{"id":23122,"title":"Eurotronics / Antwerpen in een nieuw licht bekeken","dimensions":"","date_begin":"1990-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1993-01-01","reference":"","stream_count_app":28,"permalink":"eurotronics-antwerpen-in-een-nieuw-licht-bekeken","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/575/medium_500/HR_26.jpg?1578664864","cached_actor_names":"Hugo Roelandt","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/575/large/HR_26.jpg?1578664864","poster_credits":null,"translations":[{"locale":"en","short_description":"\u003cp\u003eAt the end of 1990, Hugo Roelandt and Jo Bogaert develop a project called \u003ci\u003eEurotronics\u003c/i\u003e. The aim is to set up a grand sound and lightshow on and around the site of the new building for the European Council in Brussels. Concept and budget are made, but the project is not implemented. Afterwards, although somewhat modified, the idea is picked up again in the project \u003ci\u003eH.D. ninetythree\u003c/i\u003e. With regard to the festivities of Antwerp ’93, Hugo Roelandt deliveres in 1991 his proposal \u003ci\u003eAntwerpen in een nieuw licht bekeken\u003c/i\u003e (\u003ci\u003eAntwerp viewed in a new light\u003c/i\u003e) to Eric Anthonis, head of the festival. The aim of the project is to connect some of the most important landmarks of the city with light and laser beams. In this way a light grid is built up above the city. Just like the light grid, Jo Bogaert's music would connect the inhabitants of the city an the \"recreate\" urban space they live in. Hugo Roelandt receives a positive response in June 1992: Anthonis wants to include the project in the programme of the festival and he offers logistical support, but funding isn’t possible. Because of this, the project is not being realized. Within the same festival of Antwerp ’93, Roelandt again offers his project at Open Monumentendag / the King Baudouin Foundation. For the annual Heritage Day the organization launches an open call for artistic projects that connect light and architecture. Referring to the previous set-up, this time Hugo Roelandt proposes to connect the city with light ... underground, that is, the metro stations. This project was also not carried out, it was Hugo Roelandts final attempt to realise this ambitious project.\u003c/p\u003e","description":""},{"locale":"nl","short_description":"\u003cp\u003eEind 1990 plant Hugo Roelandt samen met Jo Bogaert een project met als werktitel \u003ci\u003eEurotronics\u003c/i\u003e. Doel is om voor 20 juli 1991, op en rond de werf van het nieuwe gebouw voor de Europese Ministerraad een groots klank- en lichtspel op te zetten. Opzet en begroting werden opgemaakt, maar het project werd niet uitgevoerd. Nadien wordt het idee, zij het enigszins aangepast, opnieuw opgepikt in het project \u003ci\u003eH.D. ninetythree\u003c/i\u003e. In opzet en bijbehorende begroting van dit project wordt veel overgenomen uit \u003ci\u003eEurotronics\u003c/i\u003e zoals de samenwerking met de Engelse regisseur Royston Mayoh. Met oog op de festiviteiten van Antwerpen ’93 bezorgt Hugo Roelandt in 1991 aan Eric Anthonis zijn voorstel, met als titel \u003ci\u003eAntwerpen in een nieuw licht bekeken\u003c/i\u003e. Het project beoogt om met licht- en lasersstralen “enkele van de belangrijkste punten van de stad met elkaar te verbinden. Zo wordt boven de stad een lichtraster opgebouwd.”. De muziek van Jo Bogaert zou, net als het lichtraster, de stad “herscheppen”. Na aandringen krijgt de groep rond Hugo Roelandt pas positief antwoord in juni 1992, Anthonis wil het project opnemen in de programmatie en logistiek ondersteunen, maar financieel is er geen ruimte (meer). Omwille van dat laatste punt wordt het project niet gerealiseerd. Binnen hetzelfde kader van Antwerpen ’93 biedt Roelandt begin januari 1990 zijn project andermaal aan, zij het deze keer bij Open Monumentendag / de Koning Boudewijnstichting. Voor de jaarlijkse Open Monumentendag (11-12/06/1993) lanceert de organisatie een oproep aan kunstenaars voor artistieken projecten die licht en architectuur verbinden. Verwijzend naar het vorige opzet, stelt Hugo Roelandt deze keer voor de stad met licht te verbinden… onder de grond, dat wil zeggen de metrostations. Ook dit project werd niet uitgevoerd.\u003c/p\u003e","description":""},{"locale":"fr","short_description":"\u003cp\u003eAt the end of 1990, Hugo Roelandt and Jo Bogaert develop a project called \u003ci\u003eEurotronics\u003c/i\u003e. The aim is to set up a grand sound and lightshow on and around the site of the new building for the European Council in Brussels. Concept and budget are made, but the project is not implemented. Afterwards, although somewhat modified, the idea is picked up again in the project \u003ci\u003eH.D. ninetythree\u003c/i\u003e. With regard to the festivities of Antwerp ’93, Hugo Roelandt deliveres in 1991 his proposal \u003ci\u003eAntwerpen in een nieuw licht bekeken\u003c/i\u003e (\u003ci\u003eAntwerp viewed in a new light\u003c/i\u003e) to Eric Anthonis, head of the festival. The aim of the project is to connect some of the most important landmarks of the city with light and laser beams. In this way a light grid is built up above the city. Just like the light grid, Jo Bogaert's music would connect the inhabitants of the city an the \"recreate\" urban space they live in. Hugo Roelandt receives a positive response in June 1992: Anthonis wants to include the project in the programme of the festival and he offers logistical support, but funding isn’t possible. Because of this, the project is not being realized. Within the same festival of Antwerp ’93, Roelandt again offers his project at Open Monumentendag / the King Baudouin Foundation. For the annual Heritage Day the organization launches an open call for artistic projects that connect light and architecture. Referring to the previous set-up, this time Hugo Roelandt proposes to connect the city with light ... underground, that is, the metro stations. This project was also not carried out, it was Hugo Roelandts final attempt to realise this ambitious project.\u003c/p\u003e","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1660,"name":"Hugo Roelandt","category":{"en":"Author","nl":"Auteur","fr":"Auteur"}}]}