Ed Ruscha

1962-1978

Artist Novel, Variable dimensions.
Materials: Books

Collection: Collection M HKA, Antwerp, Foundation Gordon Matta-Clark (Inv. no. S0210).

The books of Ed Ruscha (as you can read in interviews with Jef Wall or Ian Wallace) mark a seizure in history of artist publications. Ed Rusha (as in the work ‘Sunset Boulevard’)is using the possibilities of serialization as a way to be attentive and to distill meaning form reality. When we look at the ‘Twentysix Gasoline Stations, 1962’, we notice that one gasoline station is banal; a series of gasoline-stations becomes magic. These publications are (close to his paintings) an attentive eye to enrich with understanding and going beyond the banal but still being related to it.


Nine Swimming Pools and a Broken Glass, 1968
Real Estate Opportunities, 1970
Various Small Fires and Milk, 1964
Some Los Angeles Apartments, 1965
Twentysix Gasoline Stations, 1962
Every Building on the Sunset Strip, 1966
Hard Light, 1978
A Few Palm Trees, 1971
Records, 1971
Colored People, 1972
Royal Road Test, 1967
Crackers, 1969
Thirtyfour Parking Lots in L.A., 1967

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The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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