M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Richard Roe, 2019

Artist Novel, 10.8 x 17.6 cm, 72 p, language: English, publisher: Sternberg Press, ISBN: 978-3-95679-464-3.

Luke Gould

Collection: Collection M HKA, Antwerp (Inv. no. B 2030/294).

Literary synopsis

Richard Roe is the fictional memoir of a legal person. The name is one of the oldest used in English law when the real name of someone is withheld, or when a corpse can’t be identified. Richard Roe is a known unknown, a one-size-fits-all, a potentially everyone and actually no one. Divided into seven fragmentary sections, this memoir gives voice to the legal fictions that creep around the margins of selfhood—and that increasingly dictate the terms of economic and political process. It draws on numerous concepts of personhood from legal, psychological, linguistic, and metaphysical realms, including ancient Roman juridical theory; medieval writings on materialism; and arguments, of the last two centuries, for the legal personhood of corporations, rivers, and other elements of the natural world.

Relation of the novel to the artist’s practice

Richard Roe is a multi-part project commissioned by Thyssen-Bornemisza Art Contemporary and curated by Cory Scozzari, comprising an orchid hybrid that Tyler Coburn has named after the legal person 'Richard Roe'; the fictional memoir written by Roe; and a performance of that text. The project builds on a convention particular to Singapore, wherein orchid hybrids are named after politicians and celebrities – in effect, as a means of cultural diplomacy. In the summer of 2017, Coburn developed a relationship with an orchid grower in Singapore who cultivates many of its famous hybrids. For a fee, he let Coburn legally name one of his flowers. As this name (Aranda Richard Roe) has entered the registry of the Royal Horticultural Society in the United Kingdom, it is now bound to every version of this hybrid in the world.

Novel's website

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Media

>Tyler Coburn, Richard Roe (2017 – ongoing) Orchid hybrid Aranda Richard Roe, glass potting, memoir, performance (detail: front cover, drawing by Krisia Ayala).

>Tyler Coburn. Richard Roe (2017–ongoing) Orchid hybrid Aranda Richard Roe, glass potting, memoir, performance (detail: hybrid).

>Tyler Coburn. Richard Roe (2017–ongoing) Orchid hybrid Aranda Richard Roe, glass potting, memoir, performance (detail: hybrid).

>Tyler Coburn. Richard Roe (2017–ongoing) Orchid hybrid Aranda Richard Roe, glass potting, memoir, performance (detail: hybrid).

>Tyler Coburn, Richard Roe (2017–ongoing) Orchid hybrid Aranda Richard Roe, glass potting, memoir, performance (detail: single page, drawing by Ana Rivera).

>Tyler Coburn. Richard Roe (2017–ongoing) Orchid hybrid Aranda Richard Roe, glass potting, memoir, performance (detail: front cover, drawing by Krisia Ayala).

Artist

> Tyler Coburn.

Exhibitions & Ensembles

> Ensemble: The Artist's Novel.