Matta-Clark termed his activities and that of the group around him as anarchitecture, a contraction of the concepts anarchy and architecture
With electric grinding discs and chainsaws, Gordon Matta-Clark ‘draws’, as it were, in/on/through walls, beams, ceilings and floors. He hand
Why hang things on a wall when the wall itself is so much more a challenging medium? Much of Matta-Clark’s early work consisted of performan
