u0026eacute;rie de dessins, plus sp\u0026eacute;cifiquement des portraits de femmes, qui occupent plusieurs carnets de croquis. Les dessins, inspir\u0026eacute;s d\u0026rsquo;imagerie puis\u0026eacute;e dans des magazines de pin-up, sont souvent accompagn\u0026eacute;s de citations de philosophes. Cette s\u0026eacute;rie de dessins, intitul\u0026eacute;e \u003cem\u003eA Dash of Dolls\u003c/em\u003e d\u0026rsquo;apr\u0026egrave;s le magazine \u0026eacute;rotique qui en fut la source d\u0026rsquo;inspiration, comporte une citation et des listes de mots cl\u0026eacute;s provenant de l\u0026rsquo;ouvrage \u003cem\u003eAnatomie d\u0026rsquo;une destructivit\u0026eacute; humaine\u003c/em\u003e d\u0026rsquo;Erich Fromm. Un ensemble de mots, compl\u0026eacute;t\u0026eacute; par le nom du mannequin ajout\u0026eacute; \u0026agrave; c\u0026ocirc;t\u0026eacute; de chaque figure, comme si c\u0026rsquo;\u0026eacute;tait elle qui les pronon\u0026ccedil;ait. Les mots de Fromm, qui d\u0026eacute;crivent l\u0026rsquo;agressivit\u0026eacute; des \u0026ecirc;tres humains comme inh\u0026eacute;rente \u0026agrave; la condition humaine pour exprimer son chagrin, agr\u0026eacute;mentent ces dessins d\u0026rsquo;un d\u0026eacute;sir radical de riposter \u0026agrave; partir d\u0026rsquo;une position de subordination.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}