{"id":26879,"title":"15 years of Artists of the RSFSR (1917 - 1932)","dimensions":"17.5 x 12.5 cm","date_begin":"1933-01-01","material":"","art_status_id":220,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection MHKA, Antwerp","cached_tag_list":"Monoculture Soviet artefacts Socialistisch realisme","publishing_process_id":1,"annotation":"\u003cp\u003eCatalogue of the exhibition Художники РСФСР за 15 лет (1917-1932) / 15 Years of Artists of the RSFSR (1917-1932), 1933\u003c/p\u003e\r\n\r\n\u003cp\u003ePublished by Vsekohudozhnik\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":19,"permalink":"15-years-of-artists-of-the-rsfsr-1917-1932","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/034/medium_500/Image00024_2.jpg?1598515741","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Book","nl":"Boek","fr":"Livre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/034/large/Image00024_2.jpg?1598515741","poster_credits":"scan: (c) M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe exhibition titled \u003cem\u003e15 years of Artists\u003c/em\u003e \u003cem\u003eof the RSFSR\u003c/em\u003e (Russian Soviet Federative Socialist Republic) was first conceived in January 1932 in Leningrad at the State Russian Museum to coincide with the 15th anniversary of the revolution. A year later it travelled to the halls of the Historical Museum in Moscow. While the Leningrad exhibition looked like a major survey of the wide range of artistic practices of the past years, presenting the new realist art alongside Russian avant-garde art, the Moscow exhibition could be considered as a milestone in the history of the homogenisation of Soviet artistic culture. The list of participants of the exhibition in Moscow underwent considerable changes, with \u0026ldquo;formalist\u0026rdquo; movements being omitted or limited to a few examples. The role of those few examples of avant-garde art was to illustrate the degenerative line in arts. As stated in the introduction to the catalogue, the main positive conclusions derived from the artistic survey were \u0026ldquo;the gradual, but determined elimination of any formalistic tendencies\u0026rdquo; in art and its replacement with Socialist Realism.The unambiguous effect of such representation was evident. Soon after the closure of the exhibition, the avant-garde artworks were hidden in storage, whilst Socialist Realism became the single \u0026#39;creative mode\u0026#39; visible to artists for the following decades.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe tentoonstelling\u0026nbsp;\u003cem\u003e15 jaar kunstenaars van de RSFSR\u003c/em\u003e\u0026nbsp;(RSFSR = Russische Socialistische Federatieve Sovjetrepubliek) werd voor het eerst opgezet in januari 1932 in het Russisch Staatsmuseum in Leningrad (vandaag Sint-Petersburg) en viel samen met de 15de verjaardag van de revolutie. Een jaar later reisde ze naar het Historisch Museum in Moskou. De expo in Leningrad was opgezet als een groot overzicht van het brede scala aan artistieke praktijken van de afgelopen jaren \u0026ndash; en de nieuwe realistische kunst werd naast de Russische avant-gardekunst gepresenteerd. De expo in Moskou kan echter beschouwd worden als een mijlpaal in de geschiedenis van de homogenisering van de Sovjetcultuur. De lijst van deelnemers in Moskou onderging aanzienlijke veranderingen, waarbij \u0026#39;formalistische\u0026#39; bewegingen werden weggelaten of werden beperkt tot enkele illustratieve voorbeelden. Die voorbeelden van avant-gardekunst kregen een nieuwe rol: ze werden een illustratie van de \u0026#39;degeneratieve\u0026#39; lijn in de kunst. In de inleiding van de catalogus wordt vermeld wat de belangrijkste positieve conclusies zijn die uit het overzicht van avant-gardekunst getrokken kunnen worden: \u0026ldquo;de geleidelijke, maar vastberaden eliminatie van alle formalistische neigingen\u0026rdquo; in de kunst, en de vervanging ervan door het socialistisch realisme. Het\u0026nbsp;ondubbelzinnige effect van zo\u0026#39;n representatie was duidelijk, want kort na het einde van de tentoonstelling werden de avant-gardekunstwerken verborgen in opslagruimtes. Tegelijk werd het socialistisch realisme de enige kunstvorm die kunstenaars de decennia daarop te zien kregen.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}