{"id":33923,"title":"The Bug Timeline (No. 2)","dimensions":"","date_begin":"2021-01-01","material":"Installation (4 blackboards)","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy the artist","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":23,"permalink":"the-bug-timeline-no-2","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/604/medium_500/20230327_M_HKA_DoraGarcia3877_web.jpg?1680281084","cached_actor_names":"Dora García","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/206/large/2023_Dora_Garcia_TEN_F020.jpg?1675950941","poster_credits":"© Dora García. Photo: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe installation with a timeline drawn in chalk on school blackboards originates in the performance titled \u003ci\u003eThe Bug (After Mayakovsky),\u003c/i\u003e a 2022 adaptation of a play by Russian futurist Vladimir Mayakovsky, that Garc\u0026iacute;a made in collaboration with other artists. This adaptation is a work in progress, using formats such as workshop, collective writing, and theatre. During the Carta Festival 2022 in De Singel in Antwerp, the performance adopted the format of a public rehearsal that allowed for instant feedback from the audience.\u003cb\u003e \u003c/b\u003eIn Mayakovsky\u0026rsquo;s bitter but comic play, a soviet revolutionary is frozen in 1929 and reawakens in 1979 \u0026ndash; and by accident a parasite accompanies him in this time travel. The adaptation poses questions such as: What happens in a time-lapse of 50 years? How to explain 50 years to someone who spent them in a coma? Is it true that history moves in cycles and there is an eternal return? Could we speak of glitches in this infinite repetition, and could we liken the glitch to The Bug?\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe installatie, waarin een met krijt getekende tijdlijn op schoolborden voorkomt, ontstond\u0026nbsp; uit\u0026nbsp; de performance \u003cem\u003eThe Bug (After Mayakovsky\u003c/em\u003e), een bewerking uit 2022 van een toneelstuk van de Russische futurist Vladimir Majakovski, die Garc\u0026iacute;a maakte in samenwerking met andere kunstenaars. Deze bewerking is een werk in uitvoering, waarbij formats worden gebruikt zoals een workshop, collectief schrijven en theater. Tijdens het Carta Festival 2022 in De Singel in Antwerpen nam de performance de vorm aan van een openbare repetitie, waardoor directe feedback van het publiek mogelijk werd. In Majakovski\u0026#39;s bitter maar tegelijk komisch toneelstuk wordt een sovjetrevolutionair in 1929 ingevroren: hij ontwaakt in 1979. Maar op deze tijdreis wordt hij per ongeluk vergezeld van een parasiet. De bewerking wil vragen stellen als: Wat gebeurt er in een tijdsverloop van 50 jaar? Hoe leg je 50 jaar uit aan iemand die heel die tijd in coma was? Is het waar dat de geschiedenis zich in cycli beweegt en dat er een eeuwige terugkeer is? Kunnen we spreken van glitches in deze oneindige herhaling, en kunnen we de glitch vergelijken met \u003cem\u003eThe Bug\u003c/em\u003e?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eL\u0026rsquo;installation qui repr\u0026eacute;sente une frise chronologique dessin\u0026eacute;e \u0026agrave; la craie sur un tableau noir d\u0026rsquo;\u0026eacute;cole est tir\u0026eacute;e d\u0026rsquo;une performance intitul\u0026eacute;e \u003cem\u003eLa Punaise\u003c/em\u003e (d\u0026rsquo;apr\u0026egrave;s Ma\u0026iuml;akovski), une adaptation contemporaine (2022) de la pi\u0026egrave;ce de l\u0026rsquo;artiste russe futuriste Vladimir Ma\u0026iuml;akovski, que Dora Garc\u0026iacute;a a r\u0026eacute;alis\u0026eacute;e de concert avec d\u0026rsquo;autres artistes. Cette adaptation est une \u0026oelig;uvre en chantier qui utilise des formats tels que l\u0026rsquo;atelier, l\u0026rsquo;\u0026eacute;criture collective et la pi\u0026egrave;ce de th\u0026eacute;\u0026acirc;tre. Lors du festival Carta 2022, au centre d\u0026rsquo;art deSingel \u0026agrave; Anvers, la performance a adopt\u0026eacute; la formule d\u0026rsquo;une r\u0026eacute;p\u0026eacute;tition g\u0026eacute;n\u0026eacute;rale, en pr\u0026eacute;sence d\u0026rsquo;un public, ce qui a permis des r\u0026eacute;actions imm\u0026eacute;diates. Dans la pi\u0026egrave;ce tragi-comique et douce-am\u0026egrave;re de Ma\u0026iuml;akovski, un r\u0026eacute;volutionnaire sovi\u0026eacute;tique est cryog\u0026eacute;nis\u0026eacute; en 1929 et se r\u0026eacute;veille en 1979. Par hasard, un parasite l\u0026rsquo;a accompagn\u0026eacute; tout au long de son voyage dans le temps. L\u0026rsquo;adaptation soul\u0026egrave;ve des questions telles que : que se passe-t-il dans un laps de temps de 50 ans ? Comment expliquer les cinquante ann\u0026eacute;es pass\u0026eacute;es \u0026agrave; quelqu\u0026rsquo;un qui les a pass\u0026eacute;es dans le coma ? Est-il exact que l\u0026rsquo;Histoire \u0026eacute;volue en cycles et qu\u0026rsquo;il existe quelque chose comme un \u0026eacute;ternel retour ? Pourrait-on parler de bogues, de couacs dans cette r\u0026eacute;p\u0026eacute;tition infinie ? Et pourrait-on comparer ce bogue, ce couac \u0026agrave; la punaise?\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1362,"name":"Dora García"}]}