{"id":33698,"title":"Coyolxauhqui","dimensions":"220 x 210 cm ","date_begin":"2020-01-01","material":"Graphite and pencil on paper laid down on canvas","art_status_id":13,"legal_status_id":84,"category_id":20,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy galería Juana de Aizpuru, Madrid","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":24,"permalink":"coyolxauhqui","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/833/medium_500/2023_Dora_Garcia_W_Coyolxauhqui_F001.jpg?1674143852","cached_actor_names":"Dora Garcia","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Drawing","nl":"Tekening","fr":"Dessin"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/833/large/2023_Dora_Garcia_W_Coyolxauhqui_F001.jpg?1674143852","poster_credits":"© Dora Garcia","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe drawing refers to the Coyolxauhqui stone (ca. 1473 CE), a carved, circular relief showing the Aztec deity Coyolxauhqui in a state of mutilation. The stone was used for sacrificial rites that took the form of a ritual re-enactment of the myth of the killing of the goddess by her brother. Coyolxauhqui identifies with the moon and her killer with the Sun god. Scholars think of the dismembering of Coyolxauhqui as a metaphor for the phases of the moon, but Garc\u0026iacute;a understands this association (dismembered body/moon phases) as a manifestation atavistic violence against women and as a reference to \u003cem\u003ele corps morcel\u0026eacute;\u003c/em\u003e, a concept developed by Jacques Lacan in the context of the mirror stage (mirror/moon).\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe tekening verwijst naar de zogenaamde Coyolxauhqui-steen (ca. 1473 n.Chr.), een uit steen gehouwen cirkelvormig reli\u0026euml;f dat de onthoofde en uiteengereten Azteekse godin Coyolxauhqui voorstelt. De steen werd gebruikt voor offerriten, namelijk rituele heropvoeringen van de mythe van de god Huitzilopochtli \u0026ndash; de broer \u0026ndash; die zijn zus Coyolxauhqui doodt. Coyolxauhqui staat voor de maan en haar moordenaar voor de zonnegod. Geleerden beschouwen het uiteenrijten van Coyolxauhqui als een metafoor voor de fasen van de maan, maar Garc\u0026iacute;a begrijpt deze associatie (uiteengereten lichaam/maanfasen) als een manifestatie van het eeuwenoude geweld tegen vrouwen \u0026eacute;n als verwijzing naar \u0026lsquo;le corps morcel\u0026eacute;\u0026rsquo;, letterlijk \u0026#39;het versnipperde lichaam\u0026#39;, een concept dat Jacques Lacan ontwikkelde bij zijn bespreking van het zogenaamde \u0026#39;spiegelstadium\u0026#39; (spiegel/maan).\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eLe dessin fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; la pierre de Coyolxauhqui (vers 1473 de notre \u0026egrave;re) : un relief circulaire sculpt\u0026eacute; qui repr\u0026eacute;sente la divinit\u0026eacute; azt\u0026egrave;que Coyolxauhqui dans un \u0026eacute;tat de d\u0026eacute;membrement et de d\u0026eacute;capitation. La pierre servait \u0026agrave; des rites sacrificiels qui prenaient la forme d\u0026rsquo;une reconstitution rituelle du mythe du meurtre de la d\u0026eacute;esse par son fr\u0026egrave;re. Coyolxauhqui s\u0026rsquo;identifie \u0026agrave; la lune et \u0026agrave; son assassin, le dieu Soleil. Les sp\u0026eacute;cialistes consid\u0026egrave;rent le d\u0026eacute;membrement de Coyolxauhqui comme une m\u0026eacute;taphore des phases de la lune, mais Garc\u0026iacute;a interpr\u0026egrave;te cette association (corps d\u0026eacute;membr\u0026eacute;/phases de la lune) comme une manifestation de la violence atavique \u0026agrave; l\u0026rsquo;\u0026eacute;gard des femmes et comme une r\u0026eacute;f\u0026eacute;rence au corps morcel\u0026eacute;, un concept d\u0026eacute;velopp\u0026eacute; par Jacques Lacan dans le contexte du stade du miroir (miroir/lune).\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1362,"name":"Dora García"}]}