{"id":34924,"title":" Censorship and the Irrepressible Drive Toward Love and Divinity","dimensions":"","date_begin":"2014-01-01","material":"","art_status_id":13,"legal_status_id":84,"category_id":454,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA / library","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2030/908","stream_count_app":23,"permalink":"censorship-and-the-irrepressible-drive-toward-love-and-divinity","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/035/medium_500/20230830170630649_0001.jpg?1693470581","cached_actor_names":"Dorothy Iannone","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Artist Book","nl":"Kunstenaarsboek","fr":"Livre d'artiste"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/035/large/20230830170630649_0001.jpg?1693470581","poster_credits":"© Dorothy Iannone. Scan: M HKA, 2023","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eEdited by Heike Munder\u003cbr /\u003e\r\nTexts by Maria Elena Buszek, Dorothy Iannone, Heike Munder.\u003cbr /\u003e\r\nBilingual edition (English / German)\u003cbr /\u003e\r\nPublished on the occasion of the eponymous exhibition at Migros Museum for Contemporary Art, Zurich, in 2014.\u003c/p\u003e\r\n\r\n\u003cp\u003eSince the early 1960s, Dorothy Iannone (born 1933) has occupied herself with the attempt to represent \u0026quot;ecstatic unity\u0026quot;\u0026mdash;\u0026quot;the union of gender, feeling and pleasure,\u0026quot; as she describes it\u0026mdash;resulting in a body of frequently autobiographical work encompassing painting, drawing, collage, objects and publications. This volume examines the censorship of Iannone\u0026#39;s work, using her 1970 artist\u0026#39;s book\u0026nbsp;The Story of Bern\u0026nbsp;as a starting point. Iannone\u0026#39;s works were removed from an exhibition at Kunsthalle Bern in 1969, after the museum director demanded that the genitals in her paintings be covered. Iannone responded with\u0026nbsp;The Story of Bern, reclaiming her work from the controversies surrounding it by making her perspective public. In a nod to the censorship of Iannone\u0026#39;s work, the explicit image on the cover of this book is hidden by a belly band.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eThis book was published on the occasion of the exhibition Dorothy Iannone: Censorship And The Irrepressible Drive Toward Love And Divinity at the Migros Museum f\u0026uuml;r Gegenwartskunst, August 30-November 9, 2014. Dorothy Iannone\u0026#39;s artist\u0026#39;s book Censorship And The Irrepressible Drive Toward Love And Divinity was first published in 1982 by Edition Ars Viva! and Berlin Artists* Program (DAAD), Berlin. In 1998, a pamphlet edition with a new postscipt was published by Boekie Woekie, Amsterdam. A Dutch version was also published by the Museum of Modern Art, Arnhem. In 1999, Boekie Woekie published a third edition with a new postscipt by Dorothy Iannone. The graphic design for the fourth edition is by Studio Marie Lusa, in collaboration with Dorothy Iannone.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eEdited by Heike Munder\u003cbr /\u003e\r\nTexts by Maria Elena Buszek, Dorothy Iannone, Heike Munder.\u003cbr /\u003e\r\nBilingual edition (English / German)\u003cbr /\u003e\r\nPublished on the occasion of the eponymous exhibition at Migros Museum for Contemporary Art, Zurich, in 2014.\u003c/p\u003e\r\n\r\n\u003cp\u003eSince the early 1960s, Dorothy Iannone (born 1933) has occupied herself with the attempt to represent \u0026quot;ecstatic unity\u0026quot;\u0026mdash;\u0026quot;the union of gender, feeling and pleasure,\u0026quot; as she describes it\u0026mdash;resulting in a body of frequently autobiographical work encompassing painting, drawing, collage, objects and publications. This volume examines the censorship of Iannone\u0026#39;s work, using her 1970 artist\u0026#39;s book\u0026nbsp;The Story of Bern\u0026nbsp;as a starting point. Iannone\u0026#39;s works were removed from an exhibition at Kunsthalle Bern in 1969, after the museum director demanded that the genitals in her paintings be covered. Iannone responded with\u0026nbsp;The Story of Bern, reclaiming her work from the controversies surrounding it by making her perspective public. In a nod to the censorship of Iannone\u0026#39;s work, the explicit image on the cover of this book is hidden by a belly band.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eThis book was published on the occasion of the exhibition Dorothy Iannone: Censorship And The Irrepressible Drive Toward Love And Divinity at the Migros Museum f\u0026uuml;r Gegenwartskunst, August 30-November 9, 2014. Dorothy Iannone\u0026#39;s artist\u0026#39;s book Censorship And The Irrepressible Drive Toward Love And Divinity was first published in 1982 by Edition Ars Viva! and Berlin Artists* Program (DAAD), Berlin. In 1998, a pamphlet edition with a new postscipt was published by Boekie Woekie, Amsterdam. A Dutch version was also published by the Museum of Modern Art, Arnhem. In 1999, Boekie Woekie published a third edition with a new postscipt by Dorothy Iannone. The graphic design for the fourth edition is by Studio Marie Lusa, in collaboration with Dorothy Iannone.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eSince the early 1960s, Dorothy Iannone (born 1933) has occupied herself with the attempt to represent \u0026quot;ecstatic unity\u0026quot;\u0026mdash;\u0026quot;the union of gender, feeling and pleasure,\u0026quot; as she describes it\u0026mdash;resulting in a body of frequently autobiographical work encompassing painting, drawing, collage, objects and publications. This volume examines the censorship of Iannone\u0026#39;s work, using her 1970 artist\u0026#39;s book\u0026nbsp;The Story of Bern\u0026nbsp;as a starting point. Iannone\u0026#39;s works were removed from an exhibition at Kunsthalle Bern in 1969, after the museum director demanded that the genitals in her paintings be covered. Iannone responded with\u0026nbsp;The Story of Bern, reclaiming her work from the controversies surrounding it by making her perspective public. In a nod to the censorship of Iannone\u0026#39;s work, the explicit image on the cover of this book is hidden by a belly band.\u003c/p\u003e\r\n\r\n\u003cp\u003eEdited by Heike Munder\u003cbr /\u003e\r\nTexts by Maria Elena Buszek, Dorothy Iannone, Heike Munder.\u003cbr /\u003e\r\nBilingual edition (English / German)\u003cbr /\u003e\r\nPublished on the occasion of the eponymous exhibition at Migros Museum for Contemporary Art, Zurich, in 2014.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eThis book was published on the occasion of the exhibition Dorothy Iannone: Censorship And The Irrepressible Drive Toward Love And Divinity at the Migros Museum f\u0026uuml;r Gegenwartskunst, August 30-November 9, 2014. Dorothy Iannone\u0026#39;s artist\u0026#39;s book Censorship And The Irrepressible Drive Toward Love And Divinity was first published in 1982 by Edition Ars Viva! and Berlin Artists* Program (DAAD), Berlin. In 1998, a pamphlet edition with a new postscipt was published by Boekie Woekie, Amsterdam. A Dutch version was also published by the Museum of Modern Art, Arnhem. In 1999, Boekie Woekie published a third edition with a new postscipt by Dorothy Iannone. The graphic design for the fourth edition is by Studio Marie Lusa, in collaboration with Dorothy Iannone.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":4684,"name":"Dorothy Iannone"}]}