Sculpture, variable dimensions.
Collection: Courtesy of the Artist and DMW Gallery.
For several years now, Ignace Cami has been training himself in the traditional cutting of outsized koekplanken [biscuit moulds] using text or image. Cami collaborates with local bakers who use their own, often secret, speculaas (atypical Belgian spiced biscuit) recipe to bake biscuits. The biscuit is then displayed and offered in a mobile biscuit cart. Biscuit moulds can be traced back to a pre-Christian ritual of offerings: gradually, the offering was replaced by its image baked in biscuit.
For this exhibition, Cami cut the images of three Antwerp giants into biscuit moulds: Druoon Antigoon; Pallas Athena, his wife; and Lange Wapper. According to legend, Druoon Antigoon ravaged Antwerp by demanding high tolls for passage on the River Scheldt, cutting off a hand from anyone who could not pay. Eventually, with a ruse the hero Silvio Brabo managed to cut off Antigoon’s hand and threw it into the river. This is how the city supposedly got its name, Antwerpen literally meaning hand-werpen (handthrowing). From the 15thcentury on, giants were driven through the city in processions and circumambulations or ommegangen. The giants symbolise power and oppression. When a new monarch ruled the city, Antigoon was used as a warning of what could happen to leaders who wanted to keep the Antwerp people under oppression.
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IN SITU: Ignace Cami - RE...
10 June 2023 - 03 September 2023.
Ignace Cami is an artist that gives obsolete things renewal. Playing with the notion of ‘heritage’, he questions its place as being part of t