{"id":36775,"title":"Maandprogramma met o.m. Eisenstein vs Vertov (januari 1978)","dimensions":"","date_begin":"1978-01-01","material":"","art_status_id":220,"legal_status_id":84,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"0025_1_6_3_3_5_10","stream_count_app":10,"permalink":"maandprogramma-met-o-m-eisenstein-vs-vertov-januari-1978","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/391/medium_500/0025_1_6_3_3_5_10.jpg?1747901881","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Poster","nl":"Affiche","fr":"Affiche"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/391/large/0025_1_6_3_3_5_10.jpg?1747901881","poster_credits":"© archief De Andere Film — scan: M HKA, 2025","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eBelle\u0026nbsp;de\u0026nbsp;jour\u0026nbsp;\u003c/i\u003e(Louis\u0026nbsp;Buñuel,\u0026nbsp;1967),\u0026nbsp;\u003ci\u003eKatzelmacher \u003c/i\u003e(Rainer\u0026nbsp;Werner\u0026nbsp;Fassbinder,\u0026nbsp;1969), \u003ci\u003eMemories of Underdevelopment\u0026nbsp;\u003c/i\u003e(Tomás\u0026nbsp;Gutiérrez Alea, 1968),\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eChinatown\u0026nbsp;\u003c/i\u003e(Roman\u0026nbsp;Polanski,\u0026nbsp;1974),\u0026nbsp;\u003ci\u003eHet\u0026nbsp;zesde\u0026nbsp;deel\u0026nbsp;van\u0026nbsp;de wereld\u0026nbsp;\u003c/i\u003e(Dziga Vertov, 1926),\u0026nbsp;\u003ci\u003eKino Pravda 21\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov, 1925), \u003ci\u003eKinoglaz\u0026nbsp;\u003c/i\u003e(Dziga Vertov, 1924), \u003ci\u003eDrie liederen over Lenin\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov, 1934), \u003ci\u003eOktober\u003c/i\u003e\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003e(Sergej Eisenstein, 1928);\u0026nbsp;\u003ci\u003eVoorwaarts Sovjet\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov,\u0026nbsp;1926),\u0026nbsp;\u003ci\u003eDe\u0026nbsp;man\u0026nbsp;met\u0026nbsp;de camera\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov,\u0026nbsp;1929),\u0026nbsp;\u003ci\u003eStaking\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein,\u0026nbsp;1925),\u0026nbsp;\u003ci\u003ePantserkruiser Potemkin\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein,\u0026nbsp;1925); \u003ci\u003eDe generale lijn\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein, 1929),\u003c/span\u003e\u0026nbsp;\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eW.R. De Misteries van het Organisme\u0026nbsp;\u003c/i\u003e(Dusan\u0026nbsp;Makajev,\u0026nbsp;1971), \u003ci\u003eL’Important c’est d’aimer\u0026nbsp;\u003c/i\u003e(Andrzej Zulawski,\u0026nbsp;1975),\u0026nbsp;\u003ci\u003eLe\u0026nbsp;mandat\u0026nbsp;\u003c/i\u003e(Ousmane\u0026nbsp;Sembene, 1968), \u003ci\u003eLa Nuit americaine\u0026nbsp;\u003c/i\u003e(François\u0026nbsp;Truffaut, 1973), \u003ci\u003eLa Maman et la putain\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jean Eustache,\u0026nbsp;1973),\u0026nbsp;\u003ci\u003eLa\u0026nbsp;Chronique\u0026nbsp;des\u0026nbsp;an- nées de braise\u0026nbsp;\u003c/i\u003e(Mohammed\u0026nbsp;Lakhdar Hamina, 1975)\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eBelle\u0026nbsp;de\u0026nbsp;jour\u0026nbsp;\u003c/i\u003e(Louis\u0026nbsp;Buñuel,\u0026nbsp;1967),\u0026nbsp;\u003ci\u003eKatzelmacher \u003c/i\u003e(Rainer\u0026nbsp;Werner\u0026nbsp;Fassbinder,\u0026nbsp;1969), \u003ci\u003eMemories of Underdevelopment\u0026nbsp;\u003c/i\u003e(Tomás\u0026nbsp;Gutiérrez Alea, 1968),\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eChinatown\u0026nbsp;\u003c/i\u003e(Roman\u0026nbsp;Polanski,\u0026nbsp;1974),\u0026nbsp;\u003ci\u003eHet\u0026nbsp;zesde\u0026nbsp;deel\u0026nbsp;van\u0026nbsp;de wereld\u0026nbsp;\u003c/i\u003e(Dziga Vertov, 1926),\u0026nbsp;\u003ci\u003eKino Pravda 21\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov, 1925), \u003ci\u003eKinoglaz\u0026nbsp;\u003c/i\u003e(Dziga Vertov, 1924), \u003ci\u003eDrie liederen over Lenin\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov, 1934), \u003ci\u003eOktober\u003c/i\u003e\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003e(Sergej Eisenstein, 1928);\u0026nbsp;\u003ci\u003eVoorwaarts Sovjet\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov,\u0026nbsp;1926),\u0026nbsp;\u003ci\u003eDe\u0026nbsp;man\u0026nbsp;met\u0026nbsp;de camera\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov,\u0026nbsp;1929),\u0026nbsp;\u003ci\u003eStaking\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein,\u0026nbsp;1925),\u0026nbsp;\u003ci\u003ePantserkruiser Potemkin\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein,\u0026nbsp;1925); \u003ci\u003eDe generale lijn\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein, 1929),\u003c/span\u003e\u0026nbsp;\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eW.R. De Misteries van het Organisme\u0026nbsp;\u003c/i\u003e(Dusan\u0026nbsp;Makajev,\u0026nbsp;1971), \u003ci\u003eL’Important c’est d’aimer\u0026nbsp;\u003c/i\u003e(Andrzej Zulawski,\u0026nbsp;1975),\u0026nbsp;\u003ci\u003eLe\u0026nbsp;mandat\u0026nbsp;\u003c/i\u003e(Ousmane\u0026nbsp;Sembene, 1968), \u003ci\u003eLa Nuit americaine\u0026nbsp;\u003c/i\u003e(François\u0026nbsp;Truffaut, 1973), \u003ci\u003eLa Maman et la putain\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jean Eustache,\u0026nbsp;1973),\u0026nbsp;\u003ci\u003eLa\u0026nbsp;Chronique\u0026nbsp;des\u0026nbsp;an- nées de braise\u0026nbsp;\u003c/i\u003e(Mohammed\u0026nbsp;Lakhdar Hamina, 1975)\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eBelle\u0026nbsp;de\u0026nbsp;jour\u0026nbsp;\u003c/i\u003e(Louis\u0026nbsp;Buñuel,\u0026nbsp;1967),\u0026nbsp;\u003ci\u003eKatzelmacher \u003c/i\u003e(Rainer\u0026nbsp;Werner\u0026nbsp;Fassbinder,\u0026nbsp;1969), \u003ci\u003eMemories of Underdevelopment\u0026nbsp;\u003c/i\u003e(Tomás\u0026nbsp;Gutiérrez Alea, 1968),\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eChinatown\u0026nbsp;\u003c/i\u003e(Roman\u0026nbsp;Polanski,\u0026nbsp;1974),\u0026nbsp;\u003ci\u003eHet\u0026nbsp;zesde\u0026nbsp;deel\u0026nbsp;van\u0026nbsp;de wereld\u0026nbsp;\u003c/i\u003e(Dziga Vertov, 1926),\u0026nbsp;\u003ci\u003eKino Pravda 21\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov, 1925), \u003ci\u003eKinoglaz\u0026nbsp;\u003c/i\u003e(Dziga Vertov, 1924), \u003ci\u003eDrie liederen over Lenin\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov, 1934), \u003ci\u003eOktober\u003c/i\u003e\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003e(Sergej Eisenstein, 1928);\u0026nbsp;\u003ci\u003eVoorwaarts Sovjet\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov,\u0026nbsp;1926),\u0026nbsp;\u003ci\u003eDe\u0026nbsp;man\u0026nbsp;met\u0026nbsp;de camera\u0026nbsp;\u003c/i\u003e(Dziga\u0026nbsp;Vertov,\u0026nbsp;1929),\u0026nbsp;\u003ci\u003eStaking\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein,\u0026nbsp;1925),\u0026nbsp;\u003ci\u003ePantserkruiser Potemkin\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein,\u0026nbsp;1925); \u003ci\u003eDe generale lijn\u0026nbsp;\u003c/i\u003e(Sergej Eisenstein, 1929),\u003c/span\u003e\u0026nbsp;\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eW.R. De Misteries van het Organisme\u0026nbsp;\u003c/i\u003e(Dusan\u0026nbsp;Makajev,\u0026nbsp;1971), \u003ci\u003eL’Important c’est d’aimer\u0026nbsp;\u003c/i\u003e(Andrzej Zulawski,\u0026nbsp;1975),\u0026nbsp;\u003ci\u003eLe\u0026nbsp;mandat\u0026nbsp;\u003c/i\u003e(Ousmane\u0026nbsp;Sembene, 1968), \u003ci\u003eLa Nuit americaine\u0026nbsp;\u003c/i\u003e(François\u0026nbsp;Truffaut, 1973), \u003ci\u003eLa Maman et la putain\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jean Eustache,\u0026nbsp;1973),\u0026nbsp;\u003ci\u003eLa\u0026nbsp;Chronique\u0026nbsp;des\u0026nbsp;an- nées de braise\u0026nbsp;\u003c/i\u003e(Mohammed\u0026nbsp;Lakhdar Hamina, 1975)\u003c/span\u003e\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}