{"id":2562,"title":"Lantern 'Tour Eiffel'","dimensions":"35 cm","date_begin":"1889-01-01","material":"iron","art_status_id":13,"legal_status_id":84,"category_id":71,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":1,"collection":"Collection M HKA, Antwerp","cached_tag_list":"magic lantern","publishing_process_id":1,"annotation":"","date_end":null,"reference":"RV1_001","stream_count_app":27,"permalink":"lantern-tour-eiffel","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"category":{"en":"Media Archaeology","nl":"Media Archeologie","fr":"Archéologie des Médias"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/003/606/large/RV1_001.jpg?1318344183","poster_credits":"(c)M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eThe image vibrates. In the nineteenth century, thinking on optical phenomena was situated where science and entertainment meet, a fascinating realm which one can sense once again in today\u0026rsquo;s electronic culture. The perfect symbol of this enchanting domain is the magic lantern, in this instance linked to the idea of industrial progress in the form of the Eiffel Tower; launched by Aubert on the occasion of the World Exhibition in Paris in 1889. As in many toy lanterns, the light source is a small oil lamp. It is painted red to reflect the way the actual Eiffel Tower was lit at that time.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eHet beeld vibreert. Het optisch denken in de negentiende eeuw bevond zich op het snijvlak tussen wetenschap en vermaak, een gebied van fascinatie dat men nu opnieuw kan voelen in de moderne elektronische cultuur. Het embleem bij uitstek voor deze magische ruimte is de toverlantaarn, hier verbonden met de industri\u0026euml;le vooruitgang in de vorm van de Eiffeltoren, uitgebracht door Aubert ter gelegenheid van de Parijse wereldtentoonstelling van 1889. De lichtbron bestaat, zoals bij veel speelgoed lantaarns, uit een kleine olielamp. De rode beschildering beantwoordt aan de belichting van de echte Eiffeltoren indertijd.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eL\u0026rsquo;image vibrante. Au XIXe si\u0026egrave;cle, la pens\u0026eacute;e optique se situait au carrefour de la science et du divertissement, un domaine de fascination que l\u0026rsquo;on red\u0026eacute;couvre \u0026agrave; nouveau \u0026agrave; l\u0026rsquo;\u0026egrave;re de la culture num\u0026eacute;rique contemporaine. L\u0026rsquo;embl\u0026egrave;me par excellence de cet espace magique est la lanterne magique, reli\u0026eacute;e ici au progr\u0026egrave;s industriel sous la forme d\u0026rsquo;une Tour Eiffel, \u0026eacute;dit\u0026eacute;e par Lapierre \u0026amp; Aubert \u0026agrave; l\u0026rsquo;occasion de l\u0026rsquo;Exposition universelle de 1889 \u0026agrave; Paris. La source lumineuse se compose, comme dans de multiples lanternes jouets, d\u0026rsquo;une petite lampe \u0026agrave; huile. La peinture rouge correspond \u0026agrave; l\u0026rsquo;\u0026eacute;clairage de la v\u0026eacute;ritable Tour Eiffel \u0026agrave; l\u0026rsquo;\u0026eacute;poque.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}